I owned a Uher Pro reel-to-reel many years back, very nice machine but unfortunately I wasn't into hi-fi then so I can't comment on how good the sound was. Granted it was probably a whole heap better than my Sony tapedeck though.![]()
I owned a Uher Pro reel-to-reel many years back, very nice machine but unfortunately I wasn't into hi-fi then so I can't comment on how good the sound was. Granted it was probably a whole heap better than my Sony tapedeck though.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
I think you should reserve definitive judgement until you've heard one that can make you go "WOW". Hopefully I should be able to provide you with that experience sometime soon
As an aside, ask Steve what the Technics is like when playing mint well-recorded vinyl. He knows my system very well, and he was once similarly as sceptical about vinyl as you.
Trust me, if you heard a good professional reel-to-reel machine now that you're in a position to appreciate what it does your eyes would be wide opened!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
The first big hit recorded in the studios was Dave Edmunds’ I Hear You Knockin' in 1970. Following that success, the studios were used to record Peter Hammill's second solo album Chameleon in the Shadow of the Night in 1973 and Queen’s Bohemian Rhapsody in 1975.
During a 12-month period in 1996-97, Rockfield sessions resulted in five UK Number One albums, by Oasis, Ash, Black Grape, The Charlatans and the Boo Radleys. Other acts using the studios have included Robert Plant,[1] Black Sabbath, Budgie, Echo & the Bunnymen, Motörhead, Rush, Hawkwind, The Stranglers, Iggy Pop, The Pogues, Paul Weller, Simple Minds, Manic Street Preachers, Sepultura, Kasabian, and New Order.
ATB
David
I could reserve judgement, and actually in all honesty one should reserve judgement until their death bed - i.e. when one's never going to hear anything more. Trust me mate, I know analogue can sound tremendous, I've owned a very nice turntable in the past and I loved it, I love the squelch of synths played back from a turntable, I love the realism of a well balanced turntable, I know how good modded turntables can sound, but digital still does it for me.
Maybe it's the cleanliness, maybe the inky blackness, maybe it's the virtually non-existent noise level - I don't know, but it's what I prefer.
However, I'm still looking forward to hearing your system. Be aware though, I may drug you, nick your amps and them claim you were burgled.![]()
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Audiocrast Spreizbar banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
2022 MacBook Pro 14" M1 Pro 10/16/16/16
SMSL SU-1 DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Fosi V1.0G integrated amp
Roxel RBS 300s
Several small valve preamps
Posts: 544
Not before I've taken you up the hills first and shagged you!However, I'm still looking forward to hearing your system. Be aware though, I may drug you, nick your amps and them claim you were burgled.![]()
Marco.
P.S We may be able to 'work something out' with the amps. PM me and I'll tell thee of my idea.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Maybe they've changed a lot of the equipment since I visited (2001?).
"Rockfield was developed by converting redundant farm buildings without the help of any design consultants," Kingsley Ward recalls. "We have always relied on our own ability for acoustics. To this day, Rockfield relies on natural acoustics to capture the sound of musicians."
The facility consists of two main studios, The Quadrangle and The Coach House. Each offers a very large main live room (28x19 and 26x14 feet, respectively); an additional good-sized live iso room (The Quadrangle incorporates two iso booths); and four natural echo chambers with an up to 3.2-second reverb time.
And, of course, over the years, the facility has amassed a tremendous selection of equipment. Each control room is equipped with a 60-input Neve VR console and JBL 4350 main monitors. Both studios offer a variety of Studer A820 24-track, 2-track and 2-inch recorders with Dolby SR. There's also an extensive list of outboard gear from AMS, Klark Teknik, Yamaha, TC Electronic, Tube-Tech, Drawmer, Orban, Eventide and others. And the studio is particularly proud of its vintage Neumann microphones, which include two U67s, five SM2 stereo mics and two KM56s. There are also many newer choices from Neumann, AKG, Sennheiser, EV, Shure and Beyerdynamic. A three-person maintenance crew works full-time during weekdays and is on call in off hours to keep all the gear in shape.
"More than 1,000 million recordings from Rockfield have been sold worldwide," Kingsley Ward says, "which is more than all the other residential studios in the UK put together."
Not bad for a wee farmhouse in Wales.
ATB
David
Right.....
That's it, from now on I'll confine myself to threads that at least seem to have at least SOME small semblance of staying vaguely on-topic.
I've heard of thread drifts, but for the love of god this place goes off on more tangents than a geometry teacher on acid!
It seems to be mostly caused by erm, ' a certain few' but I'm not going to be drwn into anymore arguments. So there!
![]()
Shian7
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Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.