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Thread: VTAF for Jelco SA-750D on SL-1210

  1. #1
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

    Default VTAF for Jelco SA-750D on SL-1210

    Pete Riggle has confirmed that my VTAF for the Jelco SA-750D/SL-1210 is on its way. He sent this image as a taster:



    Being flat, this particular custom armboard means that it will only work with thick mats (like mine). The VTAF is much slimmer than the Jelco collar so the arm should sit low enough, but I may have to cut out a hole in the armboard to make room for the bottom of the cueing mechanism for thinner mats. I might experiment with acrylic armboards, just for fun.

    It's difficult to assess from this photo whether Pete has set the correct mounting distance for the Jelco, but I'm sure it will be OK.

    It's unlikely to be here before Scalford, alas, as I would have liked to have showed it around. I should be there with Steve (Snoopdog).

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,453
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Shuggs,

    Looks interesting! Keep me posted of developments and we can perhaps have a sesh at your place sometime in the summer

    I look forward to seeing you guys at Scalford Hall on Sunday where I will be exposing my rather 'rude' Lockwood Majors to some poor assembled victims!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #3
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Lightbulb

    The standard 750 has VTA adjustment out of the box, so I'm a bit lost here? Do check carefully the 214mm spindle to pivot dimension too!

    Does this allow all the cartridge energy to dissipate properly?

    Dave

  4. #4
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

    Default

    I look forward to seeing you guys at Scalford Hall on Sunday where I will be exposing my rather 'rude' Lockwood Majors to some poor assembled victims!
    Just as long as you'll be keeping your crack to yerself, Marco my man. Some folks can't cope with that sort of behaviour (..........pity the poor folks with hangovers on Sunday morning).

  5. #5
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,453
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oh, don't worry, but if not I'll wait until well after lunch has been served!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #6
    Join Date: Jan 2009

    Location: London, Canada

    Posts: 189
    I'm Blake.

    Default

    Quote Originally Posted by Dave Cawley View Post
    The standard 750 has VTA adjustment out of the box, so I'm a bit lost here? Do check carefully the 214mm spindle to pivot dimension too!

    Does this allow all the cartridge energy to dissipate properly?

    Dave
    The Riggle VTAF's main "claim to faim" is VTA adjustment on the fly which would clearly not be for the faint of heart using the 750D stock

    I'm a 750D owner and can admit that VTA on the fly might be useful but it is pushing anal retentiveness and audiophile nervosa beyond limits which I'm comfortable with (I don't own or have any experience with the Riggle).

    The Riggle also "decouples" the arm from the rest of the table and this is an area in which some disagreement surfaces on what it, in fact, does to the sound. There are those who swear by its "improvements" and those, on the other hand, who claim it negatively effects sound quality (particularly in terms of PRAT); from what I can see (and read), the disagreements are pretty similar to those who feel the Pederson (decoupling) mods on the Gyrodec are beneficial and those who feel they are not.

  7. #7
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

    Default

    Quote Originally Posted by Dave Cawley View Post
    The standard 750 has VTA adjustment out of the box, so I'm a bit lost here? Do check carefully the 214mm spindle to pivot dimension too!

    Does this allow all the cartridge energy to dissipate properly?

    Dave
    Much as I like the SA-750D (and I really do), its pillar fixing is rather loose (sloppy, even); and it's consequently difficult to get the vertical alignment correct, without overtightening the very small grub screw. I demonstrated that to Marco the other week. It's not impossible to set it correctly, of course (particularly with the help of one of Audio Origami's headshell spirit levels), but I have found that this is the key to getting the Jelco to sing. It's very easy to get an awful sound from the arm; in fact easier than getting it to sing.

    So, the VTAF seems to be a well-engineered way of ensuring utterly consistent vertical alignment, with the added benefit of easy and fine VTA adjustment (I'm not obsessive about that, BTW, but I do know that it's important). The fact that the arm sits in the VTAF solely under its own weight, and that it's naturally decoupled is interesting - whether it works is another thing, and I shall of course be reporting back on that! As you are aware, I do like to plough an alternative furrow now and again, so hopefully my experiments are of interest to other Technics owners here on AoS.

  8. #8
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Wink

    the disagreements are pretty similar to those who feel the Pederson (decoupling) mods on the Gyrodec are beneficial and those who feel they are not.

    Ah yes! In the latest Hi Fi World there is a review of a 12" 750 that I fitted to a Gyrodec. I mounted the arm plate with solid metal pillars. And that's why my 1200 armplate works so well, they are anything but decoupled! The 750 likes high energy moving coil cartridges and to deliberately decouple the arm in the way proposed here, is contrary to most peoples idea of what is good.

    Also matching the right parts to give a holistic system is important, Shuggie has never been overly happy with his 750, but he seems to be the only one using a 2M black?

    Regards

    Dave

  9. #9
    Join Date: Jan 2008

    Location: Winchester, Hampshire

    Posts: 309
    I'm Steve.

    Default

    Quote Originally Posted by Marco View Post
    Oh, don't worry, but if not I'll wait until well after lunch has been served!!

    Marco.
    Marco,

    As it will be Sunday, I do hope you won't be 'flossing' with the wife's thong
    Steve.

    My System:- dCS Vivaldi Transport + dCS Vivaldi Apex DAC + dCS Vivaldi Master Word Clock + dCS Vivaldi Upsampler Plus, Aurender N20 Music Server/Streamer, TW Raven One tt/Graham Phantom II/Transfiguration Orpheus L & Audio Technica ART20 mc's, Whest Titan Pro, D'Agostino Momentum HD pre/S250 MxV power amp, TAD CR-1 MKII loudspeakers, REL Gibraltar G2 subs, Coherent Systems BD Mains, interconnects & speaker cables, Sablon Audo EVO USB cable, Tellurium Q Ultra Silver power cords, Ziro Disclosure & Vertex Roraima Hi-Rez power cords + Furutech FI connectors, Stillpoints ESS racks/component stands, Vertex Aletheia PSU2 balanced power supply, Coherent Systems RTZ3 ground box + CR/BD cables, Acoustica Applicata DaaD room treatment, Mutec Ref10 SE-120.

  10. #10
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,453
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Steve,

    It won't really matter, mate, as the dress will hide it!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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