Can't fault the actual venue in terms of drinks , food etc . Steve . However I do think a more conventional type of room ( oblong or square ) would show the systems , particularly the speakers at their best .
Can't fault the actual venue in terms of drinks , food etc . Steve . However I do think a more conventional type of room ( oblong or square ) would show the systems , particularly the speakers at their best .
Regards
Brian
Sell your cleverness and buy bewilderment . (Rumi )
Korus Computer Audio music server
JustBoom DAC . HRT Musicstreamer 2
Amplifier : Sony TA FB740R
Speakers : Tannoy 637
Interconnects : MS Audio / Klotz MC5000 .
Speaker cables : Western Electric 16AG
Happy New Year to everyone.
Yes, I have to agree about the room shape.
The split floor wasted a lot of space, we could have done what we did in a far smaller conventional rectangular room, with the benefit of better acoustics in the smaller space, at least more like those in a home environment, which is what we tend to voice the gear in.
As for the number of set ups, the more the better as far as I'm concerned. Makes for less down time, allways someone ready to play. My system and Gordons as well, took over an hour to set up. That wouldn't work if there were say just two set ups, Steve, remember how well things worked at Owston with about eight set ups on the go?
The Venue for Nebo6 served its purpose, but I think it could be bettered in terms of showing the gear at its best. It did however score well for good parking, nearby accomodation and on-site food and drink.
I hear you and I am on the hunt.
Mind somewhere with 230V mains!
Ok with not having it on Betamax nowadays
Agree the room could be better, but you'll never find one of sufficient size that allows the systems to sound how they do at home. If only for the fact that SPL levels are far higher. Bear in mind we've been trying for years at the Owston do's to do just that. Can't be done, so I would just worry about sufficient room for all those that turn up, and enjoy the day!
“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”
Hunter S Thompson
An alternative, could be several interconnecting smaller rooms.
Accoustically, the two smaller rooms we used upstairs at the Windmill were not bad, the stairs were a pain for lugging gear up though. We have lost that venue but something similar on the ground floor might be good, two set ups in each room could be enough to keep things flowing.
I will keep my eyes and ears open for anything we might want to consider. I know of a church Hall, but alcohol would be a no no and accomodation is no where near. like Ali points out, it's not an easy set of criterion to match, so some compramise may have to be made.
Steve - The Rugby club below where "Steetleys" used to be has a poster up saying "Free function room" and I believe the other Rugby club on the main coast road north of Hartlepool General Hospital does the same. Could be worth checking these out.
Yep, we've also tried that, but for me it takes something away from the the social aspect of the day IMHO.
“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”
Hunter S Thompson
I could suggest any number of potential venues in the Gateshead/Newcastle area ranging from working men's club function rooms, an arts centre, or for a small/medium do a professional recording studio owned by a friend (bring our own refreshments obviously). Of course that might mean relocating NEBO from its Teesside roots which might not be popular, but may make it more accessible for those coming via train etc.
If you want me to explore these, let me know.
One of these days... I'm going to cut you into little pieces.
Personally, I don't think there was anything much wrong with the last venue, if next time the space allocated was used, shall we say, rather more 'productively'... Remember how good that system sounded by the dance floor!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.