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Thread: Valve power - feel the force!

  1. #81
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

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    Perhaps so,but as I said earlier,if your speakers are sensitive enough,clipping will not occur.

  2. #82
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,029
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed, Ali. I know all too well what clipping sounds like and there was none at the levels I was listening to Tiesto at last night! The system just rocked in a very brutish and uncouth (but non-distorted) way, which is perfect for dance music, but maybe not so for those with more delicate sensibilities!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #83
    Join Date: Feb 2008

    Location: South Wales

    Posts: 9,148
    I'm NotTakingLifeTooSeriouslyTheseDays.

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    Quote Originally Posted by jcbrum View Post
    I (respectfully for anthony only, as a fellow engineer) disagree entirely. Feedback has nothing to do with it, that simply sets the gain. The reason is that the rise times are MUCH faster in a ss amp, therfore allowing it to emulate a square wave much more readily. This is what produces the prodigious harmonics.

    Because a valve amp has it's output transformer in circuit, that has considerable inductance which modifies the wave form to approximate a sinusoidal one rather than a square wave.
    This is the whole problem with output transformer design, to allow a small enough inductive effect to pass the higher frequencies accurately, rather than suffer HF fall-off, which incidentally, since it's on Chinese transformers, Marco's amp probably suffers from as well.
    Therefore the output from a transformer coupled valve amp clips in a "sinusoidal" fashion and produces "musical" harmonics.
    Whereas the ss amp clips in a much more flat topped fashion, more approximating to a square wave, with horrible sounding harmonics.

    BUT, if you make the ss amp very powerful so that it doesn't clip then it sounds the best of all. (providing you haven't got to like the sound of valves clipping and confuse it with "musicality").

    p.s. all this is very easy to see on a scope and that is the way you can "educate" your ears !
    jc,
    i use signal generators and scopes to test all the equipment that comes through my workshops, and i am quite aware of what an amplifier looks like when clipped, i also test them for frequency response at diffrent levels of power output. marco's amp tested well, it gave a true 60 watt RMS output into a constant 6.8 ohm load, at 1khz. its frequency response was flat from 7 hz to 100khz tested at half power!
    the best solid state amplifiers i have heard are the simple ones, ie, using the minimum amount of devices, with the least amount of feedback, but sadly only producing around 10 watts. also, the first transistor amplifiers which by the way sounded pretty good when using gemanium [spellin] transistors were transformer coupled, like valves!
    you hit the nail on the head when you said about using feedback sets the gain, feedback does various things when used in amplifier designs but the main three things it does are, reduce distortion,[ by linearising] increase damping factor, and de-crease gain!
    anthony...

  4. #84
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,029
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by anthonyTD View Post

    marco's amp tested well, it gave a true 60 watt RMS output into a constant 6.8 ohm load, at 1khz. its frequency response was flat from 7 hz to 100khz tested at half power!
    As they say in Scotland, JC, GET IT RIGHT UP YE!

    Read and weep, sweety, and stick yer "30W" bollocks up your ample-sized bottom, haha...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #85
    Join Date: Feb 2008

    Posts: 424

    Default

    Ali, Well ok ish, but it really depends how far you turn up the gain.

    For those of a practical nature, it might amuse you to hear that the amps I use have no external gain controls, and are set to full volume without clipping all the time. therefore I know that they cannot clip till the drive voltage exceeds 2v peak.
    Last edited by jcbrum; 03-05-2008 at 22:29.

  6. #86
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,029
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Once was more than enough!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #87
    Join Date: Feb 2008

    Location: South Wales

    Posts: 9,148
    I'm NotTakingLifeTooSeriouslyTheseDays.

    Default

    Quote Originally Posted by jcbrum View Post
    Well ok ish, but it really depends how far you turn up the gain.

    For those of a practical nature, it might amuse you to hear that the amps I use have no external gain controls, and are set to full volume without clipping all the time. therefore I know that they cannot clip till the drive voltage exceeds 2v peak.
    most valve amplifiers usually run their driver stages wide open, and are easily capable of receiving a 2v peak to peak signal without a hint of clipping!
    some valve grounded grid pre-amplifiers i have made over the years will except many times that without clipping!
    anthony...

  8. #88
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Quote Originally Posted by jcbrum View Post
    (did you look it up ?)
    Erm... Yes.
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  9. #89
    Join Date: Feb 2008

    Posts: 424

    Default

    Quote Originally Posted by anthonyTD View Post
    jc,
    i use signal generators and scopes to test all the equipment that comes through my workshops, and i am quite aware of what an amplifier looks like when clipped, i also test them for frequency response at diffrent levels of power output. marco's amp tested well, it gave a true 60 watt RMS output into a constant 6.8 ohm load, at 1khz. its frequency response was flat from 7 hz to 100khz tested at half power!
    the best solid state amplifiers i have heard are the simple ones, ie, using the minimum amount of devices, with the least amount of feedback, but sadly only producing around 10 watts. also, the first transistor amplifiers which by the way sounded pretty good when using gemanium [spellin] transistors were transformer coupled, like valves!
    you hit the nail on the head when you said about using feedback sets the gain, feedback does various things when used in amplifier designs but the main three things it does are, reduce distortion,[ by linearising] increase damping factor, and de-crease gain!
    anthony...
    I have some early transformer coupled amps in my collection. I bought them new in 1967 I think.

    So Marco's amp is only flat at 30w, that's what I expected. I wouldn't like to guarantee how long it would deliver 60w on a warm day !

    Have I got this wrong or am I right in recalling Marco's amp has 2x KT88 per channel ?

  10. #90
    Join Date: Feb 2008

    Posts: 424

    Default

    Quote Originally Posted by anthonyTD View Post
    most valve amplifiers usually run their driver stages wide open, and are easily capable of receiving a 2v peak to peak signal without a hint of clipping!
    some valve grounded grid pre-amplifiers i have made over the years will except many times that without clipping!
    anthony...
    Yeah sure, but will they deliver 500w at that setting ?

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