I've tried a few things but the Isonoes win so far.
I've tried a few things but the Isonoes win so far.
Yep for me Isonoes rule, *but* the 18 levels of Mana supports the Isonoes sit on (and hence also the 1210) makes, erm, just a little bit of difference to overall isolation!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
This thread is making me think i should do something about the top shelf of my quadraspire music works rack. The guitar shape perspex shelf which my deck sits on buckles and creaks so much on its little pegs it cant be good support. I think i might look into buying a suniko vent shelf to replace it. I guess it will fix straight on with out much problem.
I have been wondering about the same thing colin
dies anyone have any thoughts about the suitability of wibbly wobbly quadraspire q4 ref with Acrylic shelves suporting a techie?
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
No, not in the slightest
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: gone
Posts: 11,510
I'm gone.
Location: gone
Posts: 11,510
I'm gone.
I finally got around to doing something about this yesterday.
I haven't removed the screws (yet) - simply used the screwheads as the support points for up-ended RDC1 cones ...
Whoah!! Yep - result! A noticeably clearer and better defined sound.Def worth playing with this.
When I can be bothered to disconnect the tt and turn it over, I'll take 3 screws out so the cones contact the chassis directly.
.
Location: Montreal, Quebec, Canada
Posts: 30
I recently bought again a Technics turntable with the Kab power supply.
I also got the Mike New massive bearing.
This time I wanted to make sure all the energy from the Technics was properly transmitted. My main goal was to mate the top plinth to the middle piece and the rubber base to a proper base (and not from its original feet like the first time).
All this resonance from the middle heavy plastic, I wanted to cancel it and have a proper transmission of energy.
So, under Mike’s bearing, I put a dab of strip & seal removable silicone, mating the bottom of the bearing to the bottom of the resonant aluminum plinth.
Then I added some regular black silicone to the top of the heavy plastic (whatever it is..), covered it with saran wrap so it would not glue itself to the belly of the aluminium plinth but nevertheless intimately mate with it.
Location: Montreal, Quebec, Canada
Posts: 30
Before I put on the rubber base, I took to adding here and there amounts of peel & strip silicone where the heavy plastic meet the aluminium under side and also around the inside of the OL arm board (for the modded Rega 250 fitted). This peel & strip silicone come off real easy – so its easy to experiment.