The Mike New Bearing Base Plate
This article is to visually document on how to install the Mike New Bearing Base Plate into your beloved Technics SL-1200 Mark 2 Turntable. Given that I have twins, I purchased two from Mike. The purpose of this visual article is to give guidance on how to attach the base plate to your TT with very little difficulty. If you have questions about the undertaking of this project, you should always ask for guidance. If there are any conflicts with the answers you get, Mike New (not Mike as in me) has the final say since it is his product.
I take no responsibility on how your project turns out. Unless of course the results are spectacular :eyebrows:, then of course, I take full credit. If you are a DIY'er, you should not have any difficulty, or very little difficulty at most, if you follow the steps outlined.
This document will be broken up into several sections for clarity.
The project took me 3 hours to complete for the first TT, 2 hours for the second. I was not in any hurry to complete the project. Your time may vary.
The tools I used to complete this project is:
Plyers or wrench - have 2 handy
Screwdriver and bits
Drill
Drill Bits - 5 and 10mm are recommended (yes you will need two different sizes)
Flashlight - in case you loose them screws somewhere
Allen or Hex Key
Smoothing File
Ruler
Eye Protection
If you need to remove the external power supply (which is recommended by Mike New to use his Bearings) you may need the additional parts to remove the wiring:
Soldering Iron
Solder
Solder Remover
A recommendation someone had was to use clamps to hold the TT in place during drilling. If you have them, you may want to make them available.
Now with all this said, let the "fun" begin.
Information required immediately...
Mike (Cablemaker1),
I'm normally a reasonably patient person, but you're either selectively blind or deliberately ignoring me, for some unknown reason, but I've asked you about FOUR times now were Westchester is (and to add that info to your profile), which you've so far failed to do.
Therefore, I will ask you ONE FINAL time, as ignoring me is NOT AN OPTION.....
WHERE IS WESTCHESTER???
Your failure to answer the question this time (and add the info to your profile) will result in a week's ban. I do hope I've made myself clear!!
Marco.
Keeping the 12XX stock platter etc
Sometime back I had an interesting email from Dr Michael Krug in Vienna. He gets an excellent result from his 12XX by retaining the stock platter but augmenting it with the latest Isoplatmat (SDS) which fits within the lip of the stock platter and then the Herbies mat on top. Now I know that others have tried the Isoplatmat and found it wanting, hollow sounding was one comment, but the new one at a diam of 285mm is slightly thicker than the old one and is a perfect fit within the lipping of the 12XX platter. It lays flatter than a punctured wide rimmed tyre. Price is GBP87.50 plus 5.50 for P & P within the UK (www.sounddeadsteel.com I have the original at a diam of 288mm but not in use. The new one, which I have bought, most certainly takes out any ringing of the stock platter and as I have a Herbies mat in my library of mats I can say that it works, thanks for the info Dr Mike :). Of course experimentation with other mats, cork etc, can easily be tried out if you have the will and mind to do so :rolleyes:
Now this is what I am using at the mo atop the stock platter. First the SDS 285mm, then the Rubato copper and finally the Acromat. These three layers have been bonded together (but not to the main platter), using the the old petroleum jelly method, into one constrained layer sub platter. Note please: this is not recommended if you are starting from scratch as buying these three units in one hit is costly and you are likely (?) to be better served by spending a bit more and go for the MN platter or Funk acrylic one. I had all the above mats etc in possession over a period of time so that the expenditure had been spread over the past years and could be used for experimental purposes, geddit?
I wanted this idea of a main plus a substantial sub platter, taking my thinking from the separate inner and outer platter of Linn, Thorens, AR etc. I do certainly hear clearer instrumentation coming to me than when I used only the Copper Rubato and Acromat bonding. The swishing of Joe Morello's and Shelly Manne's brushs on the snare drum, the kick of the bass drum, is clear, so very clear. The deep, fat sonority of Ray Brown's walking double base, the sweet, lyrical and celebral playing of the alto sax from Paul Desmond, the sheer musicality and deep tones of Mulligan's and PepperAdam's baritone saxs, the percussive playing of Dave Brubeck's piano playing to the lilting touch of Bill Evans. As for trumpet, Chet Baker, Miles, Arturo Sandaval, Dizzie's, goose bumps man! As for voices, Ella's through to Krall's and for the fellas, Jimmy Rushing, Billy Eckstein through to Mel Torme are so much more enjoyable that I forget to drink the red vino within finger reach let alone top up the glass :cocktail: And as for acoustic and electrical guitar, how the hell did that guy get into my house!
Phew, as Dino said 'wheres the couch?'
:thumbsup: