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Thread: Valve power - feel the force!

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

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    Nonsense. There was nothing in the piece along the lines of 'at £25,000, this is something of a bargain'. And no references to mountain bikes either.
    Haha...nor was there any mention of Nordost

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #12
    Join Date: May 2008

    Posts: 191

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    Quote Originally Posted by Marco View Post
    Haha...nor was there any mention of Nordost

    Marco.
    Nordost adverts always strike me as bit weird; a picture of a fat, white middle-aged bloke 'dancing' doesn't really sell the stuff to me (assuming I could afford the stuff in the first place, which I can't, and if I could, I'd rather spend it on wine).

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Iain,

    Feel free to contribute some recommendations to the wine thread in our off-topic area!

    I'll be putting some more stuff in there myself later.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Join Date: May 2008

    Posts: 191

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    Quote Originally Posted by Marco View Post
    Iain,

    Feel free to contribute some recommendations to the wine thread in our off-topic area!

    I'll be putting some more stuff in there myself later.

    Marco.
    I will do. The most recent wine I drank was some Chianti Classico, but I drank it in Tuscany and I can't remember what it was called!

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

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    Could it have been Chianti Classico?

    No, I know what you mean. It could have been anything - there are 100s of different Chianti!

    My favourite Italian red is probably Brunello di Montalcino or Ornellaia. A good Amarone is also eminently palatable, as is Duca Enrico.

    Where were you in Tuscany?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: May 2008

    Posts: 191

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    Quote Originally Posted by Marco View Post
    Could it have been Chianti Classico?

    No, I know what you mean. It could have been anything - there are 100s of different Chianti!

    My favourite Italian red is probably Brunello di Montalcino or Ornellaia. A good Amarone is also eminently palatable, as is Duca Enrico.

    Where were you in Tuscany?
    All over the shop, but mostly Florence and Volterra. Not very warm there, unfortunately. In Siena they blamed the bad weather on the Florentines!

  7. #17
    Join Date: Feb 2008

    Posts: 424

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    Quote Originally Posted by Marco View Post
    Steve, I think it's the sheer amount of electrical current that valves have in reserve which maximises transient attack and makes them able to resolve the deepest of bass lines with such lack of strain and effortless finesse Marco.
    Er ... valves are high impedance devices, the current is very small, and I assume your 60 watts is actually 30w per channel ?

    Try a decent 500w ab bipolar, then you'll know what current is

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Er ... valves are high impedance devices, the current is very small...
    You miss my point. Anthony will explain it better when he logs on later

    You would have soiled your incontinence pants if you'd heard what I heard last night, sweety

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #19
    Join Date: Feb 2008

    Posts: 424

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    30w valve amps at high volume (spl) don't have any transient attack !

    They just soft clip and you can hear them gasping for breath on the signal peaks some call it "involving" and "musical", oh dear, oh dear, It's so funny I need another pair of pants again Guitarists call it "overdrive" and "fuzz-bass"
    Last edited by jcbrum; 03-05-2008 at 11:38.

  10. #20
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,027
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    No, you've simply mistaken the experience to that of when listening to your anaemic sounding little computer speakers

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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