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Thread: Martin's

  1. #21
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,805
    I'm AudioAl'sArbiterForPISHANTO.

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    Hahahaha..... Lots of people think that! No, it's just a cupboard for keeping blankets in and such like, or as some like to imagine, my S&M dungeon where all sorts of weird and wonderful things happen!

    I rather liked my Cheviots, but I did think them a "little lacking" at the top end. I dont know how much an "improved" crossover would help here.
    A lot! I had the same problem with my Monitor Golds, in that they sounded a bit cuddly and shut-in, before I upgraded the crossovers with top-notch caps, etc. The result of doing so literally transformed them, lifting a veil over the sound which was restricting the performance from arguably one of the best drive units ever made.

    Now they sound truly astonishing and have not only breathtaking drive and scale in the bass, but one of the most open sounding and communicative midrange presentations I've heard from any speaker so far, together with a lovely sparkle and extension at the top end, which makes them sound bang up to date and modern.

    Now they're not just so Goddamn musically addictive, in the Tannoy DC tradition, but also much more accurate, and thus tick all the 'hi-fi boxes', too....

    Trust me you haven't heard your Cheviots yet until you upgrade their ancient crossovers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #22
    Join Date: Jun 2010

    Location: Southampton

    Posts: 1,623
    I'm drunk.

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    I am glad about the door. Otherwise those Tannoys would be unfeasibly large.

    As I thought about the Cheviots. Unfortunately, I sold them some years ago.
    Probably far too cheaply.

  3. #23
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,143
    I'm AMusicFanNotAnAudiophile.

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    Just an observation here Marco - those handles on the side of the Lockwood cabs, do you do anything to deaden them ?
    I can imagine they sing in sympathy if the volume level of the music you're playing is high enough.
    Chris



    Common sense isn't anymore!

  4. #24
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,805
    I'm AudioAl'sArbiterForPISHANTO.

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    Interesting observation, Chris, and something I've not thought about.

    The handles, however, are not 'floppy', and instead very rigid, so opening them out to use takes a little effort. Therefore, they don't 'rattle' in any way, so I'd imagine have little effect on the sound the speakers reproduce

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #25
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Quote Originally Posted by Techno Commander View Post
    I rather liked my Cheviots, but I did think them a "little lacking" at the top end. I dont know how much an "improved" crossover would help here.

    Marco: Is that a full size door next to your Lockwoods?
    As originally tested (and auditioned when my ears were 35 years younger), the Cheviot had a nasal and rather "pinched" treble delivery a lot of the time, needing the controls to be set to -1 I remember. The intervening decades would have caused severe oxidisation of the nasty switches, the caps were only electrolytic IIRC and fatigue of the foam surrounds would have all added up to a speaker nowhere near it's best.

    Interestingly, Cheviots always sounded better in clients' homes, where the whistly peaky treble was far better managed by well damped room acoustics.

    I liked the Devons too
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  6. #26
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,143
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by Marco View Post
    Interesting observation, Chris, and something I've not thought about.

    The handles, however, are not 'floppy', and instead very rigid, so opening them out to use takes a little effort. Therefore, they don't 'rattle' in any way, so I'd imagine have little effect on the sound the speakers reproduce

    Marco.
    Fair do - it was just an observation.
    Chris



    Common sense isn't anymore!

  7. #27
    Join Date: Jul 2010

    Location: Copenhagen, Denmark

    Posts: 41
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    Hi Martin,





    Please keep me in the loop with that, as I'd like to do something with mine, perhaps in terms of re-veneering in a (lighter) real wood

    Marco.
    The point of no return...I have begun stripping the formica off around the base where its chafed and cracked. Using my Festool circular saw with a set depth of 1 mm I managed to get a clear cut in the Formica around the base - the first 10 centimeters. What a mess. Its not hard to get off but i don't like what i find underneath - my wood needs a lot of epoxy-filler to fix the base again. It will take serious work.

    Se the pics here...
    Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.

    Martin.

  8. #28
    Join Date: Jul 2010

    Location: Copenhagen, Denmark

    Posts: 41
    I'm Martin.

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    Ohh well. I changed my mind and went all the way. The first speaker cabinet has been stripped and cleaned. The Formica is completely off and the contact-cement residue has been cleaned off as well. A bit of filler and we are ready to re-veneer in Mahogany. Can wait.

    Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.

    Martin.

  9. #29
    Join Date: Jul 2010

    Location: Copenhagen, Denmark

    Posts: 41
    I'm Martin.

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    I went for oak-veneer; looks fantastic when its new and light. I will treat it with white-colored furniture oil. The first back-side has been reveneered.
    Setup: Turntables: Thorens TD-124 MKI in the original Ortofon plinth with either the original Ortofon SMG-212 with varius SPUs or an SME 3009 primarely using a DL103D (Retipped: Expert Stylus) another TD-124mkI project under way with a new plinth with SME M2-12R. Preamp: EAR 912 Tube Control Center includes a great RIAA and SUTs. Poweramps: EAR 549 Monos 200W Speakers: Lockwood Major, TMG 15" CD/SACD: Denon DCD-SA1.

    Martin.

  10. #30
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Can't wait to see the finnished article ! must be great to have so much space to hand and such a good sized room to put them in .
    Chris

    We've gone on holiday by mistake !

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