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Thread: New Solid Aluminium Platter for the SL1200

  1. #141
    Join Date: Sep 2009

    Location: Houston, Texas, USA.

    Posts: 181

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    I have been reading all this with great interest and if it were me considering buying one here is what I would do.

    Listen to one with and one without, in other words take your regular platter along and swap it in and out on the same table that has the heavier one on it.

    That's the only way to really decide, isn't it?

    The price is pretty hefty so I would want to be sure before I parted with the money.
    Phillip.

    Records... the Vinyl Frontier. These are the voyages of the turntable Perspective. Its five-year mission: to explore strange new records, to seek out new artists and new sounds, to boldly go where no hyper elliptical diamond stylus has gone before!

    Polk Audio SDA 1C + Yamaha C4 / M2 + Custom Made DIY Phono Stage + Pro-Ject Perspective + Pro-Ject Speed Box II + Benz Micro Ace = Magic.

  2. #142
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi John,

    I guess Dale hits the nail on the head with these 2 statements
    1
    "During tests to determine final platter moment of inertia is has been shown that a heavier platter produced slower motor loop feedback control response to motor load demand whilst a lighter platter produced faster motor loop feedback control response to motor load demand"

    2
    "It has been shown that in an electronically commutated direct drive motor the twisting effect produced in the chassis due to the axial torsional vibration can be reduced to a low noise level by increasing the effective moment of inertia of the chassis not by increasing weight or hardness of the chassis material, turntable platter or spindle shaft"
    Indeed. The first one is particularly relevant to this discussion and suggests a distinct problem with using a high-mass platter, which others and I had alluded to earlier.......

    Therefore the jury is still out (big time) on this particular modification.

    As for your comment:

    This suggest that the bigger improvement in sound might come from the chassis
    I've long suspected that far bigger sonic improvements than a new platter offers will come when Mike New (or someone else) designs a better chassis/plinth for the SL-1200/1210 than that which is currently used - something which provides even better isolation from the effects of the environment, so I look forward very much to that becoming available

    Hey, what a breath of fresh air Dale is, though. Now why can't someone we know very well be as forthcoming with required technical information?

    Dale, you'll fit in here just fine, me old son....

    We look forward to reading more of your pearls of wisdom!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #143
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Phillip,

    Listen to one with and one without, in other words take your regular platter along and swap it in and out on the same table that has the heavier one on it.

    That's the only way to really decide, isn't it?
    Erm, in a word: 'no'. Did you not read this I wrote earlier?

    Basically, I'm looking for any objective evidence which proves beyond reasonable doubt that the extra mass of the new platter does not impact adversely on the speed stability of the SL-1200's drive system in the short, medium or long-term.

    The reason I'm being so particular about this is quite simply because our ears would not immediately detect any minute variance in the speed stability of the drive system, but a stylus on a cartridge would.....

    Therefore (if that were the case), through time this would manifest itself and translate to our ears as a blurring of the leading edges of notes, causing pitch and timing issues, and a perceived 'slowing down' of the music, even though objectively this may not show up on test apparatus, and through time, subsequent dissatisfaction of music reproduced - even if initially there were improvements sonically in other areas.

    In effect, one could unconsciously succeed in eroding the very sonic characteristics which attracted us to the Technics in the first place.
    Note in particular the bits in bold. In this instance, a subjective listening test is simply not enough!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #144
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

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    Quote Originally Posted by DSJR View Post
    This new platter is £650 right?????

    Bloody 'eck fella's, it's as bad as SME apparently charging £225 or so for a couple of phono sockets, a bit of bent metal and a screening can which fits decades worth of tonearms, so no R&D charges there.....

    Apologies, I've already made my feelings on this plain enough and still think a Spacedeck with heavy kit (a graphite platter this one, plus a new arm-pod) and Wave Mechanic supply will be a musically better (or at least equal) sounding machine..

    Prices:

    AceSpace - £1200
    Heavy Kit - £450
    Wave Mechanic - £540 approx - re-generates the 50Hz waveform and gives speed adjustment too.

    Total - £2190 AND IT'S ALL UK MADE!!!!!

    So there!!!

    I'll return to my slimy stone now and leave the rest to your bank balances...
    I could be wrong here but as far as I know Notingham Analogue no longer exists. After a long illness Tom Fletcher is back but not as NA but as Fletcher Audio.

    I know no more than that, so as you were discussing Technics stuff



    Regards D S D L
    Regards Neil

  5. #145
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

    Default

    Quote Originally Posted by Dalek Supreme D L View Post
    I could be wrong here but as far as I know Notingham Analogue no longer exists. After a long illness Tom Fletcher is back but not as NA but as Fletcher Audio.

    I know no more than that, so as you were discussing Technics stuff



    Regards D S D L
    Nottingham Analogue not only 'exists' but is doing better than ever, especially with their export markets. Today, I ordered an Ace Space turntable which will be with me early next week.

    Don't believe all you read on forums.

    Tom Fletcher is now doing his own thing and I will have samples of his new products very soon.

  6. #146
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dave,

    So what we *could* assume then, is that the existing platter is fine with the regulator and external supply fitted and the MN bearing may improve things by being quieter and better engineered. Adding a heavier platter to this mix may upset the servo balance and make it worse, yet drastically improving the plinth system (making it more solid, massier and more inert) may make things better as a mass-sink for the motor system...
    That's kind of it in a nutshell, yeah!

    Perhaps all that's needed is a perspex or acrylic top platter of some sort, with the tonearm mounting plates increased in thickness accordingly (and adding mass as a by-product)..
    Someone actually suggested this to me the other day, and I think it's an excellent idea worthy of further investigation

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #147
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

    Default

    Quote Originally Posted by hifi_dave View Post
    Nottingham Analogue not only 'exists' but is doing better than ever, especially with their export markets. Today, I ordered an Ace Space turntable which will be with me early next week.

    Don't believe all you read on forums.

    Tom Fletcher is now doing his own thing and I will have samples of his new products very soon.

    I did qualify what I said as "I could be wrong here", but without Tom is it still NA? Thanks for the clarification about NA still being in existence.

    I like NA TTs One of those foundational analogue experiences for me, was a NA Mentor Reference in Vinyl Tube Audio (now sadly gone), many, years ago in Fortress Road London.


    Regards D S D L
    Regards Neil

  8. #148
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Ahem..... This is one thread I'd like to keep strictly on-topic

    Cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #149
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

    Default

    Quote Originally Posted by Marco View Post
    Ahem..... This is one thread I'd like to keep strictly on-topic

    Cheers!

    Marco.


    No problem ! I'll get my coat...........


    Regards D S D L
    Regards Neil

  10. #150
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Why thank you, Mr Dalek Daftee!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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