Absolutely they can but quite possibly not how you'd like it to sound
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Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
Absolutely they can but quite possibly not how you'd like it to sound
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Location: Deleted
Posts: 6,566
I'm Deleted.
Actually, whilst I completely agree with all the comments emphasising the importance of speaker and amp matching, I think Shaun (Haselsh1) also makes a very valid point. I have Rage Against the Machine's eponymous debut album and on my non-horn and non-single ended amp system it sounds incredibly tight and punchy. Now a very sensitive horn system with SET amps will certainly go as loud as it does at my house but it will present the music in a quite different way.
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A good push-pull solid state/ or valve amps ability to stop and start when needed, is a huge act to follow where conventional Single ended amps are concerned, However; you can get close with single ended, whilest still maintaning most of the virtues we associate with good single ended amps.![]()
"Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
Nikola Tesla
Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
A fish is only as healthy as the water its swimming in ! [Dr Robert Young]
www.tubedistinctions.co.uk
Matthew 5:10
Mines is a non commercial SET power amp built by Nick Gorham, so other than giving Nick an idea of your budget and have him build you one (best sound for your budget and way better than a commercial amp for same price imo), cant really recommend any, sorry!
Good SET amps don't come cheap unfortunately, but I've heard the World Audio Design amps are pretty good?
There's an old argument in the valve amp world between Push-Pull and SET, with fans of both types.
SET amps don't do rock, and Push-Pull doesn't do vocals as good as SET.
As always with these things, it ain't necessarily so.
Can speak to SET amps doing rock so its bollocks!
Ok with not having it on Betamax nowadays
"Quite well" is an understatement, however, as you well know, their design is far from conventional, with them featuring the rather novel solid-state aspect of things. Also, if someone wanted a pair of monos built today, how much would you be asking, something like £15 grand?
That would be out of most people's price range, although they'd be getting a pair of amps, which if produced, say, by someone such as AudioNote, would retail for probably £50k! And yours would almost certainly sound better.
My point being, however, (and indeed as Gaz has also said, which I know you too will agree with) is that the best valve amps, either SET or push-pull, simply don't come cheap, as you can't get away with cutting corners, like you can with some SS amps.
Ultimately, everything revolves around the size and quality of the transformers, and in general, good valve amps are also more labour intensive to build, especially those that are hardwired, point to point!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Indeed, but presenting the music differently is quite a different thing from being 'able to rock', or not. The point is, that the best valve amps, SET or push-pull, when used with the right speakers, don't lack 'grunt' - far from it!
One thing I would say though about the P/P vs. SET thing, is that I always prefer having a good few watts in reserve (at least into double figures), in order to prevent my amp(s) 'running out of steam', when/if used in more demanding environments than they're normally used to.
It's like hsving a car with a big engine: that sense of 'effortlessness', when driving at high speeds, is invaluable. It always pays to have ample reserves of power - and that applies to amps as much as it does engines.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
All the systems I have heard with SET amps and big horn speakers have been useless at doing rock recordings. Like a transistor radio sort of sound.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
It's unusual, but the bottom line with anything is how well what's used has been implemented, and in that respect, the best designers can often make good sounds from a cheap collection of parts. Ultimately, it's all about experience and know-how.
However, in your example, you could pretty much guarantee that if the transformers used were replaced for higher quality versions of the same electrical value, the sound would be even better!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
In theory you can do it with very sensitive speakers, which is what everyone seems to be saying. I've got a low power valve amp and use it with 96db efficiency speakers but it will not go to the SPL I require for rock music without getting a little 'messy'
To go above that you need proper horn loading and then you introduce a whole new raft of problems with colouration unless it is a multi-way system.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.