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Thread: Dynavector DV507-II on Technics SL-1210

  1. #61
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    Quote Originally Posted by The Grand Wazoo View Post
    What about Emmets then?
    Grockles in Devon, Emmets in Cornwall (emmets = ants).

  2. #62
    Join Date: May 2008

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    I know, I was just playing Devil's advocate, trying to give Marco some more education about the arcane languages of the 'deep south'.
    What with that & tubers, he'll be ready for his SAT's any day now!

  3. #63
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    D'oh!

    I checked in the OED on the derivation of grockle (which, unsurprisingly, is 'uncertain'). Its first recorded written use was 1964, but I guess it must have been used in spoken English for some years prior to that. One of the quotations the OED uses also mentions enhancements like 'grockle bait' - tourist shop tat; 'grockle grub' - fish & chips, and 'grockle nest' - caravan site.

  4. #64
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    My dad always calls caravans 'grockle boxes'. We used to sing "little boxes" (on the hillside, all made out of ticky-tacky) whenever we passed a caravan site. (No offence intended to any shed pullers on here... )
    Alex

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  5. #65
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    Alex, no, please insult the shed pullers! They know what they've done and deserve to be derided.
    ~Paul~

  6. #66
    Join Date: Jan 2009

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    Quote Originally Posted by MartinT View Post
    Regarding the Mercury recordings, I do know that the three-mic recording technique goes back to Stokowski days and was considered a very good sounding technique for balancing detail from the orchestra with the acoustic of the hall. I note that the BBC still uses this mic array for concert broadcasts (you can see it at the Proms in the Albert Hall, three mics dangling from the ceiling). I guess the proof is in the pudding and the Mercury recordings do sound very good.
    I've never noticed the miking arrangement at the Albert Hall. Every time I attend the Proms, the stage is covered by an elaborate lighting gantry, with some microphones dangling there as well as some hanging from the ceiling.

    Are these three mikes equi-spaced? Do you know what the polar response is (omni, cardoid, cosine?)

    Thanks for the info on your Dynavector - I'm still trying to work out that cuing mechanism!

    Regards
    Barry

  7. #67
    MartinT Guest

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    Barry - as far as I know, these are spaced omnis. I'm reading a fascinating book, "Perfecting Recorded Sound" and I shall learn more as I progress through it.

    You have to see the DV cueing in action, I think. I may have to post a YouTube video

  8. #68
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    Quote Originally Posted by MartinT View Post
    Barry - as far as I know, these are spaced omnis. I'm reading a fascinating book, "Perfecting Recorded Sound" and I shall learn more as I progress through it.

    You have to see the DV cueing in action, I think. I may have to post a YouTube video
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  9. #69
    Join Date: Mar 2010

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    Quote Originally Posted by MartinT View Post
    Barry - as far as I know, these are spaced omnis. I'm reading a fascinating book, "Perfecting Recorded Sound" and I shall learn more as I progress through it.

    You have to see the DV cueing in action, I think. I may have to post a YouTube video
    Thats a great book. I gave ti away to the guy who serviced my deck and i wish i hadnt. Amazing that there was format wars right from the start of recorded music music. We dont seem to learn from history.

  10. #70
    MartinT Guest

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    Quote Originally Posted by colinB View Post
    Amazing that there was format wars right from the start of recorded music music.
    Oh yes - the Edison versus Victrola systems. And it seemed just as acrimonious as some of our more recent ones, such as Blu-ray versus HD-DVD.

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