Location: Seaford UK
Posts: 1,861
I'm Dennis.
There are definite benefits to near field, but what can you do in a big room with big speakers - they virtually have to go against a boundary or they're in the way?
Location: London/Durham
Posts: 6,882
I'm Lawrence.
Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers
Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house
Garage system another Sony receiver, cassette deck
System components are subject to change without warning and at the discretion of the owner.
Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers
Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house
Garage system another Sony receiver, cassette deck
System components are subject to change without warning and at the discretion of the owner.
I've had nearfield in small rooms and nearfield in large rooms and nearfield in a large room is better, although obviously it is completely subjective. Some people like to have the sound bouncing around them and some don't notice it at all.
Nearfield in the large rooms was dictated by the fact that at the time I only had tiny little speakers that sounded lost if I was listening more than 6 foot from them.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub
Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
This is what near field means to me.
My head is 5ft from the front face of these babies.
Source
SW1X Universal Music Server UMS I Signature with Power Supply Unit PSU I Signature
SW1X USB II
SW1X DAC III Special
Audiolab 6000 CDT transport
Amps
Pre amps -- Hi fi Collective twin mono ladder stepped attenuator, with Charcroft Z-foil and silver wired. And First Watt B1 active no gain buffer.
Power amps -- Welborne 45 SET monoblocks 1.8W / Decware Taboo 6W / Elekit 300B TU-8600SVK plus further improved components 9W / ICE Power 1000W
Speakers
Highly modified Endorphin P17 open baffle speakers containing both vintage and modern alnico drivers and paper cones. All silver wired - 8" Cube Audio FC8 full range drivers and vintage 15" Altec VOTT 416 bass drivers. All sat on Townsend Audio Podium seismic isolation platforms.
BK Electronics XLS400FF Sub.
Cabling
Silver mains cables, interconnects and speaker cables by SW1X
Headphones
HRT HeadStreamer and SennHeiser HD650 headphones
Location: Seaford UK
Posts: 1,861
I'm Dennis.
The fields were defined (I think), by Newell and Holland as ;
Near; direct sound energy greater than reflected, Mid, direct and reflected equal, and, Far, indirect sound greater than direct.
This may only be a rule of thumb rather than something mathematically defined.
Alan Shaw says that the only real test of a speaker is near field listening.
Big speakers in a small room seem to me to be a situation which will result in more pressure loading.
I wouldn't disagree with those definitions. My system is in a large room, but driven into retreat by the need for a dining area.
Interesting about pressurising the room which is what I was referring to in post #13
Source
SW1X Universal Music Server UMS I Signature with Power Supply Unit PSU I Signature
SW1X USB II
SW1X DAC III Special
Audiolab 6000 CDT transport
Amps
Pre amps -- Hi fi Collective twin mono ladder stepped attenuator, with Charcroft Z-foil and silver wired. And First Watt B1 active no gain buffer.
Power amps -- Welborne 45 SET monoblocks 1.8W / Decware Taboo 6W / Elekit 300B TU-8600SVK plus further improved components 9W / ICE Power 1000W
Speakers
Highly modified Endorphin P17 open baffle speakers containing both vintage and modern alnico drivers and paper cones. All silver wired - 8" Cube Audio FC8 full range drivers and vintage 15" Altec VOTT 416 bass drivers. All sat on Townsend Audio Podium seismic isolation platforms.
BK Electronics XLS400FF Sub.
Cabling
Silver mains cables, interconnects and speaker cables by SW1X
Headphones
HRT HeadStreamer and SennHeiser HD650 headphones