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Thread: MY System

  1. #101
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi King,

    I just LOVE that triple-armed Technics! It is one seriously cool piece of kit... Jealous? Just a bit! And trust me, I don't say that very often

    The effective mass of the MA 505S tonearm is about 15 grams, is it compatible? Or should I partner it with a heavier arm? Marco, can you please advice, thank you!
    In short, my friend, you don't have enough mass. Dave is right. Therefore, you either put the heaviest headshell you've got on the MA 505S (ideally you're looking for a headshell with a mass of around 18g), use that with the M7D and see how that goes, or you do that and also use your heaviest arm. The M3D (or your M7D) positively *love* lots of mass, even when the N21 stylus is used.

    Have you seen the types of arms these cartridges were originally partnered with? You could use them as girders for the Golden Gate Bridge!!

    So........ Think mass, mass and more mass with these babies, and the bass should definitely 'come alive' accordingly

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #102
    Alex_UK's Avatar
    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
    Join Date: Aug 2009

    Location: Sunny Suffolk, UK

    Posts: 18,545
    I'm WrappingALilacCurtainAroundMyBobby.

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    Have to agree with Marco, that is such a cool looking setup. Wonder if anyone's ever done a triple armed Garrard 401... Joining this "free" forum is looking like being the most expensive thing I've ever done!

    Anyway, good luck with following Marco's & Dave's advice with the new cartridge and look forward to hearing how you get on.
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  3. #103
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

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    Hi,
    If the M3D or M7D loves mass, then a FR64/FR66 would be an ideal candidate, but I don’t have one however. The heaviest arm that I have is the Sony PUA-7 which is 25 grams in mass, including the stock 12 grams headshell. Unfortunately, it has been taken apart by me prior to a complete rewire, with 4 single continuous runs of pure silver wire from the headshell to RCA phono plugs. In the mean time, I simply don’t have the time and interest to finish the job. Alternatively, I can mount it on the SAEC 308L tonearm with a 15 grams AT headshell, the additional weight of the headshell will bring the effective mass of the arm well over 20 grams, I assume it should be my best option. OK, I will wait and see how it goes
    King

  4. #104
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Yep, King, that's probably your best option. If you prefer the MA 505S, however, then simply fit it with your heaviest headshell (or 'beef up' the existing one) and see how that goes

    Keep us posted, mate

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #105
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

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    Two more of my cartridges:-

    Ortofon M20FL Super - the best Ortofon MM cartridge in the past







    Audio Technica AT440 ML - another excellent cartridge from Audio Technica





    Last edited by kcc123; 05-10-2009 at 16:45.
    King

  6. #106
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

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    King,
    Your photography is consistantly & reliably excellent.
    I admire it very much...........

  7. #107
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

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    Hi Chris,

    Thank you!
    King

  8. #108
    Join Date: Sep 2009

    Location: North Carolina USA

    Posts: 31

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    Superb!!!
    I love looking at the equipment but those cartridge/needle shots are some of the best I've seen. I wish I kept a lot of the equipment I had over the years.

    Nice!

    Den
    Pathos Classic One MKII, Marantz SA15 S2 Ltd, Usher CP6371, Clearaudio Emotion, CMB, Carbon Satisfy arm, Vista Audio Phono 1 MKII ACLE, Dyna 10x5, AT OC9ML/II, Ortofon X5MC, All WyWires.

  9. #109
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Hi Den,

    Your comment is very much appreciated, thank you!
    I hope you and all the others have enjoyed my photos.
    King

  10. #110
    Join Date: May 2009

    Location: Somerset, UK

    Posts: 717
    I'm King.

    Default

    Yesterday I dug out my Nagaoka headshell (12 grams) and stalled the Shure M7D on it. After aligning the cartridge and setting the VTF, I have started listening and evaluating it again since. The extra 2 grams ( 10 grams for the AT headshell)in weight of the Nagaoka headshell seems to be beneficial to the Shure, now the bass is slightly deeper and more solid but still not weighty enough and up to my satisfaction, I would love a bit more slam and attack in the mid bass. I think, I will try it on the AT1010 arm and see if it can match the Shure better.



    Today I have just put back the Stanton 681EEE into service again but I am disappointed with the results when it is loaded at 47K. when loaded at 100K ohms the sound is more open with a very smooth mid range and absolutely no harshness in the treble, but it simply lacks a bit sparkle and excitement. In other words, it is slightly bland and boring in my system.



    Last edited by kcc123; 12-10-2009 at 19:21.
    King

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