View Poll Results: Which of the following most accurately describes your perception of Flat Earth?

Voters
71. You may not vote on this poll
  • I believe it is a state of mind and an approach to evaluating hi-fi systems

    47 66.20%
  • I associate the term negatively with hi-fi made by Linn or Naim

    19 26.76%
  • If you want flat earth only Linn or Naim will do.

    5 7.04%
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Thread: What does Flat earth mean to you?

  1. #51
    Join Date: Dec 2009

    Location: Hadrians Wall

    Posts: 313

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    'flat-earth' is a simply a state of mind, not [. . .]an association with a close-minded or blinkered attitude
    If you are right Marco, then why do all the dictionary definitions disagree with you?

  2. #52
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    But, Kris, we're not talking about dictionary definitions

    Read Steve's earlier post (#48).

    Marco.

    P.S Do you understand the concept of 'lateral thinking'? This is precisely what we're encouraging people to embrace in relation to the term 'flat-earth'.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #53
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

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    Ok, um getting there with this now! And I really do understand why it ha taken me this long ...
    What you are saying is you are a flat earth person because that's what you used to be, and as you still like what you used to like, but have just expanded on it - you still feel like you are a part of that!
    The problem is guys, you can't fight dictionary definition and the comon view of what it means in the hifi world ... Well you can if you like but I suspect it will, in the long run be futile and ultimatly cause more confusion than good
    I personally would suggest a term that describes your routes, but isn't going to confuse people as much as I have been!
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  4. #54
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

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    Oh Well aparently I still don't get it...
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  5. #55
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

    Default

    Ironic in the first place... Ok I get that now! Naim people calle them selves flat earth people as it wa ironic ... Ok history leson up to date for Hamish right?
    Buy the ironic thing is that now flat earth in hifi terms means naim or linn in a bad way, so it is infact now ironic that that frase was used in the first place... Am I there?
    This is where the problem lies! It's far to bloody confusing!!
    It not my place to say guys but I think you might be on to a loser just purly for the fact that most people so far have found it very confusing!
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  6. #56
    Join Date: Mar 2009

    Location: Elland

    Posts: 6,922
    I'm David.

    Default

    And I still don't know if I follow ...
    How does lateral thinking come into this?
    CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra

  7. #57
    Join Date: Jan 2009

    Location: Nottingham UK

    Posts: 550
    I'm ThinkingOfHorns.

    Default

    Marco,

    "Flat earth" started out as a derogatory term. Nowadays, it's accepted as meaning those whose systems put PRAT (pace rhythm and timing) first and 'Hi-Fi' second, where 'Hi-Fi' is stuff like imaging, soundstage, resolution, detail and tone. The latter are nowadays often referred to as "Round earth", the implication being that the two earths will never meet.

    But it seems to me that more & more the lines are getting blurred & I want PRAT,resolution, detail, tone & imaging, soundstage aswell so am I "Flat or Round Earth". I believe both you & Steve now want & get attributes from both sides & are now trying to redefine the term "Flat Earth" to suit your positions that I see as now somewhere in the middle of the two!
    alfie
    Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
    2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.

  8. #58
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hamish,

    What you are saying is you are a flat earth person because that's what you used to be, and as you still like what you used to like, but have just expanded on it - you still feel like you are a part of that!
    Yes, and that there are now other (better) ways to 'skin the same cat'...

    Answer this for me: Is there anything, sonically or musically, that your new valve amps can't do better than your Naim amps did?

    As Steve has correctly said, having met you, heard your system and identified your listening priorities, that you appreciate music through the ears of a typical 'flat-earther'. However, you abandoned a brand of equipment synonymous with offering a presentation best suited to satisfying your listening priorities, in favour of valves, yet have succeeded in retaining the very priorities you value and expanding on them.

    Yes?

    If so, that's exactly what happened to Steve and me when we switched from Naim/Densen gear to valves, so join the 'flat-earth club for lateral thinkers'!

    Is it sinking in more now?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #59
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    OK, flat earth = subjectivist quest for an involving listen.

    The irony lies in the dictionary definition and the original disparaging use of the term by the detractors of an objectivist bent.

    I hope this clarifies things a bit.

  10. #60
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by alfie2902 View Post
    Marco,

    "Flat earth" started out as a derogatory term. Nowadays, it's accepted as meaning those whose systems put PRAT (pace rhythm and timing) first and 'Hi-Fi' second, where 'Hi-Fi' is stuff like imaging, soundstage, resolution, detail and tone. The latter are nowadays often referred to as "Round earth", the implication being that the two earths will never meet.

    But it seems to me that more & more the lines are getting blurred & I want PRAT,resolution, detail, tone & imaging, soundstage aswell so am I "Flat or Round Earth". I believe both you & Steve now want & get attributes from both sides & are now trying to redefine the term "Flat Earth" to suit your positions that I see as now somewhere in the middle of the two!
    Kind of, Alfie, but there's a little more to it than that. You're getting there, though (although I think Hamish is beating you to it)!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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