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Thread: Just won these on Ebay......

  1. #71
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,026
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs up What a result!!

    Well, the Dittons arrived today, professionally packaged to within an inch of their lives, in the same 'showroom' condition as I saw them in the pictures.... My GOD these things are as MINTY MINT as MINTY MINT ever gets - they look absolutely gorgeous!!

    But the best bit came when I fired them up on the end of my system..... Oh, f*ck me sideways with a big fat bargepole, these are laughably good!!!

    This has got to be up there with one of the best £260 I've ever spent on hi-fi. Even just sat on the floor at the moment until I get suitable stands, they sound amazing for little stand-mount speakers. They have a massive sound for their size which is, big-boned, punchy, dynamic, crystal clear, musically expressive and just huge FUN!!

    You can hear the pedigree and that these are extremely well-sorted high-quality designs from an era when loudspeakers were built properly by companies using their own cabinets, crossovers and top-notch drive units - and rather crucially, voiced by ear, not bloody computers. They are also voiced to sound real, and not like the horrid shouty sounding monstrosities so often sold these days at the budget end of the market.

    Sound and build quality-wise I wouldn't hesitate to put them in the £800-1000 price bracket, no problem whatsoever, so at £260 they are an umitigated undisputable bargain.

    In fact they're *so* good, once I've got some stands, I doubt I'll bother doing anything else to them.... It just goes to show how much pish is talked about on forums and elsewhere about these speakers and other vintage designs like them - all they need is some decent kit upstream and they positively sing, so it's just as I suspected, folks: don't blame the speakers, blame some of the equipment they were partnered with in those days!

    Moi is a very happy bunny.... God bless Ebay!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #72
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

    Default

    Nice one Marco,look forward to hearing them sometime.

  3. #73
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Quote Originally Posted by Marco View Post


    In fact they're *so* good, once I've got some stands, I doubt I'll bother doing anything else to them.... It just goes to show how much pish is talked about on forums and elsewhere about these speakers and other vintage designs like them - all they need is some decent kit upstream and they positively sing, so it's just as I suspected, folks: don't blame the speakers, blame some of the equipment they were partnered with in those days!
    Yes i've been called a prick for stating just that for so many years i forgotted. folk can stick modern speakers where the sun don't shine as far as i'm concerned regardless of how expensive they are

  4. #74
    Join Date: Jun 2010

    Location: Johannesburg, South Africa

    Posts: 33

    Default

    Marco

    Always nice to get a good surprise, enjoy!
    Arthur

    Angstrom 200 control centre; Technics SE A3 amp;
    Thorens TD125/SME/Ortofon; ML Aerius speakers
    Music server

  5. #75
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,026
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Cheers, Ali and Arthur - it is indeed! But it's also a little sad, as it makes one wonder just what on earth the loudspeaker industry been doing in the last 40 years!

    The Celestions now join my vintage Tannoys as veritable examples of British loudspeaker design at its best.

    Yes i've been called a prick for stating just that for so many years i forgotted...
    I wouldn't worry about it, mate.

    Idiots like that wouldn't know what good sound was if it jumped up and bit them on the arse. Leave them to wallow in the delusion of their biased preconceptions, chasing their tails trying to get a system that they're happy with, and let those of us with good ears and without such blinkers enjoy the best of what vintage hi-fi has to offer

    Next up, those SL-400 stands you recommended - then we'll really be cooking with gas!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #76
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Quote Originally Posted by Marco View Post

    Next up, those SL-400 stands you recommended - then we'll really be cooking with gas!!
    Awesome if you think SL-400 isnt too high..The Divine Audio i gave you link to a very fast dispatch & free postie..

  7. #77
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,026
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I'll double check, dude, and do some measuring. A lot will depend on where my listening position is when I put them in the lounge. Outside it won't matter as much

    Do you think open-frame types might be better?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #78
    Join Date: May 2010

    Location: Croatia

    Posts: 188
    I'm Robert.

    Default

    Quote Originally Posted by Marco View Post
    .... My GOD these things are as MINTY MINT as MINTY MINT ever gets - they look absolutely gorgeous!! ...

    ...They have a massive sound for their size which is, big-boned, punchy, dynamic, crystal clear, musically expressive and just huge FUN!!

    You can hear the pedigree and that these are extremely well-sorted high-quality designs from an era when loudspeakers were built properly by companies using their own cabinets, crossovers and top-notch drive units. They are also voiced to sound real, and not like the horrid shouty sounding monstrosities so often sold these days at the budget end of the market.

    Sound and build quality-wise I wouldn't hesitate to put them in the £800-1000 price bracket, no problem whatsoever, so at £260 they are an umitigated undisputable bargain....


    Marco.

    I'll just say this:
    And such speakers you will listen outside.I can not believe.
    That would be the same if I used my own ,in also MINT condition,Sansui AU-11000 to sound some disco club.

    Must have been a lot of this


    Regards,
    Speakers: WLM Diva Monitor
    CD: Marantz SA8003
    Tuner: Sansui TU-9900,TU-919...
    Amplifier: Almarro A318B,Sansui AU-X1111 MOS VINTAGE,Sansui AU-11000A,...
    Receiver: Sansui G-22000,Sansui G-7000,Sony STR-V7...

  9. #79
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,026
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol, Robert

    They'll be very well looked after, I assure you, when they're outside being used in the summer months - and let's remember that in the UK we're lucky if we get 4-5 weeks of good weather, so the rest of the time they'll be used indoors

    What I'm looking forward to is getting them set up properly downstairs in the lounge, as I've always wanted to hear what my system sounds like on a decent pair of speakers in a different room to where the equipment is.....

    The fact is, one of the biggest sources of vibration detrimental to the sound of your gear is generated by the speakers themselves when pumping out music, so it'll be very interesting when that particular effect is removed from the equation!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #80
    Join Date: May 2010

    Location: Croatia

    Posts: 188
    I'm Robert.

    Default

    Quote Originally Posted by Marco View Post
    Lol, Robert

    They'll be very well looked after, I assure you, when they're outside being used in the summer months - and let's remember that in the UK we're lucky if we get 4-5 weeks of good weather, so the rest of the time they'll be used indoors
    Now I was relieved.A little.

    I am familiar with that,and since you are on the island humidity is...let say over 90 percent.
    For your garden party buy yourself some allwether Tannoy,Bose...

    Regards,
    Speakers: WLM Diva Monitor
    CD: Marantz SA8003
    Tuner: Sansui TU-9900,TU-919...
    Amplifier: Almarro A318B,Sansui AU-X1111 MOS VINTAGE,Sansui AU-11000A,...
    Receiver: Sansui G-22000,Sansui G-7000,Sony STR-V7...

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