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Thread: Cool Old Kit You Never Heard Of

  1. #191
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,561
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    I love this - nice and simple and not too blingy: https://www.ebay.co.uk/itm/189005270...hoCYPYQAvD_BwE

    Marco.
    This one is tastier:



    https://www.ebay.co.uk/itm/226258225132?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  2. #192
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,946
    I'm AudioAl'sArbiterForPISHANTO.

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    Yes!

    Would be nice to see it lit...

    I used to sell them, with the matching preamp, back in the day. The preamp wasn't as good, and held back the power amp, but partner the power amp with a decent pre, and the results were great

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #193
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,038
    I'm openingabottleofwine.

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    Didn't know you sold audio gear Marco. Was that before you started your picture framing business?
    Barry

  4. #194
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,038
    I'm openingabottleofwine.

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    Quote Originally Posted by Pigmy Pony View Post
    You could get a marketing job at Bose
    Oh the irony! Bose now own McIntosh - a brand who has done more than the rest to foist their vulgar-looking large blue meters onto the hi-fi buying public. They have even stuck one on their turntable; but because it doesn't have a calibrated scale is pretty useless when it comes to adjusting rpm. They should have used a stroboscope like everyone else.
    Barry

  5. #195
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,946
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Barry View Post
    Didn't know you sold audio gear Marco. Was that before you started your picture framing business?
    Yes, mate. I used to work for Bill Hutchison Hi-Fi, in Glasgow in the early 90s, who was a big Technics and Denon dealer

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #196
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,397
    I'm Justin.

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    Quote Originally Posted by Barry View Post
    Oh the irony! Bose now own McIntosh - a brand who has done more than the rest to foist their vulgar-looking large blue meters onto the hi-fi buying public. They have even stuck one on their turntable; but because it doesn't have a calibrated scale is pretty useless when it comes to adjusting rpm. They should have used a stroboscope like everyone else.
    Apart from MC275 and similar exposed valve amps of theirs, I don't like the looks of their gear either.

  7. #197
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,619
    I'm Steve.

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    I'm not a fan of their looks either. I think much of it has to do with their gothic-looking choice of fonts. If Gomez Addams was shopping for hifi they would probably be his choice. And if their amps could be engineered so that when you go to turn the volume up with the remote, the top of the amp flips up and a hand emerges to turn the volume knob manually, that would seal the deal

    I wonder if McIntosh's sales spike during the Halloween period.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  8. #198
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,561
    I'm Martin.

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    The older Mcintosh doesn't look so bad:



    I can live with the small amount of Gothic font, not like they go over the top with it like Manley or Alchemist. Although it's use should be avoided outside of the credits for Dracula films, really.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  9. #199
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,619
    I'm Steve.

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    Yeah, they look a lot better. Apart from the knobs. I'm sure they will be nice and solid, but my air fryer's are similar looking.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  10. #200
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,038
    I'm openingabottleofwine.

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    Quote Originally Posted by Pigmy Pony View Post
    I'm not a fan of their looks either. I think much of it has to do with their gothic-looking choice of fonts. If Gomez Addams was shopping for hifi they would probably be his choice. And if their amps could be engineered so that when you go to turn the volume up with the remote, the top of the amp flips up and a hand emerges to turn the volume knob manually, that would seal the deal

    I wonder if McIntosh's sales spike during the Halloween period.


    I think we have discussed the choice of fonts for the labeling on audio gear before. Coming from an electronic engineering background I'm used to, and prefer, all labeling and legends to be in a clear font sans serif. But Hi-Fi is different as it it is used in a domestic environment, and as such will sometimes use italic script lettering or a mixture of several different styles.

    In that respect I find Marantz gear particularly annoying with their use of three different style fonts. Obviously if the name of the manufacturer is displayed in, say, a cursive or gothic font, then that is how it will appear on the equipment.

    Fortunately all my gear uses plain lettering for the legends; with the sole exception of the Miyajima SUT where the manufacturer's name is in a green cursive font. And talking of colours, I really dislike the use of a mixture of coloured LEDs: just keep them to the one colour - either red, blue or green.
    Last edited by Barry; 14-10-2026 at 09:27. Reason: Spelling
    Barry

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