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Thread: DENON HA 500, just a photo gallery

  1. #81
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dave,

    For the final time Marco (I promise), the Lentek has a fixed input impedance which, as you say, will certainly be cartridge dependent, no issues there...
    Nope. Perhaps in future though remember to consider the bigger picture (as you have done now) before rubbishing a product

    But as you've found, there are better things available to handle the tiny outputs of most MC cartridges.
    Indeed there are - at a price. But I can't think of a better brand new head amp or SUT to use with a DL-103 for less than the cost of the A23....

    Put it this way, the Lentek in conjunction with the AT PEQ3 (interesting review to read via the link below):

    http://www.lpgear.com/Merchant2/merc...egory_Code=C2D

    ...would be a fabulous combo for 103 users on a budget, and would likely sonically outperform the (generally piss-poor) active MC stage in most budget phono stages/preamps.

    This is what AOS is about: the bespoke, the unusual; opting for the more 'leftfield' choice and thinking outside of the box to unearth potential gems which offer the highest SPPV - not simply going for the usual boring suspects and 'me too' bollocks on the market.....

    We will always alert people to that way of thinking with audio, as it usually makes life much more interesting and rewarding!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #82
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default Tim de P's 'The Head' SUT...

    Thinking back to what Neil said earlier, when I described The Head thus:

    As an aside, I've often noticed people going on about T de P's 'The Head' SUT, and how wonderful it was, well I had one and found it a pretty unremarkable device - not bad by any means, just a little 'bland', somewhat fluffy sounding, and ultimately rather musically un-involving.
    And he replied:

    Not my experience of The Head at all.
    I have since found this, which Neil posted elsewhere on an old thread:





    Observing the list of input impedances, none of them would in any way suit a DL-103, as they're far too low!

    The 103 needs between 100-250 Ohms. I find 100 Ohms ideal.

    The way too low input impedances for the 103 offered by The Head explains exactly the sound I experienced, but of course in no way reflects on its performance in conjunction with suitable cartridges

    It's that synergy thing again!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #83
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,711
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by Marco View Post
    Thinking back to what Neil said earlier, when I described The Head thus:



    And he replied:



    I have since found this, which Neil posted elsewhere on an old thread:





    Observing the list of input impedances, none of them would in any way suit a DL-103, as they're far too low!

    The 103 needs between 100-250k. I find 100 Ohms ideal.

    The way too low input impedances for the 103 offered by The Head explains exactly the sound I experienced, but of course in no way reflects on its performance in conjunction with suitable cartridges

    It's that synergy thing again!

    Marco.
    You have to be careful with Japanese SUTs. When discussing impedance, they seem to follow the convention of quoting the source (cartridge) impedance (or resistance) not the loading impedance. That is why the figures are so low.

    Following that convention, 40 Ohm ought to be fine for the DL103.

    I think, Marco, you meant to write "The 103 needs between 100-250 Ohm. I find 100 Ohm ideal." Otherwise the impedance you quote is far too high. A 'typo' no doubt.

    At the moment I am using a Nakamichi MCB-100 SUT between the EMT and a standard 47K mm 'disc' input. The blurb for the Nakamich states:
    Input impedance 2-20 Ohm
    Output impedance 50k Ohm.

    The EMT has a coil resistance of 22 Ohm, and the SUT works just fine, apart from having too much gain (20:1 turns ratio). It loads the EMT with ~120 Ohm; about right.

    Regards
    Last edited by Barry; 01-06-2010 at 08:59. Reason: Additional information
    Barry

  4. #84
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Barry,

    Yes that was a typo - now rectified

    You have to be careful with Japanese SUTs. When discussing impedance, they seem to follow the convention of quoting the source (cartridge) impedance (or resistance) not the loading impedance. That is why the figures are so low.
    Ah, I was wondering.....!

    Following that convention, 40 Ohm ought to be fine for the DL103.
    Thing is though, to my ears it wasn't.... The 103, through The Head, sounded as flat as a witch's tit!

    It was typical of what I hear when a cartridge is loaded at too low an impedance.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #85
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,711
    I'm openingabottleofwine.

    Default

    Hi Marco

    Crickey that was quick!

    Does your DL103SA have a coil resistance of 40 Ohm? Or were you specifically referring to the 103?

    Either way, as I have posted elsewhere on similar discussions, the final arbiter should always be your ears.

    The Nakamichi MCB-100 got an indifferent review in the same Practical Hi-Fi group review that praised the Lentek. So far the Nak sounds OK to me, but I will have to give it more time. In fact whilst my 44 pre is down, I intend to do a bit of SUT 'rolling'. Will report in due course.

    Regards
    Barry

  6. #86
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,711
    I'm openingabottleofwine.

    Default

    I should have added that the most important parameter to quote when discussing SUTs is, of course, the turns-ratio (or voltage multiplication factor).

    I assume the various impedance inputs on 'The Head' SUT, are different tappings on the primary winding. However, to make proper sense of their impedance designation, I would need to know the various turn-ratios.

    I should also like to correct a mistake I made. The input impedance of the 'disc' input of the Quad 33 preamp is 68k not the 47k I had assumed. With the Nakamichi SUT this presents a load of ~170 Ohm to the cartridge. Probably even better for the EMT and just as good for the Denon 103.

    Regards
    Barry

  7. #87
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    I'd suggest the info on the back panel are the nominal output impedance of the cartridge, rather than the load presented - The AT's are around 15 Ohms and the denon 40 Ohms I believe...


    MARCO - you're a VERY naughty boy - more later
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  8. #88
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Why - wot av oi dun now, sweetheart?



    The AT's are around 15 Ohms and the denon 40 Ohms I believe...
    That makes sense, but at the time with the stock DL-103, The Head still sounded pants (somewhat warm and mushy) compared to what I'm getting now with the Lentek, let alone the A23!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #89
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Quote Originally Posted by Marco View Post
    Why - wot av oi dun now, sweetheart?



    Marco.
    I was going to order some Sowters and get my mate hifi dave - with fully sharpened chainsaw, drill press, soldering iron and decades of soldering skills - to help me stick 'em in a little project box. But now I have other ideas first....
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  10. #90
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,498
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Such as - trying a Lentek with a DL-103 on a non-wobbly T/T through a decent, post 1970s MM phono stage?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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