View Poll Results: Which of the following most accurately describes your perception of Flat Earth?

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  • I believe it is a state of mind and an approach to evaluating hi-fi systems

    47 66.20%
  • I associate the term negatively with hi-fi made by Linn or Naim

    19 26.76%
  • If you want flat earth only Linn or Naim will do.

    5 7.04%
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Thread: What does Flat earth mean to you?

  1. #191
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    Marco, this thread has served its purpose in another way. I think we have learnt too that the perception of the term flat earth has shifted slightly in the last ten years too. Just as Linn and Naim have become more round earth - and expensive with it (a flat earth entry-level system was pretty much affordable with a term's student grant cheque back then) wwe have entered a new post FE era where subjectivism combined with the involvement factor rather than safe, inoffensive and ultimately boring hi-fi awaits some kind of re-definition.

    Perhaps there is too much negativity associated with FE for it to carry us forward into the next decade now awaiting us.
    I'm just not keen on "oval" or "spherical" that's all. They seem too much like a cop-out.

    Marco, I think we've also learnt something from this thread.

  2. #192
    Join Date: Sep 2009

    Location: France

    Posts: 3,209
    I'm notAlone.

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    As far as I'm concerned, I learned the story of "Flat Earth" !
    Dimitri.

    In a time of deceit telling the truth is a revolutionary act.
    George Orwell

  3. #193
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    That can only be a good thing, then. One can never have 'too much' knowledge...

    Marco, I think we've also learnt something from this thread.
    Yes indeed

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #194
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Quote Originally Posted by Themis View Post
    If the reason of this thread is to keep away "measurement freaks", then subjectivism is more than enough.

    Bear in mind that we need some measurements: without measurements you build nothing.
    Most raw components (cables, capacitors...) are chosen through measurements.
    Putting source equipment a side to concentrate on Amplification, Speakers..I always stood by if an amp has near perfect spec it's will more than likley sound rubbish to my ears. I alway have & always will buy vintage amps to use with my CD player.The addition of specialised components is De rigueur in both amp & speaker crossover for me, this doesnt take away the charm within the sound but certainly enhances the presentation/tidy things up, it won't turn an amp into a top line specified unit, it can't.

    Quote Originally Posted by Steve Toy View Post

    Perhaps there is too much negativity associated with FE for it to carry us forward into the next decade now awaiting us.

    Two things.Everyones got wise to all the bollox that was associated with FE & secondly it is impossible for a company to survive believing in one belief, fashions change & so do company products or they will inevitably die.The same old marketing bull never changes tho..

  5. #195
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    The idea that a music system should grab your attention rather than play to itself in the background at dinner parties is not bollox.

    Some hi-fi unfortunately plays safe (is boring) and worse, some people like it that way. I'd like to think that this forum was not for them.

  6. #196
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    In which you need imaging, soundstage, resolution, detail, pace, rhythm and timing


  7. #197
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    The addition of specialised components is De rigueur in both amp & speaker crossover for me, this doesnt take away the charm within the sound but certainly enhances the presentation/tidy things up...
    Absolutely. That's precisely why I upgraded the crossovers on my Tannoys and obtained the very effect of which you describe

    Before I did that, I could hear that there was something a bit special going on but it was being strangled somewhat by the signature of ageing electrolytic capacitors, long past their sell-by date, amongst other things. That's why I ended up spending a grand on just the crossover components alone for the Lockwoods!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #198
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Here's a picture of a 'proper' speaker, dwarfing a 'toy' one:



    Whatever happened to wide-baffled cabinets with decent-sized drive units... Are all speakers nowadays designed by anorexics?



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #199
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

    Default

    This is about my take on the situation...

    Last edited by The Vinyl Adventure; 10-12-2009 at 12:25.
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  10. #200
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    Hamish I think you finally got it.

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