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Thread: What is your reason for hi-fi?

  1. #31
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    As you should know by now, Mike, thread drift is an AOS tradition

    What were the Italian wines you were trying then?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #32
    Join Date: Jan 2008

    Location: Norwich

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    I'm Mike.

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    Quote Originally Posted by Marco View Post

    What were the Italian wines you were trying then?

    Marco.

    Google Giordano Wines (sorry, don't know how to link yet). Have been having them delivered for yonks; the food/wine/gift packages are interesting initially, too. Unfortunately the alcohol content has risen a little over the years, but so has that of every other country's wines.

    Everything over 13 1/2 percent is a fortified wine in my book, and tastes it!

    At which point does thread drift become thread abandonment............ apologies to all, including 'Only The Lonely' (Big A).

  3. #33
    Join Date: Jan 2008

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    Let's see if I can divert the thread back from the binge drinkers ....

    Quote Originally Posted by Themis View Post
    In any case, emotion is all that counts in hifi : in that we all agree.)
    Hmmm ... yeah .... well .... I'm not sure that I do entirely agree with that.

    Unless you accept a wide definition of emotion - i.e. any subjective response, which seems a bit wishy-washy, really.

    I've sure been to some live concerts, and have heard many recordings, where the emotion generated in me was boredom!

    Amongst the fairly wide range of music I enjoy I'd include complex fugues by the likes of Bach and Shostakovich .... now you don't generally have an 'air guitar' or 'air conductor' emotional reponse to that but an intellectual one, where it's the almost mathematical rigour of the music entrances and mesmerises.

    Just saying you want 'emotion' from your hifi doesn't seem to take you very far, imo. I think you need to be more specific.
    Last edited by jandl100; 14-02-2010 at 10:02.
    .

  4. #34
    Join Date: Sep 2009

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    I'm notAlone.

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    Quote Originally Posted by jandl100 View Post
    Just saying you want 'emotion' from your hifi doesn't seem to take you very far, imo. I think you need to be more specific.
    You need an intellectual definition to "take it far" ?

    So be it. To get to "emotion" you need to connect the music heard to earlier memories. Some people don't need high-fidelity for that. Others do.

    What do you think of this ?
    Dimitri.

    In a time of deceit telling the truth is a revolutionary act.
    George Orwell

  5. #35
    Join Date: Aug 2009

    Location: Staffordshire, England

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    I'm Martin.

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    Quote Originally Posted by Themis View Post
    You need an intellectual definition to "take it far" ?

    So be it. To get to "emotion" you need to connect the music heard to earlier memories. Some people don't need high-fidelity for that. Others do.

    What do you think of this ?
    The other day I was playing Eric-Clapton's Money & Cigarettes, a record I bought back in 83 or 84 when I had to listen on my mum's Saisho music centre (with Ruby stylus!) - I think I remember how that used to sound. Now it sounds so fantastically better it is unreal - that for me is the whole point of hi-fi and the money and effort involved. Otherwise I would have kept the Saisho... You can't be 'into' music and have a rubbish replay system. it's a non sequitor in my book.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Hi Mike,

    Google Giordano Wines (sorry, don't know how to link yet). Have been having them delivered for yonks; the food/wine/gift packages are interesting initially, too.
    I know Giordano very well - nice stuff. My uncle used to know the owner of the company (and vineyards), as he lived not far from where my family come from in Tuscany

    A few years ago I could've got you a few cases for almost bugger all!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #37
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    Quote Originally Posted by Macca View Post
    You can't be 'into' music and have a rubbish replay system. it's a non sequitor in my book.
    .... and yet most music lovers seem to manage it! - including many professional musicians.

    It's one of life's mysteries as far as I am concerned.
    .

  8. #38
    Join Date: Aug 2009

    Location: Staffordshire, England

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    I'm Martin.

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    Quote Originally Posted by jandl100 View Post
    .... and yet most music lovers seem to manage it! - including many professional musicians.

    It's one of life's mysteries as far as I am concerned.
    Especially when you think that for £200 you could get a TT amp and 'speakers second hand that, if carefully considered, would sound fantastic for the money- what I mean is - you don't need to be wealthy to have decent replay. There's NO EXCUSE
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  9. #39
    Join Date: May 2009

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    I'm joe.

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    Quote Originally Posted by jandl100 View Post
    .... and yet most music lovers seem to manage it! - including many professional musicians.

    It's one of life's mysteries as far as I am concerned.
    It baffles me too. Many of my musical 'epiphany' moments have been via cheap transistor radios or bog-standard stereos.

    I think the very best music (of any genre) transcends the system it's played on.

    So, why hifi? Because, in my case, it helps me listen to complex music that might lose something in translation via more basic equipment. Maybe professional musicians can do without that help.

  10. #40
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

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    Quote Originally Posted by jandl100 View Post
    Let's see if I can divert the thread back from the binge drinkers ....

    ...........where it's the almost mathematical rigour of the music entrances and mesmerises.

    Just saying you want 'emotion' from your hifi doesn't seem to take you very far, imo. I think you need to be more specific.
    Bach has always appealed to the mathematical mind, but I'm not sure a quadratic equation is required to delineate emotion !!!!!

    I wonder how long it'll be before somebody creates a website called E- Motion (but I'm sure they already have).

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