Why not take the platter off & lay it on a piece of glass top & bottom.
Location: Yorks
Posts: 16,643
I'm Nobody.
Why not take the platter off & lay it on a piece of glass top & bottom.
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Thanks everyone;
I still think it is the platter so I will try laying it on glass as suggested but I'm sure it's probably the spindle hole that's not quite right.
Isn't Dave C's new platter still 12 months away?
If I identify the problem I'll come back and let you know!
Regards
Les
I think the plinth is a while away, but I thought the platter was iminent!
A good bit of kitchen worktop might be flat enough too
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Thought it wasn't due until the end of the year, the platter that is. The plinth is still in the 'giving it a good coat of thinking' stage isn't it?
Hi Les,
Here is a cross-section of the platter, not much to machine here if thats what KAB do.
The metal is only 2.5mm thick and the rubber 4.25mm
Does the taper part of the bearing protrude above the top of the paltter surface?
Get rid of any mats on the platter and then check the undulation.
It has been my observation in talking to many people about bearings and things, that the taper becomes stretched if the platter is continually removed, this maybe your problem
As you can see from the image, the cast aluminium thickness leaves a lot to be desired, compared with somthing nearly 1" thick!! on the shortly to be available new one.
Last edited by Mike_New; 05-04-2010 at 23:10.
Location: Dartmouth in beautiful Devon UK
Posts: 1,243
The platter could be quite soon, I'm just waiting for Mike to send me a sample to do some measurements on.
Regards
Dave
How come we need to play around with mats to damp a "ringing" platter when the current model has rubber damping stuck to it underneath, which my SL150 doesn't have? Ok, ok, record support....
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Hi Mike,
Could you resize that picture please? It's WAY WAY too big and knocking the whole page out of sync...
Cheers!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
you got a dirty sensor mike by the looks of things ... i recommend "visible dust Arctic butterfly" sensor cleaning products
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra