+ Reply to Thread
Page 7 of 8 FirstFirst ... 5678 LastLast
Results 61 to 70 of 73

Thread: Naim's new power lead - addressing the controversy

  1. #61
    Join Date: Jan 2008

    Location: Middlewich, Cheshire

    Posts: 203

    Default

    Quote Originally Posted by Marco View Post
    I've always maintained (and experience confirms this) that the only way to obtain a truly musical and sonically rewarding hi-fi system is to start from the ground up and provide a well-sorted 'foundation' from which the system operates, so in terms of order of priority it is therefore thus:

    MAINS > CABLES > STANDS > EQUIPMENT.

    No other method in my experience gives satisfactory results. If you ignore the system's 'foundation' and spend all your money on boxes the full potential of the equipment will never be realised,
    Surely you need some equipment first before you can make any sort of sensible decision on cables and stands? How else are you going to hear what's going on?

  2. #62
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Talking

    LOL. I knew some smart arse would comment on that!

    What I meant of course was that I'd rather have a well-chosen simple system that was properly set-up than a hugely expensive pile of boxes thrown together any old way

    I'd bet any amount of money that the former would play music much better than the latter!! Indeed, experience tells me so

    The DCS room at the Manchester show is a valid case in point.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #63
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Bloody hell!........ Is this heading into PFM territory?

    Just joshing!

    Having spent almost 30 years sending signals down bits of wire I know only too well that cables make a difference. I'd still struggle to fork out £400 for a kettle lead, but (like others have said) maybe it should be looked at as 'is it a £400 upgrade'?

    Who the hell am I to say how other folk spend their cash???

    Cheers,
    Mike.

  4. #64
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nicely resurrected, Chris!

    Given the somewhat thorny discussion currently running on pfm about "How can a power cable make any difference?", some of the info here could be considered as rather thought-provoking

    Funny thing is, it seems SO long ago since I wrote that article and AOS was in its infancy.....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #65
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

    Default

    Quote Originally Posted by Marco View Post
    Nicely resurrected, Chris!

    Given the somewhat thorny discussion currently running on pfm about "How can a power cable make any difference?", some of the info here could be considered as rather thought-provoking
    .................well, fancy that!!

    Funny thing is, it seems SO long ago since I wrote that article and AOS was in its infancy.....
    That's what I love about my Sunday nights!!!!

  6. #66
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Just got a MG mains lead and just to stick fingers up at blinkered objectivists (not all are), I'm running the stereo with tuner and preamp connected but amps off in an excuse of "running in..."

    So there!!!!!!!
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  7. #67
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, Dave. It'll be interesting finding out what you think... If you want to report on it, start a new thread

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #68
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Ok
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  9. #69
    Join Date: Dec 2009

    Location: Hadrians Wall

    Posts: 313

    Default

    I upgraded my kettle lead once. Any remaining impurities dissolved and my coffee tasted better than ever. Highly recommended upgrade for coffee connoisseurs.

    That said, keep away from the Nescafe branded ones, the sound becomes a bit too forward and, umm, instant. . .
    Last edited by Kris; 15-02-2010 at 12:16.

  10. #70
    Join Date: Jan 2010

    Location: Oxford

    Posts: 872
    I'm NotSoPissedOffNowCosMyHiFisUnpacked.

    Default

    Was it the normal one or the gold blend one?

    Apparently if it was the later, it'll leave you hanging on for years before its finally 'run in' and then finally do what you've been expecting/known it was going to do/ willing it to do all along it to do all along!
    Ian
    http://www.hifisounds.co.uk

    Photo bucket - loads of mods!

    SL1200- DIY PSU- DIY FET int regs-Denon DL103 by Expert Stylus Company on Isokenetic stabiliser & Sumiko HS-12 shell- Achromat - Isonoe feet, Meridian 200 Phono satge, Junson JA-88D, Audio Aero Capitole CD/ DAC, extreme modified Marantz SA7001, Squeezebox Touch modded to death!, Focal 826WSE- Kimber 8TC, Kimber and CAT5 attenuated DIY Interconnects, Kimber mains

    "Leave Nothing as Standard"

+ Reply to Thread
Page 7 of 8 FirstFirst ... 5678 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •