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HI ALL,
it was felt by some that this subject needed to be explored further and explained in more detail, so after thinking about it, and writing a lot, i decided that it would be better to start this thread off with an invitation for you guys to to tell us what amplification your using, ie, valve, or solid state, and what it is about your choice that works for you. hopefully this way it will start the thread off in good spirit, so without further a do lets get things started...:)
anthony,TD...
Dear Mr Matthews,
I've got this rather old 30W Copper valve amp thingy that I found behind my sofa amongst some stale Jaffa cakes and a half-eaten muffin. It sounds rather good though and appears to outperform a pair of 200W solid-state monoblocks I also own. Could you explain what's going on?
Yours in astonishment,
Hilda.
I use a power amp fitted with unobtanium V-FETs. Warm and sizeable bottom, solid and round front.
ok mr scotyital smarty pants,:eyebrows:Quote:
Originally Posted by Marco
here are some of the reasons and observations that are shared by many [including me] for reverting back to valves for audio.
Valve amplifiers be it single ended or push-pull, have long been thought of by many as superior beasts to solid state…whether their use be musical instrument related, or purely for audio replay, but what is it that still makes them more desirable to a growing number of musicians and audiophiles world wide than often the best of what solid state has to offer?
Well, here are some positive reasons. First off, valve designs produce predominantly low order harmonics (which is musically related); while solid state designs generally produce a full range of harmonic distortion, including the objectionable high order harmonics. This is due to a number of factors, including the transformer output of valve designs, and the large amounts of negative (electronic) feedback required in solid state designs, in comparison, valve designs need very little negative feedback, and some good sounding amps don't use any at all!
Circuit design undoubtedly plays an important role, valve circuits are often less complex and laid out differently, therefore It can be argued that simplicity is usually best, as the length and complexity can change the inductance and capacitance of a circuit. A more complex circuit will have a more complex sonic distortion characteristic. Minimalist single ended valve amps for example typically have a dominant very simple harmonic distortion spectrum. Complex modern transistor designs often have low level but extremely complex harmonic distortion spectra.
Another advantage of most valve amplifier designs is the high input impedance typically 100k in modern designs and as much as 1 Meg ohm in classic designs. By contrast, solid state amplifiers may have much lower input impedances, some as low as 20k This implies that it requires more energy to excite the input of a typical transistor amplifier to any given voltage than it does a typical valve amplifier. If sensitivity to small signals is a significant goal, then valve designs will typically outperform transistor designs.
Valve amplifiers in general do not need to use as much negative feedback as transistor amplifiers, and while some will argue [and rightly so in some cases] that the absence of negative feedback slightly increases harmonic distortion, by limiting the amount of negative feedback, it avoids instability, as well as slew rate and bandwidth limitations imposed by dominant-pole compensation in transistor amplifiers.
Valves versus transistors when driven hard distort quite differently, and it is well known and documented that valves clip more softly than transistors therefore allowing higher levels of distortion to be tolerated whilst still being able to portray the complex harmonic structure of for example a musical instrument..
i await your constructive comments.
anthony,TD...
I used to to think Valve amps were for the wolley jumper and slippers brigrade great mid but no bass and dynamics I went through many Solid state amps and would not even think about a valve amp.
Now I have a SAC Glowmaster it has more controlled bass, dyamics detail and larger soundstage than my old Gamut D200 MK3 but only is rated at 66watts I do not really understand this
Also I read it encourages something called 2nd Harmonics which are very pleasing to the ear; is this artical warmth or ? As the music sounds natural to me
hi john,Quote:
Originally Posted by John
its good to hear that all the perceived negative traits you mention above about your earlier informed but rather misguided view of valve amplifiers have now been put to rest, the more people i speak with who have recently converted to valves have similar stories to tell, so your far from alone in your experiences.
as for your confusion about the diffrence in percieved power ie, valve amplifiers seemingly having more power than an equaly matched watt for watt solid state amp, well i have my views on that too, but i would rather hold fire and give some of the other guys a chance to give their views on this for the moment.
anthony,TD...
Here's an interesting point to think about.
I have found that the earthing scheme of an amp can have a huge impact on the quality of its sound, not just hum and earth loops.
Almost all solid state amps are PCB based, almost all valve amps are hard wired.
A hard wired amp will tend to have much thicker (lower impedance) earth wiring compared to the tracks of a pcb.
I used valve amps for 15 years, and currently have a CA 740 not because i prefer solid state' its just i don't have the finances for a quality valve set up' i got the CA for a bargain price.
I did have a concordant valve pre with Audio Innovations 2nd audio mono(2a3) with border patrol psu's which was just wonderful it just sounded so big and there if you know what i mean, one point i would make regarding valve amps is that some like the 2nd audio's used solid state rectifiers, which caused the amp to sound loose and flabby with complex music' so when looking at valve amps' valve rectified choke smoothing is a must .
I just want a cheap as chips fully balanced valve pre which will drive two balanced outputs, and a few very powerful fully balanced valve power amps capable of driving difficult loads with lots of output 300w - 600w) and silent operation with 103db speakers, none of that background hiss or hum please, oh and bass must be proper, not that overblown under damped bass which people thinks sounds better.
By cheap as chips I mean comparable in price to a Yamaha E800 processor (silent) driving a brace of Alesis RA-500 bridged amps.
Cheers..
I agree with all of the above. :)Quote:
Originally Posted by anthonyTD
My own preference is to start with the most linear amplifying device possible, the triode and build amplifiers around that. That way we need to apply less of a band aid - negative feedback. The poor linearity of transistors means that circuit complexity increases, with feedback being almost mandatory and I believe this is a large factor in the sound.
When I built my 801A amp, as designed it had 2-3dB NFB, but, when I diconnected this sound quality improved. With NFB is sounded very clean and colourless, but without, all the timbre a vitality can back. It wasn't all positive and the bass became somewhat looser, but to me the trade off was well worth it.
I also agree that the spectrum of THD matters a lot as well as the absolute level, with low even order being preferred. Nelson Pass has done some ineteresting work there with the F1 & F2 designs , with one being PP and one being SE, thus having different distortion spectrums and different 'flavours'. I recently heard an F3 and it was very, very good indeed - sweet and grainless, a good alternativer for those who would like a SET, but don't want valves. Mind you, it's still hot and low powered. ;)
Sorry for the brain dump!