It's a waste of time Dimitri even starting these topics to many PRAT's..I never start another now.
Don't these topics get locked when the going get's tough?
Location: Yorks
Posts: 16,643
I'm Nobody.
It's a waste of time Dimitri even starting these topics to many PRAT's..I never start another now.
Don't these topics get locked when the going get's tough?
Nobody's being tough, really. Just exchanging views.
After all, I don't even understand what PRAT is, so....
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
PUT THE SYSTEM IN A BETTER ROOM, or use headphones!!
Me neither, Shaun. How on earth would you find that stuff out anyway? Who has the sort of apparatus to hand which measures that information - certainly not any hi-fi enthusiast and music lover I know.....Fortunately for me, I'm in it for the music, not whether I have +15db at 80Hz or -12db at 100Hz. I really can't spend the time getting all OCD about such nonsense.
Dimitri, in all honesty, If a room was so bad that the only way to make a listenable sound there was to 'correct' the problem with a graphic equaliser or some other device like it, I'd put my system in another room pronto, use headphones like Andre or move house! I simply couldn't live with either the sound the way it was before 'equalisation' or with the added distortion created afterwards.
May I remind people again of what Paul said earlier, as these are the facts of the matter in relation to graphic equalisers and devices of their ilk:
If you don't agree with this, then try posting a poll and see how many people here (or on any other specialist audio forum) think graphic equalisers are a good idea... It'd be like asking Gordon Ramsay to embrace the value of chicken nuggets!All these are good and wonderful and stuff but the problem is that all those extra circuits that the signal goes through raise the noise floor, lower dynamics, soften attack and decay. The latter may be more subjective but can be easily heard none the less.
Digital equalisers may seem like an answer but extra digital processing tends to ruin the sound as you are sampling the signal, correcting the levels and then outputting to analogue.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Parametric equalizers are a far better solution, if equalization is needed. Graphic equalizers have fixed bandwidth, which creates gullies in the audio spectrum.
Website: http://www.homehifi.co.uk
Website: http://www.beresford.me
Website: http://www.homehifi.asia
We are going in circles, here.
I know people who have only one living room. A lot of people, actually.
So ? What can I propose to them when they tell me : "my bass is too boomy, I can't get a sound approaching your system's sound" ?
(you bet it's boomy ! with such a room and placement possibilities...)
Now, of course, I don't have an equalizer because I don't need one.
But my friend (with his room acoustics curve looking more like a roller coaster circuit...) what can he do ?
My answer to him : "you get an equalizer" rather than "you move your family to another house".
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
I completely agree! This thread is long past its sell-by date, so time to put it out of its miseryWe are going in circles, here.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!