Hi Barry,
At one point I thought that it might be necessary, as the SPLs were literally shaking the foundations of the structure we were in, but surprisingly our ears weren't ringing afterwards!
Fortunately for the sake of our hearing, we don't go to many of these types of gigs.
We got back home though and (nearly) replicated the same effect with 'Du hast' blasting through the Tannoys!!![]()
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I think Marco needs earplugs for his home sysytem as well Lol![]()
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
It'd be no good Marco coming for a sesh at our house...! I'm in the middle of listening to Rebecca Pidgeon very quietly...!! These days I seldom do anything noisily... well, almost anything...
Lol.... Rammstein must be listened to at ear-bleeding levels - it just doesn't work any other way!
I also like Rebecca Pidgeon. Barry knows how varied my taste in music is - I can go from Rammstein to Frank Sinatra all in the one sesh!!
What was really funny though was that before the concert started I got chatting to a guy sitting next to my wife who had come all the way down from Lennoxtown, just outside of Glasgow, to go to the gig.
Anyway, It turned out he was also a Celtic fan, so we were chatting about football, and when I get talking to someone else from Glasgow, my accent changes somewhat and I start using Scottish slang.... So the vernacular was, shall we say, 'rife'....
Next thing, two girls sitting next to me turned round and asked "Where are you from, Germany or the Czech Republic"?
I giggled to myself and couldn't resist replying: "Naw, hen, am fae Glesga!"
The look on their faces was priceless!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Marco,
Glad to hear that both you and Del survived the ear hammering.
Without wishing to come across an insufferable nanny, you do have to be careful when attending loud performances. It only takes a single exposure to a very loud noise to damage your hearing; either loosing a few KHz off the top end or inducing tinnitus.
Our ears have a natural protection mechanism and a certain amount of self repair, however this ability falls off as we get older. Be warned!
Regards
Barry
Location: Moved to frozen north, beyond Inverness
Posts: 2,669
I'm Dave.
Am I in the wrong place? If so, sorry!
Paul Lewis playing Mozart: Adagio in B minor, K540,Schumann: Fantasie in C, Op 17, Liszt: Vallée d'Obermann and
Beethoven: Piano sonata no 21 in C minor, Op 53 (“Waldstein”) with the shortest encore imaginable.
Well going back a few years...david bowie ziggy stardust days manchester..and it was mint
jon
Location: Moved to frozen north, beyond Inverness
Posts: 2,669
I'm Dave.
Claygate - see http://www.ocms-music.org.uk/OCMS-20...aul-Lewis.html Difficult to say how Paul felt about it all. He seems very serious, as though he doesn't like encores, unlike some - Stephen Hough for example, and from a bygone era and now now longer with us, Shura Cherkassky. There weren't any major problems as far as I could tell, though there were some extraineous noises/resonances which he might have found disturbing from some instruments (cymbals, drums) left nearby.
Dave