[QUOTE=chris@panteg;391689]OK, thanks for that I'll see If I pick up a similar effect tonight when listening.
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Somethings telling me that our esteemed leader is eager for a response :lol:
I hate 'loose ends'.... ;)
Come on, Stevie baby - let's be 'avin ya! :)
Marco.
Hi Guy,
It was like Mastermind, started but not finished.... :eyebrows:
However, there will be a 'Round 2' soon! ;)
Marco.
One thing you've got to love about the SL-1200 is it's relatively set-and-forget nature. No checking for spring bounce or audiophile paranoia necessary. Since I set mine up 18 months ago, I haven't touched or tweaked anything apart from ensuring that it was level when I moved it.
It is extremely consistent and fuss-free, unlike the previous belt-driven tables I've owned where things would degrade or drift all on their own. It sounds pretty bloody good with the mild mods I've applied in my system, and although I'm sure it could be bettered by other more tweaky turntables I am content to treat it like an appliance and just enjoy!.
Cheers,
Alex
I've just bought some new external tonearm wire for mine and some new plugs......oh dear....
Not quite sure what you mean - you said you "listened" to a SL-1210, this makes no sense without telling which tone arm and which cartridge used. You mention Notts Analogue TT, which arm + cartridge did this have ? We are at a level as; "I once tested a MB C class from 2001, it was very slow compared with my Fiat - MB bad, Fiat very good".
Apart from that, a turntable is not a violin, its a turntable - sound is fundamentally what arm+cartridge picks-up from the tracks, noise comes from the rest. If you prefer the sound mixed with the nostalgic noise added from a belt driven turntable ( wow/flutter included ), well no problem - we all have our taste :)