I have some natural room acoustics that seem to allow for the bass to be well controlled Perhaps one of the reasons why I can get away with it is that I can have my speakers set up with adquate space from back walls
I have some natural room acoustics that seem to allow for the bass to be well controlled Perhaps one of the reasons why I can get away with it is that I can have my speakers set up with adquate space from back walls
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
You should separate the room from the speakers. In order to tame the room, use acoustic treatment, not downsized speakers. If you ever want to experience the true scale of music, you need large speakers - probably larger than you'd match to a room. Reference to colouration should be aimed at smaller speakers: of course a small speaker working hard is going to distort more than a large speaker working less hard. In order to move air, you need surface area and cone excursion. Small cones need large movements and that spells distortion and heat dissipation problems.
You can't beat large speakers. If WAF is a big issue, you haven't got the right W!
I think that one just sneaks in as post of the year, Martin!
I agree with every word. I'll comment more on this topic later, chaps, although it's been done before under a very similar thread title (which I think TGW has already resurrected once)... Check the archives!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Great post Martin
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
See 'From The Grave'
Post No. 1
http://theartofsound.net/forum/showthread.php?t=3088
Now also appearing as Post No. 57
Basic question, but a good one
There is a high intimacy and innate musicality factor that high quality stand mounts can generate, that all bar the very best large floor standers can not compete with. Due to less cabinet/driver constraints, near field listening positions etc.
However, if you truly wish to be absorbed in music within its entirety of performance then the old adage ‘they ain’t no substitute for cubes' comes into play.
We are fortunate to have to have all options open to us here, and we appreciate both methods equally as well.
Coherent Systems
Real high end sound with musicality not hifi
so standmounts can be just as good as floorstanders?
ou might slip, you might slide, you might
Stumble and fall by the road side
But don't you ever let nobody drag your spirit down
Remember you're walking up to heaven
Don't let nobody turn you around
… Walk with the rich, walk with the poor
Learn from everyone, that's what life is for
And don't you let nobody drag your spirit down
Eric Bibb
Nahh
It might be eaiser to build and get right but a really good large speaker will beat a really good small one
But you can get some good sounds from them
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
A smaller speaker on a decent stand can sound much better than the same speaker with carcass going down to the floor - Sometimes a floor standing box has a rigid partition inside keeping the speaker working volume the same as the stand mount version. the trouble is, you have a secondary hollow void underneath which adds its own colouration. Just making the box internals doesn't work either unless the driver is optimised for such, as TDL did so well with the delighful RTL2 mk1 (shame about the godawful plastic veneer though).
large boxes can add colouration as I've said before, but most british listeners not used to such are usually bowled away by the extra ease and scale such speakers usually have in abundance. Currently, my money (if I had any) would be on either some mid sized Tannoys (gawd, they've worked hard on them despite boxy boxes...) or Harbeth 40.1's, which sound so good in passive form I wonder if the actives really would be a huge improvement, assuming they make such - I don't think they do currently...
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Suffolk, UK
Posts: 1,468
I'm Paul.
IMO nothing beats big drivers and large enclosures. You shouldn't just think about driver size, the enclosure and driver become one system. The problem is that almost all commercial speakers have enclosures that are smaller than optimum. The ones that have the large enclosures tend to be for willy waving and as, as such have too many drivers and crossovers so complex you don't stand a chance as they have too many passive components sucking the life out of the music.
~Paul~