Aye, that's one of the things that happens!!
Marco.
Aye, that's one of the things that happens!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Not all expensive equipment is about brand or hiding Chinese made circuit boards between wooden end cheeks rolled on the thighs of handmaidens or whatever. As far as brand goes, the only one any person visiting my system is likely to recognise is Technics - having an association with medium quality ghetto blasters. Hmm, there goes my credibility.
Much of my equipment is supremely well made American kit. It wasn't cheap, but much of what's inside is high quality, hand-built circuits inside sturdy casework, made in small cottage industry companies who need to generate a profit to pay their salaries and keep some back for R&D. Not to mention the eye-watering cost of passing CE to sell into the European market, marketing costs, shipping and distribution/dealer mark-ups. You might be surprised to know that no-one is making a mint, the proof of which is the many small companies going to the wall unless they diversify into (spit) AV. Dealers even more so. They can't survive on selling the kind of kit that you seem to think is making them laugh all the way to the bank. On the contrary, the hi-fi industry is becoming marginalised and few companies can be accused of making excessive profit. Bose excepted, of course.
Location: Yorks
Posts: 16,643
I'm Nobody.
As you mentioned USA i know your taking the piss..Take away the importers/Distributers fee, USA wage structure, Expoting design for construction to far east & back costing, Brand names overheads..Massive rag salery etc etc, you have a cheap as chips product that sounds typically USA sounding what u got??
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Location: Yorks
Posts: 16,643
I'm Nobody.
You can say what you like dude about Mana but that doesn't make it a fact... You're entitled to your opinion and I'm entitled to mine
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Either Andre is spoiling for an argument or he just doesn't get what this place is about yet.
Mana is not some symbolic clinging onto the last bastion of flat earthdom. It actually works. It may be replaced by something even more effective but that's another matter.
I suspect that Andre had a few sherbets last night...
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: London, UK
Posts: 309
I think the other factors in the choices "normal" people make when spending substantial amounts of money are both the "aspirational" and the "show off" values.
The sheeple have been indoctrinated to believe that they will only have arrived in society when they posess branded products A, B and C with 2 perfect children called Tarquin and Olivia who get into the local Roman Catholic school even if "we don't go to church that often". How do you show-off your rather wonderfully sounding but not B&O/Sony/whatever sound system when your neighbor would much rather ask about your new BMW in the drive ? The chattering classes / champagne socialists are not just in Islington anymore...
Over my 40+ years I am now convinced I have made the mistake of believing that other people think at least a little like me (and others I respect/admire) - but this is bollocks - most people are not independent of thought, have no background understanding of anything remotely scientific and are actually 100% in the grasp of the mainstream media and the advertising industries.
Cynic, moi ?
Great post, Peter - I completely agree (especially with the "independent of thought" bit)!!Over my 40+ years I am now convinced I have made the mistake of believing that other people think at least a little like me (and others I respect/admire) - but this is bollocks - most people are not independent of thought, have no background understanding of anything remotely scientific and are actually 100% in the grasp of the mainstream media and the advertising industries.
A 'high-end' hi-fi system without the requisite badge considered as de rigueur by the aspiring middle-classes (they rarely get there though, as they're usually too vulgar) has zero cachet when compared with a BMW, or such like, parked on the driveway.
I just cannot relate to the sheep-like mentality you refer to either; it's a completely alien thought process for me. I have never 'gone with the herd' in my life - if fact, I usually seek to do the exact opposite.
I care not a jot about trying to 'impress' people - I just do my thing and get on with life; people take me as they find me, and too bad of they don't like it. I'm in a position where I'm completely content and comfortable with my life.
As for the "chattering classes" and showing off to your neighbours; don't get me started on that! That's one of the main reasons why we moved from a 'posh' part of Glasgow to North Wales: to escape from the 'keeping up with the Jones'' idiots
Anyway, rant over... For now!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
You can see in my footer. Take the Pass preamp: superb internal construction, huge power supply, incredibly neutral and detailed sound quality. Nelson Pass is world renowned as a designer. Take the Ayre player: again, fantastic construction quality, leading edge MP filters and the best player I've ever heard bar none. Lots of industry plaudits too, including Stereophile A+ recommendation. What on Earth is typically USA sounding?