No worries, dude. I prefer hand cuing (it's more accurate, I feel) so I always use the finger lift
What differences did the brass counterweight make to your ears?
Marco.
No worries, dude. I prefer hand cuing (it's more accurate, I feel) so I always use the finger lift
What differences did the brass counterweight make to your ears?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
See my previous post for comments on first impressions of counterweight. May I add "where the fuck did that deep bass from??" to them :P Read my earlier post back & came across like I was talking about the headshell's difference to the sound!
The Sumiko in the picture is similiar to the one I have and to the extra one I've ordered. It comes with a black finger lift that has to be installed via the cartridge fixing bolts. I got mine from Analogue Seduction on Uk.ebay. I must be getting sick, I plan to have firstly cartridge shoot outs, and then when I'm settled with one I really like, maybe I'll get a mono cartridge.
I plan to trawl through some of the classic cartridges from the 70s, like the ADC XLM for example. First up, is a Nagaoka MP11 boron. I think my mystery Grado might be a GF3+ or some such. It seems to ring a bell.
I'm certainly that the guys in the UK have got their brass![]()
Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
Powered by Custom-HiFi-Cables DC2 psus
Posts: 16
Look forward to hearing your thoughts on the Nagaoka Peter.
I think I will join the club and order a Sumiko via ebay I am trying to take things in stages so that I can understand if and what the benefits are... Like Marco really need a fingerlift on the headshell would just feel wrong without.
I also have a Pickering V-15 that I am going to try in the other headshell, cheap but very musical and great bass on my Lenco so worth a try.
J.
Before getting the Technics I was using a spacearm (that'll have to find a loving home one day) which doesn't have a finger lift. It's a straight arm with what serves as the headshell cut at an angle, so there's room to hook over the finger. I didn't install the finger lift on my Sumiko, and use it as I used the Spacearm. But then, I like automatic transmission cars, so the cueing lever gets used.
I'll install the Nag over the weekend I'm sure, Steve S., if his reading this, is going to wonder how![]()
.
cheers
Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
Powered by Custom-HiFi-Cables DC2 psus
Hello boys.sorry not been around here for a while, perhaps i should explain why, i have a severe problem with prolapsed discs, and have had a couple removed so far with prolly more to come, this means i am either in too much pain to do anything/ cant stand for long at machines or off my face on codiene if i have to stand/walk for longer than a few minutes, some weeks are better than others and at the moment its not as bad as it can be, hence i was able to do a few C/W`s for those that asked.
So thats cleared that up, i wouldn`t normally explain these things on a forum but would not want anyone to feel i was i was shunning this place or not wanting to help out.
sometimes i just dont have anything interesting to say.
Glad to hear the royal mail were on the ball for once and that you are hearing the improvements made by fitting this C/W, i should have patented the thing![]()
Regards, John.
Posts: 16
If this is the result of you being off your face on codeine then keep on the stuff ;-)
I have stuck ended up with just the largest of the 3 weights balancing the DL110 on original headshell. To my ears there is a very positive increase in bass definition over the technics weight. My testing methodology was to play a few tracks of 'Blues & Roots' by Charles Mingus then stick the brass counterweight on and then play the whole thing ;-)
Sorry to hear you are not in the best of health John, really appreciate your efforts and would highly recommend your work to anyone else.
Seconded! Many thanks for your help John, and all the best for the future.
Nick.
We shouldn't forget Scoobs remembered that it's 14.2mm too![]()
Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
Powered by Custom-HiFi-Cables DC2 psus
Hey John, nice to hear from you again mate!
I had a feeling you weren't keeping too well, and I'm sorry it still appears to be on-going... Hopefully you'll be right as rain soon once your discs have been sorted out. Just chill mate and get well as soon as possible. We always like to hear from you so when you have the energy keep posting!
You should have! The effect on a Technics arm is a complete no-brainer. Hey maybe some royalties would be due for the person who came up with the idea?Glad to hear the royal mail were on the ball for once and that you are hearing the improvements made by fitting this C/W, i should have patented the thing![]()
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.