CBS used to multi-mic and multi-track everything in sight and the mix was from the conductor's perspective, rather than from someone on the audience. Some later Karajan recordings on DG, where he'd got behind the mixing console and "tweaked" himself, were re-mixed some years later to excellent effect, the venue atmosphere far more in evidence, although the sound wasn't as obviously "deeeeeeetailed" in comparison I remember.
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me