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Thread: Ashley & JC's assorted musings

  1. #171
    Join Date: Feb 2008

    Location: South Wales

    Posts: 9,148
    I'm NotTakingLifeTooSeriouslyTheseDays.

    Default

    Quote Originally Posted by jcbrum View Post
    You're forgiven Ashley,

    If you're reading this,

    Marco says so,

    With his "Administrators" hat on,

    I think I'll go and hide for a while,

    I've heard what he did to "The Frey",

    and Mr C wants to join in as well

    Wankers ! oops, is that derogatory ? or factually accurate ?

    Err ..... I think I'd better not say that, .... Consider it withdrawn please,

    byeee ........
    yea,
    go and do some scratch mixing for a while, or what ever it is you do with those 78's...

  2. #172
    Join Date: Jan 2008

    Posts: 544

    Default

    When can I have my thread back?

  3. #173
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Now!..... Please!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  4. #174
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,547
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    When can I have my thread back?
    The stage is yours, Mr Dunn...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #175
    Join Date: Apr 2008

    Location: Bristol, UK

    Posts: 463
    I'm Greg.

    Default

    Elswhere I previously posted to Marco that I was not interested in this forum because of all the shallow crap discussed. This thread completely demonstrates my view. I signed up after Marco made a commitment and came to Owston, listened, compared his kit with others and played a part in our world. I seriously respect him for that and feel guilty I never bought him that pint I promised. Maybe some other time.

    However, this thread epitimises all I have no time for on audio forums. Clearly most of you are up yourselves to a point of totally losing the plot. Most of what you write is total bollocks; you don't know what a good sounding system really is because you've spent a lifetime in marketing and you'd rather spend your time squabbling about inconsequencial nonsense. Keep it up guys but I'm off. I've got better things to do than waste time reading all your totally shallow crap. It amazes me that you justify a living earnings during the day producing all this nonsense. Most of you need to get out there and really get a life! Maybe if you are so good at what you do you could make a difference but I doubt that is in you itinery.

    I've listened to the AVI stuff at the Bristol Show. Absolute rubbish. Flat presentation with no three dimensional sound stage. No instrument/voices in space and a general shoddy one note bass sound. The absolute bollocks of it all is Ashley enjoys playing his computer recording of an original wax cylinder I could do better with £150 spent at Richer Sounds....seriously.

    There comes a point when being so into marketing, you seriosly loose the plot and clearly that is where you guys are. Wrap it up and get back to the sound. Having said that, in order to do so you need to have the ears to hear. Maybe many of you just don't have that natural ability or you need to visit the nurse for an ear syringe. Who Knows?

    Marco, sorry, I gave it a go but frankly you are hosting a forum populated with some good people but also alot who are a waste of time and unfortunately these seem to be the most prolific posters. I'm moving on and off. I really can't be bothered with these people.

    Best wishes,

    Greg

  6. #176
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Quote Originally Posted by Greg View Post
    However, this thread epitimises all I have no time for on audio forums. Clearly most of you are up yourselves to a point of totally losing the plot. Most of what you write is total bollocks; you don't know what a good sounding system really is because you've spent a lifetime in marketing and you'd rather spend your time squabbling about inconsequencial nonsense.
    Very sad.

    But unfortunately true (at elast in this thread). It's a pity you're not going to hang around Greg, there ARE some interesting folk around and I was hoping that with a few more like you the general 'tone' could be raised somewhat.

    Sadly, it seems there are a 'few' who seem to infiltrate so many threads with the same old bollocks.

    <sigh> Here I am again in this bloody thread!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  7. #177
    Join Date: Feb 2008

    Posts: 424

    Default

    What about all the other threads Greg ? Did you try those ?
    Last edited by jcbrum; 22-04-2008 at 22:32. Reason: 2nd thoughts

  8. #178
    Join Date: Jan 2008

    Posts: 544

    Default

    Quote Originally Posted by Marco View Post
    The stage is yours, Mr Dunn...

    Marco.
    Post #9 in this thread is where (yet again) Ashley Marketing Corp hijacked it. Please take it back to that point and consign the rest to the dustbin, or another thread if you insist.

    You are testing a lot of peoples patience with your tollerance of these two, you have lost two members today, and they are the ones that have told you!

    So whats to stop them coming back and crapping on this thread again, eh!

    Jerry said "it will all end in tears" how right, how very right!
    Last edited by WikiBoy; 22-04-2008 at 22:40.

  9. #179
    Join Date: Feb 2008

    Posts: 424

    Default

    As far as this thread goes Richard, You started it !

  10. #180
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,547
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Greg,

    No worries. The respect is mutual

    I'm sorry you feel that way, but sometimes certain threads go the way this one has. I don't think you could say the same thing about the majority of discusssions on the forum.

    I would like for you to contribute here regularly so what do you suggest I do? I would honestly value your opinion on this.

    Richard,

    You have a point. I'll look through this thread tomorrow and prune it as necessary. I'm off to bed soon.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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