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The reality is that for every inaccurate and blinkered, agenda-driven portrayal of the sonic capabilities of the Techy, often by people who haven't even heard a fully modified one (!) I'll seek to redress the balance with reasoned logic and facts, based on the practical experience of actually experimenting and listening!
This is done in order to allow folks, who may be considering going down the route of modifying a Technics, to study genuine and practical information from people who've been there and done it. I needed that help when I was first researching the subject, and so I'm making damn sure that AoS provides as much of it as possible to help others.
I stand by every word of that, as it's the simple truth. It's got nothing whatsoever to do with wanting my opinion validated by others. Please read it, Simon (and others), and let it sink in, once and for all.
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If I wanted the best sound from a DD deck and wanted to choose my own arm and work on the PSU in a platform that leant itself most easily to modification and the highest quality replay then i'd buy a SP10 MK3. I understand that the 1210 gives a more accessible point of entry and is therefore a more logical choice for many. But once you've spent a few grand on it, might you not have achieved more, and potentially for less outlay starting from the Sp10 than a 1210? I genuinely don't know the answer.
Sure, you may be right. The trouble is that MK3 SP10s are as rare as hen's teeth, so it's not a viable option for most - that, and also the fact that you're still dealing with using an old turntable, which in all likelihood will need plenty spending on it in order to get it performing anything like to its original spec.