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Thread: The Marco-boy main system, as of August 2020

  1. #211
    Join Date: Apr 2011

    Location: London

    Posts: 4,411
    I'm Robert.

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    Quote Originally Posted by Beobloke View Post
    That's 'cos we've all got nice modern cartridges that don't need fudging...

    My System:
    Amplification - Sansui AU-alpha 707 DR
    Turntable - Technics SP10 MK2-Technics EPA-250 Tonearm-Yannis Tome 423.5Plus tonearm cable-Eichmann KLEI Absolute Harmony plugs.
    Ortofon Cadenza Black moving coil cartridge-Fritz Gyger S re-tip. Panzerholz plinth.

    CDP - Pioneer PD-91
    Speakers - Spendor D7 on Soundcare SuperSpikes
    QED Silver Spiral speaker cable-airloc banana plugs
    Mains - Ultra Pure silver plated un-switched socket-Missing link EPS 500 silver plated plugs-Hi-Fi Tuning gold plated silver ceramic 13 amp fuses

  2. #212
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by kininigin View Post
    Hi Marco,hope you are well. Very interesting read this thread has been.Especially what you have written about the SC35C and the loading plugs. I'm also a big big fan of this cartridge, so any possibilty of improving what it can do always gets my interest and if adding the Funk Houdini changes the game, then i can only imagine how much better it can get!

    I'll start small and order the loading plugs and see what that brings to the party.
    Hi Darren,

    Long time no hear, mate! Hope you're well I'm fine, just enjoying getting back into some hi-fi shenanigans after somewhat of a hiatus! No big reason for that, just other things to occupy my time.

    Nice one on the loading plugs... Trust me, if you get the values right, you'll hear a significant improvement in all the areas I've mentioned. There a lot of latent potential with the SC35C waiting to be released once it's been loaded correctly!

    In your set up though, you may need to use a different plug value, as much will depend on the capacitance of your existing tonearm cable, but I reckon the sweet spot will be somewhere between adding a further 150-250pF.

    Anyway, let me know how you get on with the plugs when they arrive. If you're getting them from the same source as me, tell them to ensure that the black 100 ohms plugs are included, for tuning MCs, just in case you get into that, as they forget to put those in with my order, although they've rectified that now.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #213
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Opti-cal View Post
    So, after reading a few comments regarding how beneficial it is to tweak/load the capacitance of most MM carts I thought I'd give it a go too. The cartridge in question is just a very humble Ortofon OM type with an OM10 stylus. The cartridge body remains the same however, all the way up to the semi-exotic OM40 so upgrades are incredibly simple and once the cart is perfectly aligned you can just forget about it and swap the styli in 5 seconds flat! Part of its appeal, anyway. . . .

    I'd heard this particular cartridge really does like a few picofarads 'up it' (somewhere in the region of 400) so I came across these on the god ol bay.



    They're basically just an RCA plug added to the circuit using a 'Y' splitter, so the signal travels through but the plugs add around 220pf. It has a resistor neatly soldered into the send/return lugs of the plug providing the capacitance. As the cable and phono plugs are usually around 150pf themselves, the approximate total brings it nicely into the carts 'peak' operating levels (by all accounts) around 370-400pf.

    Not quite as versatile or indeed flexible as yours but they certainly do the job.

    The chap actually included (at my request as they were on some of his other lots) some much better gold plated Y splitters, so that is what I received.

    Like these:



    I've got to say that everything sounds better. The technical explanation involves flattening out the cartridges response to more closely follow the RIAA standard (I think).
    As I say I'm barely scratching the surface here, I've played around with the loading of MC carts before using dip switches and pots on phono stages that allow the adjustment, but my current phono stage (although having an MC input also) offers no such adjustment to either type.

    Links below:

    Loading plugs: https://www.ebay.co.uk/itm/Phono-Car...72.m2749.l2649

    Y splitters: https://www.ebay.co.uk/itm/Gold-Plat...QAAOSwFJBZVit7

    I'll be interested to see how things develop regarding the Houdini and playing around with the loading plugs.

    Cheers
    Excellent stuff, Chris. For the above and your previous post. I'm sure we can swap notes on our respective journeys with 'tuning' our MM cartridges!

    So how would you describe the improvement you heard when fitting the plugs - was it along similar lines to what I've described? I've also ordered a set of those Y-adapters, as I like how they're made.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #214
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Beobloke View Post
    That's 'cos we've all got nice modern cartridges that don't need fudging...

    Lol - very good!

    However, you're not seriously suggesting that there's no potential mileage in experimenting with loading values on modern cartridges, both MMs and MCs? Neither are immune from benefiting in that way, especially MCs!

    It's not only vintage cartridges that are likely to respond well to such optimisation.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #215
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,778
    I'm Andrew.

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    Hi Marco,

    Your undergoing the same experiment I went through a new of months ago, in that your trying to correctly get the SC35C to "see" that correct amount of capacitance. My M55E likes to see 450-500 pf according to the Shure website. All connecting leads carry a certain amount of capacitance, I did a quick and dirty calculation based on an audit on everything that sits between your cartridge pins and the the RCA lead going into your Croft phono stage, which unfortunately has no facility to use RCA loading plugs. The components between your cartridge and the croft MM phonostage include :-

    (These are the known values of my own systems personal components, yours will be different).

    15pf per channel = 30 pf intrinsic wiring of the tonearm
    10pf per RCA = 10 pf RCA
    60pf tonearm cable = 60 pf tonearm cable
    10pf cartridge tags+leads = 10 pf (SPECULATION)
    20pf for tonearm connector = 20 pf (SPECULATION)

    so this equals ~115pf of capacitance, so we are approximately 335 pf short, so you use two 335pf RCA loading plugs for the M55E to "SEE" its required 450pf. This will of course be different for the SC35C (I don't know what it likes to "SEE", pf wise), it will also differ because we have different RCA plugs, tonearm cables and intrinsic wiring of tonearms. You need to individually work out each components pf level and then deduct that from the SC35C's suggested "SEEN" capacitance. Your RCA values will be the difference between the two values. This is a more accurate way of "tuning" the thing by ear, of course you may prefer it that way. I hope this helps.

    Finally, did you do your loading tests at the same time as trialling the Houdini? If so, how can you confidently attribute your experiences to the Houdini and not the optimal capacitance loading? Just a thought.....
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  6. #216
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Andy,

    All good (and useful) points, which are noted

    Barry did a basic calculation for me earlier about how much capacitance the SC35C likes to 'see', which he roughly worked out as 180pF [on top of what capacitance already exists], and which in practice, judging by ear, seems pretty spot on.

    At the moment I'm using 150pF plugs, but will get some 180pF ones custom-made, as I think that's where the sweet spot lies... 150 sounds fab (although could possibly be marginally bettered), and 200 is too much, including any figure over that.

    This sort of experimenting though has been a real revelation, as it pretty much renders every MM cartridge I've ever used as not having been heard optimally!

    No, I assessed the Houdini independently of the loading plugs, so I know exactly what both are doing/have done.

    So when are you treating yourself to an 'H'? Your system definitely deserves one

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #217
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,778
    I'm Andrew.

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    Quote Originally Posted by Marco View Post
    Hi Andy,

    All good (and useful) points, which are noted

    Barry did a basic calculation for me earlier about how much the capacitance the SC35C wants to 'see', which he roughly worked out as 180pF, and which in practice, judging by ear, seems pretty spot on.

    At the moment I'm using 150pF plugs, but will get some 180pF ones custom-made, as I think that's where the sweet spot lies... 150 sounds fab (although could possible be marginally bettered), and 200 is too much, including any figure over that.

    This sort of experimenting though has been a real revelation, as it pretty much renders every MM cartridge I've ever used as not having been heard optimally!

    No, I assessed the Houdini independently of the loading plugs, so I know exactly what both are doing/have done

    So when are you treating yourself to an 'H'? Your system definitely deserves one

    Marco.
    Ah that's great news, glad to hear your not far off what the SC35C needs to "SEE". I've only done this with the M55E so I will have to do it all again when the stylii arrive from the USA and JAPAN. Yes, it's an eye opener what these old MM carts can do. I had my EAR 834P clone modded to accept RCA loading plugs ages ago by Alan and It's the best thing I did, I'll not be turning back now. All MM's will be loaded and assessed this way. Good to see that you have been seeing positive increments with your system. I'm not sure when I'll try the "H", I want to assess the stylii for the SC35C and that may take some time and the additional optimal loading the RCA plugs. I've sent you a PM detailing another couple of tweaks that might interest you and which may add something further to your system. Additionally I notice your using a sorbothane modded record weight, I have some 10mm sorbothane in my garage and my well try to modify my current pure copper record puck to see if this gains any additional benefit. I have started to make provision to try a "H" in that I'm just in the process of making a new Panzerholz tonearm mount for my SME3012 with an extra amount of vertical height which should help out should I try a "H". Check you inbox!
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  8. #218
    Join Date: Jun 2009

    Location: Berkshire uk

    Posts: 1,744
    I'm Allthatwasisorwillbe.

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    All good here Marco,

    Just lost the post that i just wrote as i got signed out for some reason. How annoying.

    So quick reply, tonearm cable is a silvercord plus with 35pF. I did order from same source but before i had seen your post, so will double check on the 100 ohms plugs as i have recently bought an SPU.

    Looking forward to playing with loading.
    Darren

    KORUS CUSTOM SERVER
    TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
    CAIMAN SEG + DORADO PSU
    CROFT MEGA MICRO
    PARADIGM REFERENCE ACTIVE/40'S
    PARADIGM SERVO 15 SUBWOOFER X 2


    ''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''

  9. #219
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

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    Quote Originally Posted by Marco View Post
    Excellent stuff, Chris. For the above and your previous post. I'm sure we can swap notes on our respective journeys with 'tuning' our MM cartridges!

    So how would you describe the improvement you heard when fitting the plugs - was it along similar lines to what I've described? I've also ordered a set of those Y-adapters, as I like how they're made.

    Marco.
    Well to summerize without using too many subjective superlatives (which people seem to jump on with criticism, even if they know EXACTLY what you mean), there is definitely more air right through the frequency range. This does not mean there are gaps in the sound, just that the music has a lot more room to breath. In comparison to before the loading was optimal, you can tell that the sound was a bit congested. Not having this reference to work from I didn't really think too much was wrong, until I heard the difference.

    That's key here, the reference that experimentation can provide. It really helps you judge if something is worth persevering with or not. Result good or bad, then go from there.

    The plugs are useful actually as a lot of phono stages which do offer adjustment, often have the switches/jumpers located either on the underside of the stage or indeed internally. With the RCA sockets being loaded with plugs, its a 2 second job, no need for screwdrivers or reading glasses!

    It's slightly liberating that I've recently gone 'back' to MM carts actually. I have an Audio Technica AT-OC9XEN on my LP12 and its a lovely cart but I find myself choosing to play most records on my LP5 (direct drive) with the OM10 and loading plugs on at the moment. Not because it sounds better (although the gap isn't huge), but because it provides me with the most 'bang for buck' enjoyment factor.
    I'm not exactly counting the hours on the OC9 (although I have a rough idea to within 10 hours+/-) but with the OM10 I'll happily just let it play grooves all day (and all night) long, then replace it once a year or less often. For £50 I can more than live with that.

    I've certainly learned to cut my cloth accordingly regarding hifi (among other 'interests') recently, another reason I'm afraid I will just have to hold fire on the Houdini (for now). Reason being I'm not quite sure how some building work will pan out and can't justify it to myself this minute (I may feel differently at any time though!). Can I afford it? Yes, can I also wait for and appreciate it in time? Also yes. Wow, my 20 year old self is shaking his head in disbelief, 'what happened, you used to be cool man' . . . .

    Anyway, also interesting what Andrew (REXTON) has to say there, clearly done a lot more experimentation in the area, so fair play! I too have an 834p clone fettled by Alan but the addition of the loading plug RCA's sounds very intriguing. Seems there is a lot more to be squeezed out of a lot of MM carts.

    Will be interested to see if any more 'developments' are in the pipeline Marco, got anything planned??

    Chris
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

  10. #220
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,256
    I'm Alan.

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    Quote Originally Posted by Marco View Post
    I settled for the 'Brown' ones rated at 150pF.
    I'm really surprised Steve (Pygmy Pony) hasn't commented on this, maybe too technical a thread.

    It's just your colour Marco

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