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Thread: Justin & Jerry's Hifi Blog

  1. #491
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    CBS used to multi-mic and multi-track everything in sight and the mix was from the conductor's perspective, rather than from someone on the audience. Some later Karajan recordings on DG, where he'd got behind the mixing console and "tweaked" himself, were re-mixed some years later to excellent effect, the venue atmosphere far more in evidence, although the sound wasn't as obviously "deeeeeeetailed" in comparison I remember.
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  2. #492
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

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    Slight correction to what Marco has written:
    Each label had it's own EQ curve but they were not RIAA curves. The RIAA curve was just one of several attempts to achieve a standardisation across the industry. Other 'standard' curves were devised by AES & NAB.

  3. #493
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Thanks, Chris, you're right

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #494
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,292
    I'm openingabottleofwine.

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    Quote Originally Posted by The Grand Wazoo View Post
    Slight correction to what Marco has written:
    Each label had it's own EQ curve but they were not RIAA curves. The RIAA curve was just one of several attempts to achieve a standardisation across the industry. Other 'standard' curves were devised by AES & NAB.
    I think we've been here before!

    http://theartofsound.net/forum/showthread.php?t=11839 (post no. 13)
    Barry

  5. #495
    Join Date: Jun 2010

    Location: Scotland

    Posts: 1,940
    I'm Tom.

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    Quote Originally Posted by jandl100 View Post

    I shan't obsess about it being the philosophically or technically correct way to go about correcting the recording deficiencies that I hear.
    I'll just tweak the knobs and sliders and get an enjoyable sound out of my system.
    And you know summat? - I will be really happy with that for quite some time. It really has been a bit of a revelation already.
    Yes, but can you also adjust the dirge levels up or down????

    I don't understand why anyone should be looking out their windows checking for burning crosses in their front garden, or change their name and wear a disguise outdoors because they have resorted to using a . . . [GULP] . . . graphic equaliser, or have the nerve to adjust their tone controls. Yes, I did just type that. Quite often I wish I had these aforementioned devices to make the unlistenable recordings listenable, so bollox to the purists I say
    Last edited by Effem; 23-01-2012 at 22:47.

  6. #496
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    Quote Originally Posted by Barry View Post
    I think we've been here before!

    http://theartofsound.net/forum/showthread.php?t=11839 (post no. 13)
    Ah, OK, thanks for that Barry!

    this link seems to be the relevant one?

    Info there appears to imply that by the time of the 60's and 70s CBS (Columbia) recordings I've been on about the RIAA curve was accepted and used by pretty much everyone.
    Or have I got that wrong?
    .

  7. #497
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Has the Yammy not arrived yet, then?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #498
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    I think it was sent Parcel Farce 48 - so probably today.

    The Yammie's got a tape-out, so I'll probably link that up to my Akai equaliser so I don't lose that fab display!
    .

  9. #499
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    No worries, dude. Lookin' forward to ya thoughts

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #500
    MartinT Guest

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    Quote Originally Posted by jandl100 View Post
    I think it was sent Parcel Farce 48 - so probably today
    ...if they haven't dropped it from a great height, put a calling card in your letterbox even thought you were in, fail to answer the phone despite trying 25 times, put it back out for delivery after you have arranged to collect it, etc.

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