Location: Yorks
Posts: 16,643
I'm Nobody.
Some of them scream in the upper mid and lower top, like Kans but LOUDER - Dover and LGM's for example, both needing the more modern crossover tuning. the Turnberry SE's don't do this at all.....
Now Andre, you're taunting me with your avatar to get a reaction. OK, I've bit.... What's the significance of an F307 with METERS??? I've never seen a standard one this endowed....... P.S. I'm a TWAT!!!! It's the Series 7 tape deck......... - Senior moment methinks.......
Last edited by DSJR; 24-02-2010 at 17:46.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Yorks
Posts: 16,643
I'm Nobody.
Dave i dont wanna sound off but a lot of your posts are showing an oldish man, if you know what i mean.
I've been around this industry for over forty years, so I think I'm entitled to feel my audio age. Furthermore, re-training over 50 is fraught with problems and this is playing on my mind at present.
P.S. You try your ageing hippy looks and music tastes on todays teens and see how you get on - little beggars think that anyone over 25 is ancient and make no bones about telling you!!!!!!!!!!!
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Yorks
Posts: 16,643
I'm Nobody.
Not taunting i just thing they are the best looking things ever.I don't give a flying fook what people say about em.Far throw from the shit available these days.
It is the bottom section of the 'S7' open Reel..The '722'/'722H' & '724' have amplifiers built in. The '702'/ '702H' & '704' don't.I have a '724' i'm looking for a '704'.There's also a '713'/'713H' mono of it.
Location: Yorks
Posts: 16,643
I'm Nobody.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Bet they sound smoother though
Marco, I've heard all sorts from DC driver Tannoys. The cheap-as-chips old DC2000's and 3000's are fantastic fun for not much money and have good bass to die for IMO.. The Monitor Reds, IIILZ's and also the LGM's owned by HiFi dave will take your fillings out if you let them..
The smaller Prestige line seem to have benefitted from a substantial re-voicing and IMO they sound wonderful for it. Little mid colouration (although Harbeths are better here and so they should be), a smooth top that you only hear when it's there and a surprisingly tactile bass for such seemingly hollow boxes IMO.
Put it this way, there's more weight and far less squeal than the Devons you have (IIRC). Great for your workshop and/or kitchen......
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Hi Dave,
The Devons definitely sound as you describe, but they're fun with it!
My Lockwoods are a different ball-game altogether, though, and have a finesse, refinement and all-round musical abilities that is eons ahead of Devons or Kensingtons - it would be like comparing a Bentley to a Ford Focus!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.