Originally Posted by
Marco
Hi Jostein,
It's just like Martin says; a straightforward plug-in
If you're thinking of trying the Furutech, I can thoroughly recommend it. Never once have I introduced a Furutech product into my system and not been absolutely delighted with it. I use a number of their power connectors, to great effect.
The AG-12 is, quite simply, the most musically involving sounding tonearm cable I've heard. Basically, it gets the balance between analysis and 'musicality' spot on, so that one obtains forensic insight into recordings, and as a result can hear deep into the mix, without the presentation ever straying into being clinical.
If you can afford it, buy with confidence!
Available here:
http://www.mains-cables-r-us.co.uk/t...237532913.html
I'm sure that David would give AoS members a little discount
Marco.
Thanks, I think I want to check out this one.
My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
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