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Thread: New Solid Aluminium Platter for the SL1200

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yup - I expect so

    Marco.

    P.S Not long until your 1000th post!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    P.S Not long until your 1000th post!
    I'm still waiting for my strikingly designed AoS award to put on the mantlepiece.

  3. #43
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oh don't worry, it's extremely cunningly crafted... I'll bring it down when I visit in a couple of months

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #44
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    Larry will be Larry Denham who has an engineering company based in Canada called TTWeights. They make a variety of mats & clamps in various materials for different turntables.

    http://shop.ebay.com/ldenham123/m.ht...&_trksid=p4340

    While there is some scope for changing the weight of a DD turntable's platter by adding a heavy mat, there will be a limit above which it'd be necessary to adjust the control electronics slightly to allow the motor to remain in control of the platter. The SP10 Mk3 has a significantly heavier platter than the Mk2 but will be set up quite differently to allow for it.

    The other issue is that increasing the load on a turntable's bearing will increase the noise that bearing produces. I don't think there's anyway round that short of supporting all or some of the mass on a magnetic field.

  5. #45
    Join Date: Apr 2010

    Location: Montreal, Quebec, Canada

    Posts: 30

    Default More info

    Larry is the owner of the company that makes the copper mat. His web site is at : www.ttweights.com He is located in Ontario, Canada.
    At first he made TT legs and then copper mats - he now makes 2 turntables models ( a third model on the way).

    My very basic understanding of how DD works is that you don't want a flywheel effect ? or do you
    I also have a basic understanding of mass. However, the flywheel effect would be the momentum caused by a high mass platter turning. So this momemtum is greater, as the platter is heavier.
    This creates a more stable speed, as often some high mass platters are turned by a very small motor because it can bring the mass up to speed and maintain the speed with very little torque.
    Insofar as a DD turntable does not want a flywheel effect, I would refer readers/members to the Brinkman turntable web site about their DD turntable with a 10 kg platter :http://www.brinkmann-audio.de/main.p...=oasis&lang=en

    Also look at their Balance turntable with the high mass platter and small motor; the flywheel effect of the platter is most prominent also.

    Yves
    will update my signature soon.
    Last edited by Citation16; 26-05-2010 at 13:03. Reason: more info
    Tecknics MK V, KAB Power supply,Mike New bearing and 12 pound platter, 2 TT Weights copper platters, 1 Oracle platter, Audiomod micrometer tonearm, Clearaudio Virtuoso cartridge - PS Audio GCPH modded phono pre, PS Audio modded PCA2 pre , 1 Citation16a fully rebuilt & modded, 2 bridged Citation16 partly rebuilt. Rewired & refoamed AR9 speakers.

    Yves.

  6. #46
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Cool - cheers.

    So what's your first name, mate? We like to be on first name terms here

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #47
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Thanks Yves! A new thread in the Welcome area, introducing yourself to our members (outlining taste in music, etc) also wouldn't go amiss

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #48
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Guy,

    While there is some scope for changing the weight of a DD turntable's platter by adding a heavy mat, there will be a limit above which it'd be necessary to adjust the control electronics slightly to allow the motor to remain in control of the platter. The SP10 Mk3 has a significantly heavier platter than the Mk2 but will be set up quite differently to allow for it.

    The other issue is that increasing the load on a turntable's bearing will increase the noise that bearing produces. I don't think there's anyway round that short of supporting all or some of the mass on a magnetic field.
    Interesting... Do you suspect that the control electronics would need adjusting with the use of Mike's platter, or is the extra weight over the existing platter not significant enough to alter the way the motor behaves?

    Feedback from Mike would also be good on this

    I'd also like Mike's view here:

    The other issue is that increasing the load on a turntable's bearing will increase the noise that bearing produces.
    What's your opinion on that, Mike?

    I guess it boils down to the old 'choose your compromises' thing. As long as the positives, sonically, significantly outweigh any minor negatives, I'm still very interested in adding the new platter to my SL-1210.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #49
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

    Default

    I don't know. I'm sure someone like Dave Cawley would be able to make any necessary adjustment though

  10. #50
    Mike_New Guest

    Default

    chris@panteg,
    Firstly the Larry that Citation is refering to, is Larry Denham of TTweights in canada.
    The flywheel effect that Citation was refering to. In any control system one always has the effect of feedback, the amount to correct any error being proportional to the error in many ways. Instantaneous value, rate of change of error, (de/dt) etc. These corrections are the subject of some pretty involved maths, as indeed they are with audio amplifiers!!
    I do not believe that the DD would be any different in this regard, it could be argued that if the platter were of very low mass then any friction or stylus/music effects would occur more quickly and require more frequent corrections. The much heavier mass of the new platter greatly reduces these variables from any instantaneous change, as any heavy platter on any good TT is designed to do.
    The flywheel affect would naturally be present as a function of diameter and mass, and is what is required for absolutely smooth control with minimum feedback affects from external influences such as stylus friction. The reason that the DD system is so very excellent for TT application over the elastic band driven machines, is that the correction is immediately felt by the 'system'. In any belt drivem system the belt per se' has to transmit the correction to the platter which can result in all sorts of effects caused by instataneous belt stretch etc. (and this stretch would be proportinal to platter mass) remember in all of these equations we are talking of very small values because that is what recorded sound is all about.

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