Hi Mike,
Thanks for that - again most interesting.... What about the questions I asked in my previous post?
Marco.
Hi Mike,
Thanks for that - again most interesting.... What about the questions I asked in my previous post?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I'd be very surprised if there was any additional noise from Mike's bearing with a heavier platter, since it is so well engineered. Whether the motor controls need to be adjusted to take into account the additional mass is not important, since the essential parameters can be easily altered by someone who knows about these things.
The copper mat thing interests me, even though I no longer own a Technics deck. Does the copper mat work because it, in effect, provides the mass and rigidity that the standard platter patently lacks? Mike used to use a copper mat "stuck" down to the standard platter using silicone grease - does the new machined platter move things along significantly? I would venture an opinion is that the flimsy interface between the Technics' alloy chassis and the main bearing housing is a more fundamental issue than the limitations of the standard platter; also it is clear (to me at least) that one of the reasons why Mike's bearing works so well is that, because it is very strong and utterly rigid, it imparts strength to that part of the chassis that did not have it before. It's also a very fine bearing, of course!
It does look more and more like the motor from the Technics is the only bit worth shouting about!
I'd be very surprised if there wasn't. More load equals more friction & therefore more noise. It's really a question rather of whether the increase is significant & whether the benefit of a heavier platter being controlled by this particular motor (& drive electronics) outweighs the effect of an increase in the noise produced by the bearing.
I can well imagine Mike's bearing being quieter than the stock bearing, but loading it more may give some of that advantage away.
Hi Hugo,
Lol - it's always been that way (as I've said many times before)It does look more and more like the motor from the Technics is the only bit worth shouting about!
I've always seen my SL-1210 as a top quality motor unit with some 'free bits' included - nothing more.
The novel thing about the Techy is that you can take a fairly inexpensive turntable, still in current production, and upgrade it slowly in affordable steps, to become something truly world-class, and that every upgrade step and associated product is supported and guaranteed by a knowledgeable UK dealer. *That* for me is invaluable!
No other turntable in the world offers such in-built flexibility and peace of mind upgrading potential - and that makes it a dream come true for people who would like to own a genuinely hi-end brand new T/T, but who couldn't afford to buy one of the recognised models outright
Btw, I had the opportunity recently to hear an utterly superb Kenwood/Trio L07-D, fitted with a Linn Troika, which was by far the best D/D turntable I've heard (yes, notably better than any SP10 I've heard so far!) I'll therefore be taking my Techy round to see how close it gets, as IMO the L07-D will act as an ideal benchmark from which to judge just how good my SL-1210 is - and how much better it could become with a superior PSU, new platter and plinth....
The results will be reported in Strokes of Genius in due course, so look out for that!
We must also arrange to do our own little T/T bake-off sometime
I've also recently taken delivery of a Paul Hynes SR3-21 PSU, with very interesting results, and I'm awaiting delivery of an SR5 for similar evaluation purposes. The latter will be compared with an HE Timestep, in due course (with and without Mike's new platter).
Exciting times are ahead!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
That's also how I see it, and hence why I've asked Mike to offer his opinion on this. Before I drop £650 on a new platter, I need to be 100% sure I'm doing the right thing!I'd be very surprised if there wasn't. More load equals more friction & therefore more noise. It's really a question rather of whether the increase is significant & whether the benefit of a heavier platter being controlled by this particular motor (& drive electronics) outweighs the effect of an increase in the noise produced by the bearing.
I can well imagine Mike's bearing being quieter than the stock bearing, but loading it more may give some of that advantage away.
Over to you, Mike (and/or Dave)
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Guy
Do you think its a step too far ? are we going beyond what the deck is really capable of as some believe ! .
Chris
We've gone on holiday by mistake !
It's interesting to rap the platter both with and without the copper mat. The former rings like a bell while the latter gives a completely dead thud. The extra mass slows the startup, which doesn't concern me, but probably doesn't bother the Mike New bearing in the least.
Location: Montreal, Quebec, Canada
Posts: 30
More load equals more friction & therefore more noise
Anything is possible vis a vis load noise, but many a TT have a very high mass platter with no transmission of noise.
With 3 copper mats totalling 12 pounds + the 3 pound regular platter, their is no noise whatsoever & no perceive added friction on my TT, as the platter turns quite freely with the Mike New bearing.
So, with only using the Mike New 11.5 pound platter, even with one added copper mat, their should be no problem since its the same load or less that I am presently using.
In any case, as people acquire the new heavy platter from Mike, we will eventually get more feedback opinions.
Yves
Tecknics MK V, KAB Power supply,Mike New bearing and 12 pound platter, 2 TT Weights copper platters, 1 Oracle platter, Audiomod micrometer tonearm, Clearaudio Virtuoso cartridge - PS Audio GCPH modded phono pre, PS Audio modded PCA2 pre , 1 Citation16a fully rebuilt & modded, 2 bridged Citation16 partly rebuilt. Rewired & refoamed AR9 speakers.
Yves.