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Thread: Calling All Upgraded Technics Owners

  1. #31
    Join Date: Aug 2009

    Location: West Oregon USA

    Posts: 44

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    Quote Originally Posted by Dave Cawley View Post
    Really, who was the friend? It isn't something that can be plugged in, how did you restore it to the KAB afterwards? Or did you just plug it in without doing the other mods first? Could you be totally honest and up front about this? If you dreamt it in the shower, just tell us, we will understand!

    Dave
    I'm not going to give you anybodys name and I just soldered the other supply back, I am honest and now I'm pissed.
    J

  2. #32
    Join Date: Aug 2009

    Location: West Oregon USA

    Posts: 44

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    Quote Originally Posted by Dave Cawley View Post
    What I'm trying to say, is that I simply can't see "how" he could have tried both? It's not remotely easy and we are a tad suspicious that he hasn't?

    Dave
    What is your problem? It's not at all difficult. I'm rather tired of your insinuations.
    J

  3. #33
    Join Date: Aug 2009

    Location: West Oregon USA

    Posts: 44

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    Quote Originally Posted by Marco View Post
    Have you changed the stock headshell and lead wires, too? Those are crap and need immediate replacement if a serious hi-fi cartridge is to be used.
    Look I've played with 2 other headshells and 1 set of other headshell wires. I like the stock one right now. Is this enough for you?

    The fact is, just as you see Dave as behaving defensively towards his PSU, so are you also doing the same with the KAB one..
    Wrong. I dont give a flying piss about the KAB one. I want to know how the timestep is better, that's all.


    Once Dave's heard your voice he could then phone Kevin and see it it's the same - simple! ..
    It proves nothing. If you and Dave think I'm in cahoots, then what does it prove?

    Anyway, as I've said, this is all getting a bit silly, although if you guys chatted perhaps you'd respect each other more and the (ever-increasingly) thinly-disguised animosity in the dialogue between you here would cease?
    Not if he keeps interrogating me. I have no respect for someone who is bent on trying to see if I'm lying when I have spoke the truth. Whatever, you guys think what you want, I dont care. Just let me ask my questions, all I did was ask Hypnotoad why he would choose something. Now everytime I ask a question about a soundhifi product you and Cawley are going to call me a liar?
    J

  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

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    Jeff, with respect, in the circumstances you can understand why we were slightly suspicious...

    I'm personally willing to give you the benefit of the doubt, as it's only fair in the absence of irrefutable evidence which proves that you're being disingenuous, but I'm sure you'll agree that anyone joining a forum and making up pretend equipment comparisons in an attempt to discredit/devalue a particular product would be completely out of order. I'm not saying that you're doing that, though, but it happens for a variety of reasons.

    I think we should leave it there now and move on. If you have any further queries regarding Technics T/T modifications then either I or others will be more than willing to answer them, or simply continue your dialogue with Hypnotoad as before - your choice

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #35
    Join Date: Aug 2009

    Location: West Oregon USA

    Posts: 44

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    Quote Originally Posted by Marco View Post
    Jeff, with respect, in the circumstances you can understand why we were slightly suspicious

    I'm personally willing to give you the benefit of the doubt, as it's only fair in the absence of any irrefutable evidence which proves that you're being disingenuous, but I'm sure you'll agree that anyone joining a forum and making up pretend equipment comparisons in an attempt to discredit/devalue a particular product would be completely out of order.

    However, I think we should leave it there now and move on. If you have any further queries regarding Technics T/T modifications then either I or others will be more than willing to answer them

    Marco.
    You guys have pretty much pissed me off. I came in to work this morning and read all the banter between you and Cawley trying to nail my @ss against a wall or something. Now my coffee's cold Whatever man, I don't need the benefit of a doubt, I can stand on my own, and people can think what they want, thank you. I for one have my own suspicions.
    J

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

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    Ok, well that's fine. Let's get back to the thread topic now or whatever else it is you wish to discuss other than the above. Go and make some fresh coffee and come back when you're ready

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #37
    MartinT Guest

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    My SL-1210 has the Timestep PSU, Jelco SA-250ST arm with Sound Hi-Fi arm plate, Audiophile mat, Isonoe feet, Bruil weight, AT-33PTG cartridge, Underwood/PS Audio GCPH preamp.

    It replaced a Roksan Xerxes with Mk.II PSU, SME IV arm, AT-OC9 cartridge, EAR 834P De-Luxe preamp.

  8. #38
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    So, to conclude this little episode. Am I right in saying that the KAB supply is simple to fit to the standard deck and involves little more than replacing one power feed with another and the Timestep by comparison needs the regulators replacing as well to give of its full effect?

    I'd also very respectfully suggest that the standard headshell is fine for higher-compliance cartridges (don't judge a quality cartridge by its mass or compliance (unless it's a Decca ) as lower compliance designs "load" the vinyl much harder and the more marginal tracking ability will ultimately cause more record wear, especially at side end (I'm thinking SPU vs AT33PTG/OC9 here).. I'd also say that a couple of inches of headshell wire is the last thing you need to worry about when dealing with the standard arm, as the possible resonance problems when using moving coil cartridges would make a FAR bigger difference to the final sound. getting the arm re-wired in its entirety would be a far better bet IMO and not that costly...

    Finally, is the mk5G arm-tube different to the mk2? It certainly costs more I think...
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  9. #39
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

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    Oh, silly assumption! Why not just ask me first? It's a 10 minute job with no new regulators to fit. Perish the thought!! With only one wire to solder, the KAB has two, but does it matter?

    Agree on the headshell and wire though!

    Dave

  10. #40
    Join Date: Sep 2009

    Location: Houston, Texas, USA.

    Posts: 181

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    Quote Originally Posted by Dave Cawley View Post
    Oh, silly assumption! Why not just ask me first? It's a 10 minute job with no new regulators to fit. Perish the thought!! With only one wire to solder, the KAB has two, but does it matter?

    Agree on the headshell and wire though!

    Dave
    Have you ever tried powering the SL 1200 series using batteries, there was a report I read that someone used battery power to see if there was a sound difference between the stock PSU and battery power.

    I think from memory they connected it without bypassing the internal regulator and found little if any difference.

    Is it the regulator that causes all the problems, if so has anyone connected battery power bypassing the internal regulator?

    Not that I would want a couple of car batteries in my lounge room but as an experiment.
    Phillip.

    Records... the Vinyl Frontier. These are the voyages of the turntable Perspective. Its five-year mission: to explore strange new records, to seek out new artists and new sounds, to boldly go where no hyper elliptical diamond stylus has gone before!

    Polk Audio SDA 1C + Yamaha C4 / M2 + Custom Made DIY Phono Stage + Pro-Ject Perspective + Pro-Ject Speed Box II + Benz Micro Ace = Magic.

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