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Thread: Valve experiences (1976 to 1987) The golden years? Err no, not necessarily!

  1. #51
    Join Date: May 2008

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    I'm Malcolm.

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    Quote Originally Posted by Marco View Post
    I've never tried any of those so can't comment, but I'm sure you're right.

    However, I wouldn't make sweeping statements about Chinese valve amps being "crap", as if they all were, as just as many examples (or more) can be given of very good ones other people and I have used

    I could go on about, for example, the crap valve amps from Unison Research, Graaf, Audio Research, McIntosh, Conrad Johnson, amongst others, I've heard over the years from these so called respected 'hi-end' manufacturers and some of the rip off prices being charged for no more than mediocre sound quality!

    It's just like anything else in hi-fi, there are good and bad examples of everything. However, in my experience the Chinese get right far more than they do wrong - and they learn quickly from their mistakes.

    Marco.
    I'm not saying that all Chinese equipment is C**P i'm sure there must be one or two out there that are good. Shanling and Opera Cons come to mind, I believe they have a reasonable reputation. However I think if you were to take a straw poll on many of the forums you would find lots of people who have bad experiences with Chinese equipment. Most likey this would outweigh those who have extoled the virtues of their Chinese amps.
    I for one am prerared to forgo some of the performace and pay more in favour of something that
    **can be easily reparied
    **is spported by the manufacturer
    **uses quality components
    **is reliable and dependable
    **dose not have to be modified to cure inherent problems such as hum
    **or be made safe to use

    If members have really good experiences with their Chinese equipment spread over a reasonable period, not just a few months then it would be good to know. There are however manufacturers out there who have a 30 years plus of manufacturing and supporting valve amps who might be a better bet in the long run?
    I.E.
    ARC
    Manley Labs
    Atama Sphere
    EAR Yoshino
    Audio Valve
    Croft
    To name but a few.
    At least these Guys dont pass off Chinese made equipment as their own which seems to be a growing trend in the market.

  2. #52
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

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    Those are all valid points, but the reality is there are far more than just "one or two" Chinese valve amps that are good. Amongst the commercial designs you could also add Primaluna and Puresound to your list, and there are plenty more. If you decide to buy direct from China you just need to do your research properly and adopt some common sense.

    Or you could simply have a reputable and experienced valve engineer (such as our own Nick or Anthony) design something bespoke for you which would fulfil all your above criteria and likely outperform most commercial designs at a fraction of the price, and would also be supported by them, too

    In my opinion Croft are different because Glenn is basically like Nick or Anthony but just happens to be somewhat more well-known. The prices he charges are also 'real world'. World Designs equipment (ready assembled or in kit form) also offers superb sound-per-pound value combined with a professional and reliable back-up service.

    These days, as far as valve amps go, there is simply no need to pay for a desirable audiophile 'badge', providing sound quality is your primary concern.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #53
    Join Date: Mar 2008

    Location: Galashiels

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    I would put a vote in for Mr Liang. I've an 845 SE which while was very good indeed out of the box,has become superb with some very simple tweaks. I run it straight off UK mains and it's given totally trouble-free service for I think around 18 months now.

  4. #54
    Join Date: May 2008

    Location: United Kingdom

    Posts: 95
    I'm Malcolm.

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    Quote Originally Posted by jandl100 View Post
    They are made by a small specialist form in Hong Kong called "Musician". The amp is simply called "Tube Amplifier" !!

    They are very nicely made - I bought them on eBay and and once the seller had the power supply rebuilt to banish hum problems, they have sounded simply fabulous - superb with my Quad 57s and my old ProAc Future Point 5s. But being OTLs they don't like low impedance loads, though - with my old Thiel CS2.3 (a notoriously difficult 4 ohm load) they topped out at anything above moderate sound levels.
    Had a look on the web to see if i can find some more details but drawn a blank. Do you have a URL or any contact details?

    I see you use active speakers now so are they now unused?

  5. #55
    Join Date: Jan 2008

    Location: gone

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    I'm gone.

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    Quote Originally Posted by Complin View Post
    Had a look on the web to see if i can find some more details but drawn a blank. Do you have a URL or any contact details?
    Nope, they are a complete mystery to me, too!

    Here's a photo of the front fascia which presents all the info I know about them! ...



    Quote Originally Posted by Complin View Post
    I see you use active speakers now so are they now unused?
    Yep, they are sitting alone, forlorn and unused at the moment. Most sad.
    I must admit that I am reluctant to part with them as they are, imho, the best power amps I have ever heard (and I've heard quite a few in my time ). I'm bound to get some more passive speakers that are a fairly easy load sometime and I bet I would regret selling the OTLs when that happens! (In fact, I've got my eye on an eBay auction at the moment!)
    But, of course, for the right offer ....
    Last edited by jandl100; 19-07-2008 at 10:12.
    .

  6. #56

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    It is sometimes said that with OTL amps there's a danger that a failing valve will damage the speakers - do you know if that's true ?
    Hans

    MBL 1531 -> Allnic L-4000 -> Audiolab 8000S used as power amp only -> Quad 2805. Cables: Transparent Ultra

  7. #57
    Join Date: May 2008

    Location: United Kingdom

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    I'm Malcolm.

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    Quote Originally Posted by Togil View Post
    It is sometimes said that with OTL amps there's a danger that a failing valve will damage the speakers - do you know if that's true ?
    This is what Wikipedia says about this
    Output transformerless amplifiers (OTL)
    The output transformer (OPT) is a major component in all mainstream valve power amplifiers, and in addition to having a high cost (at least for a good one) they remain engineering compromises that deviate significantly from the idealized form.

    One approach to avoid the problems of OPTs is to avoid the OPT entirely, and direct couple the gain device to the output (as is done with most transistor amplifiers for example). Some designs without output transformers (OTLs) were produced by Julius Futterman in the 1960s and '70s, and more recently in different embodiments by others, in an attempt to overcome the problems of transformers.

    To do this one must deal with the characteristics of the valve, low current capability for a given anode voltage; consequently very particular valves must be employed. If done with care and the correct configuration, reasonable efficiency and moderate Zout (damping factor) can be achieved.

    These effects mean that OTLs have selective speaker load requirements, just like any other amplifier. Generally a speaker of at least 8 ohms is required, although larger OTLs are often quite comfortable with 4 ohm loads. Electrostatic speakers (often considered difficult to drive) often work especially well with OTLs.

    The more recent and more successful OTL circuits employ an output circuit generally known as a Circlotron. The Circlotron has about one-half the output impedance of the Futterman-style (totem-pole) circuits; far more important is the fact that the Circlotron is fully symmetrical and does not require large amounts of feedback to reduce output impedance and distortion. The result overcomes the biggest hurdle suffered by the prior art: stability. Thus modern OTLs can be as stable as any amplifier made. Successful embodiments use the 6AS7G and the Russian 6C33-CB power triodes.

    A common myth is that a failure (short) in one of the output valves may result in the loudspeaker being connected directly across the power supply, and thus being destroyed (possibly quite spectacularly). In practice, the older Futterman-style amplifiers have been known to damage speakers, not out of shorts but out of oscillation. The Circlotron amplifiers often feature direct-coupled outputs, but proper engineering (with a few well-placed fuses) ensures that damage to a speaker is entirely within the same realm as conventional amplifiers. Certainly it is nearly impossible for the speaker to wind up being across the power supply!

    OTLs have been a growing niche, as the Circlotron is so successful that modern OTLs are often more reliable, better performing, better sounding and less expensive than many transformer-coupled approaches. In recent years, the popularity of single-ended triode amplifiers has dramatically increased the range of loudspeakers suitable for OTLs.

  8. #58
    Join Date: May 2008

    Location: United Kingdom

    Posts: 95
    I'm Malcolm.

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    Quote Originally Posted by jandl100 View Post
    Nope, they are a complete mystery to me, too!

    Here's a photo of the front fascia which presents all the info I know about them! ...





    Yep, they are sitting alone, forlorn and unused at the moment. Most sad.
    I must admit that I am reluctant to part with them as they are, imho, the best power amps I have ever heard (and I've heard quite a few in my time ). I'm bound to get some more passive speakers that are a fairly easy load sometime and I bet I would regret selling the OTLs when that happens! (In fact, I've got my eye on an eBay auction at the moment!)
    But, of course, for the right offer ....
    Thanks i'll have to keep an eye out on flea bay

    Hope the pair of speakers you have your eye on are not the same one's i'm bidding on!

    Have you ever tried one of the Radfords STA 15 or 25, they are supposed to have a particular synergy withe Quad ESL's? The Bewitch amps also seem to have some good press and I think are sold under a couple of names in the UK.
    Last edited by Complin; 19-07-2008 at 11:38.

  9. #59
    Join Date: Mar 2008

    Location: Halifax, UK

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    I'm Nick.

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    There are a few weasle words there:

    "A common myth"

    And then

    "Certainly it is nearly impossible for the speaker to wind up being across the power supply"

    Last time I looked nearly impossible wasnt the same as never possible, and if something is occasionaly possible, then it can happen, so is hardly a myth.

    It does make a valid point though, many DC coupled SS amps are just as capable of connecting the loudspeaker to the power rails. The unmentioned problem though, is a OTL pushes valves where they are not intended to be, even freak valves like the 6c33c are pushed to the edge, and in that case failure modes can tend to be not of the "gently fade away" form.

    They can sound very good though, very speaker dependent, but in the right conditions rather good.

    BR makes some nice kits:

    http://www.transcendentsound.com/T16OTL.htm

  10. #60
    Join Date: May 2008

    Location: United Kingdom

    Posts: 95
    I'm Malcolm.

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    Quote Originally Posted by lurcher View Post
    There are a few weasle words there:

    "A common myth"

    And then

    "Certainly it is nearly impossible for the speaker to wind up being across the power supply"

    Last time I looked nearly impossible wasnt the same as never possible, and if something is occasionaly possible, then it can happen, so is hardly a myth.

    It does make a valid point though, many DC coupled SS amps are just as capable of connecting the loudspeaker to the power rails. The unmentioned problem though, is a OTL pushes valves where they are not intended to be, even freak valves like the 6c33c are pushed to the edge, and in that case failure modes can tend to be not of the "gently fade away" form.

    They can sound very good though, very speaker dependent, but in the right conditions rather good.

    BR makes some nice kits:

    http://www.transcendentsound.com/T16OTL.htm
    Perhaps this is why you never see designers like Tim De Paravacini use OTL in their designs. Only Enhaced Triode or conventional push pull.

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