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Thread: Goldpoint SA4M-47 passive 'preamp' winging its way to Marco Towers...

  1. #141
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    If I understand it correctly, what you now have is a high quality switch, with a pair of "better" series resistors, plus the original shunt resistors and all their original solder joints and pcb track?
    All of which can have an effect on the sound, so separating out their influences will be tricky. I don't say impossible, just difficult. Switches in particular can make quite a difference. And believing the shunt components are out of the signal path could get you into trouble; look at the effect cathode resistors can have, and the equalising L,C and R shunt parts in my speaker crossover have to be the best I can afford, or they mess with the sound!
    And your passive attenuator may sound better at a lower setting because there are less parts in the shunt path. With a TVC, for one example, there is less in the signal path at higher settings.
    Just something to consider if you are trying to understand why it sounds better.
    ABD.

  2. #142
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

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    Yup, thanks for that, Richard. I get where you're coming from and agree, especially with this bit:

    Quote Originally Posted by awkwardbydesign
    And your passive attenuator may sound better at a lower setting because there are less parts in the shunt path.
    That and the fact that, as Alan says:

    Quote Originally Posted by Firebottle
    So at position 47 on the dial (max volume) there will be 47 resistors in series making up the Y arm of the attenuator. Each click down from max will remove one of these resistors from the chain.
    ...there are more resistors in line with the signal, the more the volume is turned up, makes me want to achieve my preferred listening levels lower down, not higher up on the dial! I don't want to be cranking it up past 12 noon, unless I'm playing back music recorded at a very low level, as it will sound WORSE.

    That's an important point to remember, and is why I've chosen 20K series resistors, precisely to obtain that effect. In that respect, most of my listening will be carried out between 1 and 10 on the dial

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #143
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

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    Quote Originally Posted by Marco View Post
    ...there are more resistors in line with the signal, the more the volume is turned up, makes me want to achieve my preferred listening levels lower down, not higher up on the dial!

    That's an important point to remember, and is why I've chosen 20K series resistors, in order to obtain that effect

    Marco.
    I think he meant in parallel (shunt) with the signal, rather than in line (series). This what I meant about the difficulty in understanding exactly what is having a particular effect!
    ABD.

  4. #144
    Join Date: Jun 2008

    Location: Happy Cheshire

    Posts: 737
    I'm Duncan.

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    No Alan is correct

    The GP is a series attenuator not a shunt type originally.

    I've connected the in and outputs to ground and connected the original ground to the output side of the z series resistor.

    Creating a shunt type attenuator.

    Happy days
    Last edited by tubehunter; 04-10-2015 at 23:19.

  5. #145
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by awkwardbydesign View Post
    I think he meant in parallel (shunt) with the signal, rather than in line (series). This what I meant about the difficulty in understanding exactly what is having a particular effect!
    Lol - I'm confused now (not difficult when it comes to these things), but regardless, I'm entirely satisfied that I've gone the right route! One listen to my system now confirms that

    Anyway, Duncan has also now confirmed that Alan's earlier outlining of what's going on is correct. As I suspected, he also said that he's uncertain about the resistors in 'Y' affecting sound quality, and that the jury is still out on that!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #146
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by tubehunter View Post
    No Alan is correct

    The GP is a series attenuator not a shunt type
    Ha - you beat me to it, mate!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #147
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - I've just noted your edit:

    Quote Originally Posted by tubehunter View Post
    The GP is a series attenuator not a shunt type originally.

    I've connected the in and outputs to ground and connected the original ground to the output side of the x series resistor.

    Creating a shunt type attenuator.

    Happy days
    Indeed... I'm dancing with joy because my system sounds fooking amazing!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #148
    Join Date: Apr 2012

    Location: United Kingdom

    Posts: 2,326
    I'm Richard.

    Default

    Oh for heaven's sake! Someone draw me a circuit diagram of what it was, and what it is now! All these words are giving me a headache, I have a wife for that!
    ABD.

  9. #149
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Just been having a further think about this:

    Quote Originally Posted by awkwardbydesign View Post
    I think he meant in parallel (shunt) with the signal, rather than in line (series).
    Even if that's the case, and *if* the shunt resistors [illustrated in the 'Y' arm of the diagram] do influence the sound (and I suspect they do to some degree), then it still makes sense to have my preferred listening levels located at the lower end of the dials [1 to 10], than further on, for the very reason you're referring to, and in terms of the point Alan was making.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #150
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,539
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    In other news, according to Chris, I'll soon have an LDR winging its way to me, so it'll be very interesting hearing how that compares with the Goldpoint (and Croft)... Nice to have so many good choices!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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