Are you doing the crossovers while they're out?
Are you doing the crossovers while they're out?
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.
Martin.
Hi Martin,
Good luck with this... Please keep us updated with photos. What circuit are you using for the crossovers?
This is the one I used:
http://www.guitars-of-love.com/tanno...ssovermods.htm
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.
Martin.
Work must go on...
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Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.
Martin.
Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.
Martin.
Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.
Martin.
Nice one, Martin - the Jantzen parts are excellent. I'd be very interested to hear of how it all comes together (with pics, of course), so keep us informed
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Yorks
Posts: 16,643
I'm Nobody.
Check out Duelund Graphite Silver Resistors
Thanks for the link to the page - I remember reading this ages ago and have now saved to "favourites."
Some very wise and utterly sensible words from the big-loudspeakers page.....
"Since doing all this I have become an electronics technician after some study, and continue to be fascinated by the precarious art of speaker building and Hi Fi generally. My interest these days is much more focussed on music, musical electronics and guitars rather than Hi Fi and I continue to play music e.g. the link from this page. I still enjoy listening to a good sound system but the Hi Fi world is so profligate with bullshit it sometimes leaves me gasping. Examples of strange devices which claim to enhance a sound system are always around - inevitably built by portly middle aged men "Looking For The Answer......." Often the protagonists of this sort of thing are largely technically illiterate, with an attitude that borders on the psychotic. (go here for an amusing tale from the late '80s) Formally trained electronics engineers are often just as bad of course because if the maths says it's right - then it's right no matter how crappy it sounds - like saying "Oh any modern amplifier is pretty good thesedays....." Wrong!! Most commercial amps such as Surround Sound units are aurally horrible compared to a traditional budget NAD or Marantz. I guess most folks don't care anymore; content to listen to steely sounding i-Pods through those hideous white earphones. Over it...........live music is much more fun."
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?