Oi quite loikes it
Right, I've shlipped into to my (waterproof) Batman jim-jams now, soooooooooooooo..... LATERZ!
Marco.
I believe it is a state of mind and an approach to evaluating hi-fi systems
I associate the term negatively with hi-fi made by Linn or Naim
If you want flat earth only Linn or Naim will do.
Oi quite loikes it
Right, I've shlipped into to my (waterproof) Batman jim-jams now, soooooooooooooo..... LATERZ!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Andre you have absolutely no idea.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I choose hi-fi in pretty much the same way as I did ten years ago.
My first ever dem was at Listen Inn in Northampton in May 1999 when I heard the newly-launched, never-been heard-before-in-the-shop, straight-out-of-the-box Rotel RCD 951 CD player. This was the first budget player to have HDCD filter from Pacific Microsonics before Microsoft bought them out. I heard it against the Arcam Alpha 7SE and a Denon player. The Arcam was perhaps the best for rhythms but it was marginal. The Denon was so-so but was the cheapest. The Rotel was the best for air and space and had a bigger soundstage.
I chose the Rotel. I guess at the time I was a round-earth subjectivistAs I've always liked soundstage depth and imaging as well as musical involvement I ended up buying Densen amps about a year later from Acoustica in Stafford along with the brand new, just-launched Naim CD5. It did soundstaging unlike its predecessor the CD3.5.
Perhaps I am a little oval earth then.
The problem with the meeting of two earths is it's a bit all-embracing. We'll have measurement freaks in next.![]()
Location: Yorks
Posts: 16,643
I'm Nobody.
Steve, the current uber-expensive issue LP12 "system" appears to address this now..
Marco made a point recently - Linn and Naim, by "normalising" and "improving" their products, have all but dumbed down the severe colourations that created their reputations..
Andre, we may well have met back in 1999 [yikes]........
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Posts: 1
i don't know about flat earthers but listening to your hifi too much and you'll end up with a flat arse.
maybe we should be known as flat arsers?
hervé
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
Hi Dimitri,
I think the inclusion of the word "freaks" was significant. Yes, measurements are necessary up to a point, but not to the near exclusion of all else, as is the mantra of some people. One gets the impression some care more for their oscilloscopes than their hi-fi systems, or in some cases, even their music collections...!!
As far as I'm concerned now this thread has served its purpose, as it got people thinking about something we wanted them to think about, and perhaps has challenged their preconceptions of the whole 'flat-earth' thing. As I said, on AoS we like to get people out of their comfort zones and push boundaries, so in that respect the thread has been a success and well worth doing, regardless of what further madness ensues from this point onwards!![]()
Hervé,
Welcome to AoS - where are you from, my friend?
Incidentally, you're not one of the chaps who owns darTZeel, are you?
Anyway, when you get a chance, please pop into the welcome area and introduce yourself, telling us a little about your system and music tastes. Cheers!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Dave, I think you meant to say it was me you met in 1999 not Andre.
I remember Listen Inn as a proper flat earth dealership - two dem rooms side by side and only one pair of speakers in each. Both Linn AND Naim were stocked which was quite unusual in itself as they had become bitter rivals as I recall, Rega and I remember a Krell/Martin Logan system completely drowning out the main shop showroom area sounding eerily transparent but utterly incapable of holding a rhythm or tune.
Although over ten years ago, whoever sold me that Rotel player may remember because it was a first. I remember its build quality was rather good for the money too and there was a bit of weight to it.