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Thread: Cool Old Kit You Never Heard Of

  1. #181
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,038
    I'm openingabottleofwine.

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    Quote Originally Posted by Lawrence001 View Post
    Tuner meters don't count they have to move in time to the music. Having said that I've never seen a Dolby level meter before, I would find that interesting to watch how the level of noise reduction varied with the signal.
    I find all meters, whether they are mechanical or bar-graph style distracting. The only time they are useful is when recording, either on a reel-to-reel machine or s cassette recorder.

    If you are listening to music then just do that - it is what your system is for!
    Barry

  2. #182
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,619
    I'm Steve.

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    Quote Originally Posted by Barry View Post
    I find all meters, whether they are mechanical or bar-graph style distracting. The only time they are useful is when recording, either on a reel-to-reel machine or s cassette recorder.

    If you are listening to music then just do that - it is what your system is for!
    While I would agree with that statement, it is true that looks do matter. Given the choice, you might prefer black components to say silver, even though it makes not a jot of difference to the sound.

    Personally, I like the look of meters, even though from my seating position I couldn't see them anyway! What can I say, we like what we like, and logic doesn't always come into it.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  3. #183
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,946
    I'm AudioAl'sArbiterForPISHANTO.

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    Metres (done well) are cool

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #184
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,693
    I'm Adam.

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    Quote Originally Posted by Marco View Post
    Metres (done well) are cool

    Marco.
    Absolutely correct.

    They also improve sound quality by up to 8% on any item that uses them, depending on needle orientation and length, and illumination colour.

    That’s a fact, that is.
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  5. #185
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,397
    I'm Justin.

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    Nah, my Accuphase meters add 8.2347882% to SQ.

    But 100 inch ones rock too

  6. #186
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,038
    I'm openingabottleofwine.

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    Quote Originally Posted by Marco View Post
    Metres (done well) are cool

    Marco.
    Metres or meters? Are you saying size matters?
    Barry

  7. #187
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,619
    I'm Steve.

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    Quote Originally Posted by Beobloke View Post
    Absolutely correct.

    They also improve sound quality by up to 8% on any item that uses them, depending on needle orientation and length, and illumination colour.

    That’s a fact, that is.
    You could get a marketing job at Bose
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  8. #188
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,619
    I'm Steve.

    Default

    Quote Originally Posted by Barry View Post
    Metres or meters? Are you saying size matters?
    Usain Bolt did a hundred of them in 9.58 seconds. That's pretty cool
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  9. #189
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,946
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Barry View Post
    Metres or meters? Are you saying size matters?
    Meters. my bad

    Size? No, not really, just backlit and analogue. You want a nice glow in the room at night.

    Marco.

    P.S how's the holiday going? Have you sent me a card?
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #190
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,946
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I like this - nice and simple and not too blingy: https://www.ebay.co.uk/itm/189005270...hoCYPYQAvD_BwE

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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