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Thread: Scalford Show , I am back !!

  1. #31
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,057
    I'm AudioAl'sArbiterForPISHANTO.

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    I started writing a lengthy show report, and then lost most of it, after my laptop decided to hang!! Anyway, here's what I managed to save, along with the pictures of the systems (shamelessly stolen from elsewhere) I thought sounded the best. I will add more comments later...



    Once again, I very much enjoyed myself at the Scalford show, which IMO, is way better than any of the commercial trade shows on a number of levels, not least of which was the sonic standard of the systems demonstrated.

    This year there were more systems than ever I heard that were very good indeed; few were poor, but below are the ones I think deserve a special mention...

    For me, the best sounds I heard were between those of Valvebloke:








    ...and Dom's Audio Note/Allnic/Mod Wright system, fronted by a superb sounding Garrard 401, with Audio Note Arm 3/Io cartridge and the utterly GORGEOUS sounding Snell Type A:











    Those beautiful looking NS1000s of Valvebloke's not only were a feast for the eyes, but also the ears, fronted by a Quad CDP and vintage RCA and Leak valve amplifiers. The sound was detailed, fluid and very musically engaging. I guess that I'm just a big fan of professional monitor speakers, when done well - and here they most certainly were!

    Dom's system, for me, also really ticked some major boxes, as it produced a sound that resembled that of real instruments and voices in a totally effortless and convincing manner - and those Snells are probably one of the best speakers I've heard. They're quite vintage Tannoy DC-like in their musical presentation, which of course is a sound I can relate to, and they did genuine scale, vocal and instrumental texture with aplomb and had a lovely 'big-boned', effortlessly musical presentation that really made me smile!

    At a push, I'd probably nominate it for the best sound I heard at the show. It really did highlight again for me that there has been little real progress made in loudspeaker technology, since the days when the truly great, genuinely innovative speakers were born, and here I include the Snells, along with Tannoys, Altecs, JBLs, Klipschs, Quads, IMFs, etc. Every time I hear speakers of that ilk, it becomes quite obvious what is wrong with 95% of modern speakers!!

    Pictures of the other systems that impressed me most:

    Russ Abbott:





    Cablemonkey:







    Freefallrob:







    Lodgesound:





    Nagraboy:





    Steelhull:





    Steve Toy:





    I'll edit-in my comments on the various systems above later!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #32
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,143
    I'm AMusicFanNotAnAudiophile.

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    Quote Originally Posted by Marco View Post
    This is just an educated guess, but the record looks like it could be side 1 of Made In Japan by Deep Purple.
    Any chance of confirmation of that?
    Chris



    Common sense isn't anymore!

  3. #33
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,057
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Chris,

    Sorry, dude. It isn't my pic, and so I wasn't there when that record was playing... However, that was a truly superb sounding system!

    Incidentally, it was interesting that every system that contained an Allnic valve phono stage sounded fantastic, which confirms my already held view that they make some of the best high-end phono stages on the planet...!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #34
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

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    I would generally say I agree with your thoughts above Marco, both with regard to the overall quality and the systems of note (with some minor differences of opinion).

    The big Snell’s sounded good on Sunday, but were appreciably better on the Saturday night when a different amp was being used (in both my, and the opinion of others, that were there).
    Account Deleted

  5. #35
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

    Location: Dagenham Essex

    Posts: 11,184
    I'm Allen.

    Default Syndicate Room 18 !!!!!!

    Syndicate Room 18 !!!!!!

    This was my favorite room in the show , The sound quality was outstanding

    It ticked all my boxes

    One of the systems components were as follows :-Technics SL1210mk2, RB300, Goldring Eroica LOMC Arkless Modified CA640P

    And the second system was this :- Technics SL1200mk2, RB301, Ortofon VIGOR HOMC, Sony TAF-B940R amplifier, & EAR834P phonostages


    Well done Gents I was impressed
    [

  6. #36
    Join Date: Jun 2011

    Location: cardiff

    Posts: 268
    I'm Tristan.

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    My first show and it was very very good. A pity its only once year. My top systems:

    1) Doms 401, Allnic, Modwright and Snell As. Lou Reeds vocals sounded so breathtakingly emotional I was nearly welling up.
    2) Nagraboy , dcs sacd, nagra integrated with Harbeths, the best digital sound at the show and the best I've ever heard. I listened to types of music I don't generally listen to totally enthralled.
    3) RMS Shipbroker & Setting Son, LP12, Ittok, AN Oto, AN speakers, very musical, Grace Jones and Peter Gabriel sounded great. Sorry to anyone I deafened when I upped the volume. The toes were tapping though.
    4) Chelsea Dave, classy sounds which I commented on.
    5) Carlbkk, American muscle with Taiwanese Samurai Speakers. A tour de force, impressive.
    6) Russ Abbot, nice all round sound, great music selection.
    7) OB1, at first I thought the Black Swan Speakers were hideous. After about 5 mins I wanted a set.
    8) Papa Lazarou. Feel the quality.

    I missed the giant Tannoys :-(. I didn't hear enough of the Belvoir room to form an opinion.

  7. #37
    Join Date: Oct 2011

    Location: London Town

    Posts: 2,441
    I'm Julian.

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    Sadly I wasn't there but in terms of visual aesthetics, Cable Monkey's AR / PU7 combo looks absolutely spunkalicious ...
    Sonore Rendu - Cambridge Audio Edge W - Sonus Faber Venere 2.5

  8. #38
    Join Date: Nov 2010

    Location: Oxford/Swindon

    Posts: 956
    I'm Rob.

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    I very much enjoyed it as much as previous years, and as usual missed loads of rooms on my walk round!
    Highlights for me on the rooms I did hear were:
    Richard's (Gromit) PL71/770ES/Q-Acoustics system
    Rob's (Freefallrob) with the Techie/Sony amp/JBL's

    Only got a pick of my room as I forgot my camera on the walk round!


    Scalford Hall Show - 2013 by RSdesignUK, on Flickr
    Michell Mycro / AT33PTG/II | Ray Samuels F-117 Nighthawk | Yamaha CD-NT670D | Bryston B60R | ATC SCM10

  9. #39
    MartinT Guest

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    Nice pics, Al. Glad everyone had a good time.

  10. #40
    Join Date: May 2011

    Location: Somewhere

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    I'm Paul.

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    Quote Originally Posted by Audio Al View Post
    Syndicate Room 18 !!!!!!

    This was my favorite room in the show , The sound quality was outstanding

    It ticked all my boxes

    One of the systems components were as follows :-Technics SL1210mk2, RB300, Goldring Eroica LOMC Arkless Modified CA640P

    And the second system was this :- Technics SL1200mk2, RB301, Ortofon VIGOR HOMC, Sony TAF-B940R amplifier, & EAR834P phonostages


    Well done Gents I was impressed
    Great sound from 'budget' gear. I think on that performance the Arkless phono stage requires furthur investigation as those SL1200s outshone the other rather lackluster sounding examples I heard. Funny thing with a couple exceptions it was the performance of systems using small fairly cheap speakers that stood out. Also not mentioned anywhere I was impressed by Take 5's Orbe / Audio Innovations / Snell system.

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