Spinning Today (Classical version)

[AJSki2fly]

Felt like some soulful Cello, I think I need to find a better version/pressing of this as I particularly like it.

Elgar* / Robert Cohen / London Philharmonic Orchestra* / Norman Del Mar ‎– Cello Concerto
Label: Classics For Pleasure ‎– CFP 40342, Classics For Pleasure ‎– SCFP 40342
Series: Lambert & Butler Master Series –
Format: Vinyl, LP

[AJSki2fly]

Time for a lovely Cello concerto, this is a great recording IMO.

André Navarra, Joseph Haydn, Luigi Boccherini, Cameraman Academia Of The Salzburg Mozarteum*, Bernhard Paumgartner ‎– Haydn: Concerto for Cello & Orchestra in D; Boccherini: Concerto for Cello & Orchestra in B flat
Label: Nonesuch ‎– H-71071
Format: Vinyl, 12", Album, Reissue, Stereo
Country: US
Genre: Classical

[jandl100]

my favourite piece of music

[AJSki2fly]

Hard to beat some Mozart

Wolfgang Amadeus Mozart - The Academy Of Ancient Music ‎– The Symphonies (Salzburg 1773-1775)
Label: L'Oiseau-Lyre ‎– D170D3
Series: Florilegium Series –
Format: 3 × Vinyl, LP
Box Set Country: UK & Europe
Released: 1980

Symphony In C Major K.189k [K.173e-K.200] (25:24)
E1 I. Allegro Spiritoso 7:11
E2 II. Andante 7:48
E3 III. Menuetto (Allegretto) & Trio 4:41
E4 IV. Presto 5:32
Symphony In D Major K.207a [K.196-K.121] (6:54)
F1 I. Allegro Molto — Andante Grazioso — Allegro
Symphony In D Major K.213A [K.204] (25:10)
F2 I. Allegro Assai 7:50
F3 II. Andante 7:35
F4 III. Menuetto & Trio 4:32
F5 IV. Andantino Grazioso — Allegro 5:01

[Lawrence001]

Hard to beat some Mozart

Wolfgang Amadeus Mozart - The Academy Of Ancient Music ‎– The Symphonies (Salzburg 1773-1775)
Label: L'Oiseau-Lyre ‎– D170D3
Series: Florilegium Series –
Format: 3 × Vinyl, LP
Box Set Country: UK & Europe
Released: 1980

Symphony In C Major K.189k [K.173e-K.200](25:24)
E1I. Allegro Spiritoso7:11
E2II. Andante7:48
E3III. Menuetto (Allegretto) & Trio4:41
E4IV. Presto5:32
Symphony In D Major K.207a [K.196-K.121](6:54)
F1I. Allegro Molto — Andante Grazioso — Allegro
Symphony In D Major K.213A [K.204](25:10)
F2I. Allegro Assai7:50
F3II. Andante7:35
F4III. Menuetto & Trio4:32
F5IV. Andantino Grazioso — Allegro5:01

I like those old recordings by the AAM. The early symphonies had a rather sharp sound to the period strings (not necessarily a bad thing) but the later ones less so (ie. 40/41). Not sure if this was because they were later recordings (early digital?) or a function of the orchestra size/venue/production.

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[Lawrence001]

Have a listen to AAM/Hogwood playing CPE Bach string symphonies. Very similar recording quality and some fine brisk playing of very good works.

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[AJSki2fly]

I like those old recordings by the AAM. The early symphonies had a rather sharp sound to the period strings (not necessarily a bad thing) but the later ones less so (ie. 40/41). Not sure if this was because they were later recordings (early digital?) or a function of the orchestra size/venue/production.

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Hi Lawrence

This boxed set was given to me by a dealer as a freebee, it is missing record 1 unfortunately, but the 2 AND 3 are in excellent condition. I pop one of them on when I feel like having a relaxing listen to some Mozart. TBH I get quite confused as to which symphony is which, Mozart wrote so many. I would agree that these recording have a better sound to them. I also think the orchestra must have been rather well mic'd up. The separation of parts of the orchestra I found is pretty good, whereas on some other classical recordings I can find it not so obvious.

Regards

Adrian

[Lawrence001]

Hi Lawrence

This boxed set was given to me by a dealer as a freebee, it is missing record 1 unfortunately, but the 2 AND 3 are in excellent condition. I pop one of them on when I feel like having a relaxing listen to some Mozart. TBH I get quite confused as to which symphony is which, Mozart wrote so many. I would agree that these recording have a better sound to them. I also think the orchestra must have been rather well mic'd up. The separation of parts of the orchestra I found is pretty good, whereas on some other classical recordings I can find it not so obvious.

Regards

Adrian

Yes I think close mic'ing was the order of the day with these l'Oiseau Lyre recordings which helped separation and also caught the timbre of the gut strings nicely. Unlike flour example many King's Consort recordings on Hyperion.

[AJSki2fly]

I don't know why but I find this a slightly disappointing recording, from two aspects in places there is some low bass noise as if the microphone is picking up resonance from the floor, this is mainly efficient in piano only parts. Also if sound a little lack lustre, in other words not very engaging.

W.-A. Mozart* - Geza Anda* - Camerata Academica Du Mozarteum De Salzbourg* ‎– Piano Concertos No. 17, G Major, K. 453. No. 21, C Major, K. 467
Label: Deutsche Grammophon ‎– 138 783
Format: Vinyl, LP, Stereo, Repress
Country: UK

[AJSki2fly]

This is a great recording IMO. I have picked quite a few on the Turnabout label and they all are pretty good.

Bach* ‎– Brandenburg Concerti № 4, In G / № 5, In D / № 6, In B-Flat
Label: Turnabout ‎– TV 34045S, Turnabout ‎– TV 34045-S
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1966
Genre: Classical
Style: Baroque



and last classical of the day, is time to give the speakers a workout.

Bach* · Walcha* ‎– Hi-Fi Orgel
Label: Archiv Produktion ‎– 2565 002
Format: Vinyl, LP, Reissue, Sampler
Country: Germany
Genre: Classical
Style: Baroque