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Thread: Goldpoint SA4M-47 passive 'preamp' winging its way to Marco Towers...

  1. #131
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Yes I know what you mean, Martin, and to a degree you're right.

    However, at this stage the only extra costs I've incurred are about £1 for the two series metal-film resistors installed. Once the Z-Foils (or whatever) are fitted, then I'll be out a bit more money (those, for example, are £15 each, so £30 for the Z-foils alone).

    That's still piss all, in the grand scheme of things, in the context of a £30k system.....

    If before I had embarked on this journey, with a passive preamp, someone had said to me 'Marco, spend £600-odd quid and you'll end up with an utterly stunning sound, and better than you've ever had before', I'd have snapped their hands off!

    Remember too, that the Goldpoint now, 'as is', is outperforming the Croft, on line-level! So you've got a £600 passive (including import duty and tax) sonically outperforming a £4k valve preamp. I'd call that a result, no? If that's not high SPPV, what is?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #132
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Firebottle View Post
    I do certainly, some previous description could be mis-interpreted as only one shunt resistor in play at any time, not the case as Nick also understood.
    Not sure what you mean, Alan. As I understand it, there *is* only one resistor (per channel) in play at any time...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #133
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,372
    I'm Martin.

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    Quote Originally Posted by Marco View Post
    Remember too, that the Goldpoint now, 'as is', is outperforming the Croft, on line-level! So you've got a £600 passive (including import duty and tax) sonically outperforming a £4k valve preamp. I'd call that a result, no?

    Marco.
    No question about it - this is what I have been saying about passive pre amps for ages. If you don't have thousands to spend on a pre (or even if you do) it is the way to go.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  4. #134
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed, but it has to be done right, whilst preserving system synergy. That clearly wasn't the case with the majority of passives I've heard in the past.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #135
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,899
    I'm Simon.

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    Any chance of a pic Marco. I owned a Goldpoint and cant imagine how it could be made a true shunt without a serious rewire. Though I can easily understand how swapping the actual shunt resistor for a different value would affect the voltage divider to give a completely different attenuation at each point of the switch.
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). Imac m1, gustard A18dac, Bruno Putzeys balanced pre, neurochrome 486 dual mono amps, Yamaha NS1000m with raal ribbons

  6. #136
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Also remember, Martin, that if I had gotten Duncan to build me a passive from scratch, I'd still have wanted to use Goldpoint dual-mono steppers and a Goldpoint selector switch, so those alone (with knobs fitted) come to a total of $395, not much less than the cost of the whole unit itself - and that's before you buy a case, high-quality internal wiring, and quality RCA sockets!

    So, in reality, how much would I have saved by just getting Duncan to build me one?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #137
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Simon,

    Quote Originally Posted by sq225917 View Post
    Any chance of a pic Marco. I owned a Goldpoint and cant imagine how it could be made a true shunt without a serious rewire. Though I can easily understand how swapping the actual shunt resistor for a different value would affect the voltage divider to give a completely different attenuation at each point of the switch.
    Sure, I'll do that when the resistor 'bake-off' is taking place and post the pics later along with my report

    In terms of the bit in bold, that's one of the reasons why the whole exercise was worthwhile!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #138
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,275
    I'm Justin.

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    Q. Why did Mr Ohm marry Mrs Ohm?
    A. Because he couldn't resistor...

    Sorry, couldn't resist

  9. #139
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,258
    I'm Alan.

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    Quote Originally Posted by Marco View Post
    Not sure what you mean, Alan. As I understand it, there *is* only one resistor (per channel) in play at any time...

    Marco.
    OK I'll try to elucidate. A basic attenuator has two 'arms', shown here by resistors Z and Y:



    The Z resistor is the series part, this is the resistor that you are going to experiment with.
    The Y resistor is the shunt part but in your case with the Goldpoint is made up from a string of resistors on the Goldpoint pcb. The 47 way switch now selects how many of these resistors makes up the Y arm.

    The resistors in the Y arm are connected in series, that is through one to the next, then through that one to the next and so on. This can be seen clearly on the picture from the Goldpoint website:



    So at position 47 on the dial (max volume) there will be 47 resistors in series making up the Y arm of the attenuator. Each click down from max will remove one of these resistors from the chain.

    Clear?
    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  10. #140
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,546
    I'm AudioAl'sArbiterForPISHANTO.

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    Yup, I think so, and am pretty sure that's what is going on. However, I'll show your post to Duncan and ask him to confirm

    I think his view is that the effect of the resistors in 'Y' can't be heard, as they're going to ground. In reality, I guess that they'll have a small influence on the sound. The main thing you're hearing, however, is the sonic effect of the series resistor.

    Regardless, I'm more than happy with the current arrangement, which has effected a massive step-up in performance on the unit, compared with how things were originally!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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