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Thread: Supporting the SL-1210

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Guys,

    Support feet and mats are largely system-dependant, just like everything else - there is no one universally 'correct' solution, so you just have to 'suck it and see'

    In the context of my system, Dave's mat and the Isonoes work best. I haven't tried the SRM acrylic mat on my 1210, so I can't comment on that (perhaps we could try that Shuggs next time you're up?), but the Sorbothane feet were truly dire - reducing dynamics, bloating the sound, and killing the music in the process. The Isonoes were just so much better in every way...

    *But*, as I say, that's only in the context of my system - and of course my Techy sits on glass, not to mention many multiple layers of Mana supports!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #12
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Shuggie ' it must down to taste or whatever !

    You see i had the SRM acrylic mat ' and i hated it , sounded hard ' bright and shiny to me.
    Chris

    We've gone on holiday by mistake !

  3. #13
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Quote Originally Posted by Marco View Post

    *But*, as I say, that's only in the context of my system - and of course my Techy sits on glass, not to mention many multiple layers of Mana supports!

    Marco.
    Hi Marco

    Apparently glass is the optimum surface for the Isonoe's , which may explain at least partly why you prefer them ' though this can be argued i guess .
    Chris

    We've gone on holiday by mistake !

  4. #14
    MartinT Guest

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    Quote Originally Posted by Shuggie View Post
    I am very interested in exploring alternative ways of getting the Technics to work best for me, but please don't think that I am arrogantly assuming that you, Marco and others are wrong
    Not at all and it's good to discuss these things. I am by no means close minded about the feet or anything else and I was asking Dave about his giant sorbothane feet at the show. I do hope you'll get something out of hearing my system but it really doesn't matter if you hate it - we'll have something to laugh about.

    By the way, I'm not a Shoenberg fan and I absolutely loath Birtwhistle. I do love Glass and Ligeti, though. There's no logic to it at all.

  5. #15
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    If we all liked the same things,forums would be pretty boring!

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Marco

    Apparently glass is the optimum surface for the Isonoe's , which may explain at least partly why you prefer them ' though this can be argued i guess .
    Hi Chris,

    Yes I do think that is a factor, and there's also the matter of synergy... The Stillpoints supports Shuggie uses will undoubtedly impact differently on how a system reproduces music than Mana will - and so the effect of Sorbothane feet or Isonoes will synergise with the sonic signature of one support better than the other...

    Quite simply, there are too many variables to consider for there ever be one 'perfect' solution

    Marco.

    P.S Ali, damn tootin'!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #17
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    A small experiment was undertaken at Jerry Mansions last night ....

    I swapped my sorbothane hemisphere squishy footers on my Herbie Mat-ed Techie for rigid mounting via some aluminium and RDC1 cones ....



    A fairly significant difference.

    For those who prefer a somewhat diffuse and less-pinpoint presentation (I know some folks who do) then squishy is the way to go, but for those (like me) who prefer their music more precise and focused then the rigid support is better. I'm staying with the cones.

    Curiously, with the cone support, my 250g record puck now improves the sound! ... with the squishy support it had made it worse. It's all about dynamic interactions, innit?!
    .

  8. #18
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    Quote Originally Posted by jandl100 View Post
    A small experiment was undertaken at Jerry Mansions last night ....

    I swapped my sorbothane hemisphere squishy footers on my Herbie Mat-ed Techie for rigid mounting via some aluminium and RDC1 cones ....



    A fairly significant difference.

    For those who prefer a somewhat diffuse and less-pinpoint presentation (I know some folks who do) then squishy is the way to go, but for those (like me) who prefer their music more precise and focused then the rigid support is better. I'm staying with the cones.

    Curiously, with the cone support, my 250g record puck now improves the sound! ... with the squishy support it had made it worse. It's all about dynamic interactions, innit?!
    Hi Jerry

    Thank you for being curious about my own musings on this subject

    It looks like you have the RDC cones placed against the rubber base of the Technics - is that right; also how many did you use (eg 3 or 4)?

    The large circle of small screws underneath the Technics provides direct access to the alloy chassis, bypassing the rubber. I removed three of these to allow the Stillpoints to contact the exposed chassis points, and I do prefer the results. Would you try the same with the RDC cones (I realise that they'd have to point the other way)?

    Regards etc

  9. #19
    MartinT Guest

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    An interesting observation, Jerry, and exactly the difference I noticed when switching from Foculpod feet to Isonoes. Everything tightened up considerably, better focus, more midrange insight and no bass overhang. And my record weight improves the sound!

    Of course, the surface the Techie is standing on must make a great difference to how it responds to feet. One thing I would expect with cones is poorer isolation but I await your further tests.

  10. #20
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

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    this is certainly an interesting thread, it would seem as marco says their are a lot of variables and different methods for suporting a techie with a veriety of different result..
    im slightly worried i have to say, since my techie was sounding good last time it was on a different stand in a different house!
    good to see you are now having success with a weight jerry, my one is in the post to you so you can see if that is any better still
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

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