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Thread: Gave up on vinyl

  1. #101
    Join Date: Jan 2009

    Location: Essex

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    I'm openingabottleofwine.

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    Quote Originally Posted by Crackles View Post
    Sounds like the next bake off

    Years ago when I had a Rega RP1 it sounded worse than my CD player, totally lifeless, but using a decent TT these days makes me hardly want to listen to CD.
    Hence your forum name?
    Barry

  2. #102
    Join Date: Dec 2017

    Location: Manchester

    Posts: 359
    I'm John.

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    Quote Originally Posted by Barry View Post
    Hence your forum name?
    Yep

    Sent from my SM-G920F using Tapatalk

  3. #103
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,940
    I'm Martin.

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    Quote Originally Posted by Bigman80 View Post
    Challenge accepted!! Analogue v digital. Blind test, I'm up for that.

    .
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  4. #104
    Join Date: Apr 2016

    Location: London

    Posts: 377
    I'm Richard.

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    I prefer vinyl when it's almost clear sounding. Soundstage deeper, more 3D like & involving, better than cd.
    I prefer cd because it doesn't suffer (as much) from pops, scratches etc which do my head in.
    I'd like to say that I'm a true vinyl chap but clearly I'm not because the noise on the black stuff ruins my listening. It's £u<k!ng irritating. I thought the higher up the analogue ladder I went then the better equipment I had would lessen this.
    No.
    It's even more annoying because I've spent more & more on a system that the format continually lets itself down. I'm sorry to say this because the best music I've heard in my system was vinyl. It just doesn't happen regularly enough, gutted.

  5. #105
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    Some carts do show up clicks and pops more than others and many need really accurate setting up.
    When digital cd came out there were 3 great advantages. It didn't suffer from clicks etc, it could play for a long time without being touched and you could easily jump tracks et.
    When rcms became available to me I have to say they revolutionised vinyl for me. But a good tracking cart is for me essential too.
    I don't think you should try comparing the 2 as they are different approaches to the same end. Both have advantages over each other and both can sound superb
    Regards,
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  6. #106
    Join Date: Apr 2015

    Location: Central Virginia

    Posts: 1,736
    I'm Russell.

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    Quote Originally Posted by Edwardlon View Post
    I don't have as an aim to 'replicate vinyl' or even try to emulate it. I try to listen to music for its emotional drive, how it engages me and the 'art' of the musicians. A well set up vinyl set up gives me that (last Saturday Tom showed me what vinyl can do), equally a well set up digital set up gives me that. Different - I love them both. Like in art there is a difference between oils and water colours - both equally valid for conveying meaning.

    The 'convenience' factor also plays a big part in this picture. But as they say YMMV.
    The, “Oils and water colors”, analogy is spot on! And the point about conveyance. That’s what it’s all about, emotional content. Every system is different, as is every listener.

    Russell

  7. #107
    Bigman80 Guest

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    Quote Originally Posted by Macca View Post

  8. #108
    Bigman80 Guest

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    Quote Originally Posted by Crackles View Post
    Sounds like the next bake off

    Years ago when I had a Rega RP1 it sounded worse than my CD player, totally lifeless, but using a decent TT these days makes me hardly want to listen to CD.

    Sent from my SM-G920F using Tapatalk
    That's not a bad shout actually. A Digital V Analogue bakeoff could be fun.

  9. #109
    Join Date: Jun 2018

    Location: Mildenhall, Suffolk

    Posts: 380
    I'm John.

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    A Vinyl vs CD Bake Off, how very back to the 80's.
    What a way to show how both mediums have merged in SQ.
    If you liked Stoyans VAS, then if I can encourage him along to a Bake Off with the VAS and his gutted Sony CDP's, that have been Tube Modded, way beyond the usual methods, with Custom Wound Transformers, then you might just have a rethink.
    I've got one at home on loan, and I am thinking I am doing my vinyl pursuit thing through loyalty and a determination to realise a long term ambition.
    My wife who has a extremely good ear, entered the listening room last weekend, and claimed she was hearing the best music replay she can recall, she said it sounds brilliant outside the room as well, she was referring to Stoyans CDP.
    The New TT will be functioning very soon, I have a few Vinyl/CD same artist.
    I will update with my thoughts on my mini Bake Off.

  10. #110
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Bigman80 View Post
    Challenge accepted!! Analogue v digital. Blind test, I'm up for that.
    Yes, but let's make it different, and not about which one is outright 'best', but rather how close each other can sound *if* the T/T in question is so quiet and super-stable/rock solid in playback (no pitch wavering, speed stability issues and/or bass hump, or high-frequency distortion/break up, with the cartridge used, as is common with vinyl replay), like a CD player in operation that, when listening blind, there are virtually no audible clues that you're listening to a rock being dragged through a piece of black plastic.

    Experience tells me that only the very BEST T/Ts are capable of that (when playing mint condition vinyl), whilst still excelling at all the things that, say, Jim values about vinyl replay, in terms of musical connection, emotion, etc. That's what I meant yesterday when I responded to your comment of 'trying to get a vinyl setup as good as a digital one', and what costs serious money to get right!

    Essentially, you know that you've got a pretty special T/T when it majors on all the best aspects of digital replay, but still sounds, in a good way, like a turntable - *AND* also the other way round, when your CD player/DAC excels at all the usual digital traits (as mentioned), but majors on the addictive musicality of a good turntable.

    Some of you have heard my T/T at NEBO, so know what that's like, but Macca has heard both vinyl and digital playback in my system, so he'll know where I'm coming from here...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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