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Thread: Any Digital Impressions of the Caiman yet?

  1. #341
    Join Date: Aug 2009

    Location: Birmingham, UK

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    I'm Ian.

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    Quote Originally Posted by Covenant View Post
    Doesn't transmission line design give extended bass without loss of efficiency?
    Yes it does, but withdrawbacks. It helps getting deeper notes but its difficult to keep the response flat because of the resonant frequency of the line.

  2. #342
    Join Date: Jul 2009

    Location: USA

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    Hi
    I have the TC7520 and i was planing to do the dac upgrade but i don't know anybody here in the US who can do the change for me. Do you recommend i sell the tc7520 and go for the Caimen?thx Milo SLC, UT

  3. #343
    Join Date: Oct 2008

    Location: Glastonbury, Somerset

    Posts: 612
    I'm Jason.

    Default Caiman or 7520?

    I too am *this* far away (a gnat's crochet) from getting a StanDac, but for me it's which one... do I bite the bullet and 'go Caiman' or will a 7520 be enough for my humble system? I intend to get a 'Homaric' cable for whatever I get. This will sit between my Sony 303 ES and my Yaqin...

    Cost is a bit of an issue. My recent 40th has swollen the coffers a bit but not enough... I want to know if I need to keep on saving...

    Jason
    ----------------------
    Before you criticise a man, walk a mile in his shoes. Then, when you do - you'll be a mile away. And have his shoes.

    Wavy grooves go thru a RigB 540ML on an SL1500C. Digits stream from a cheapie CDP and a Sonos, into a Yamaha 803D driving Kralk Audio little 'uns. I used to have a Linn but I'm better now.

  4. #344
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
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    Hi Jason,

    I've tried loads of dacs commercial and diy, in all honesty I've yet to hear anything that would beat the 7520 or Caiman in their particular price range

    I personally prefer Caiman based although the standard 7520 is also very good.
    Cheers,
    Leo

  5. #345
    Join Date: Aug 2009

    Location: Birmingham, UK

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    I'm Ian.

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    Quote Originally Posted by leo View Post
    Hi Jason,

    I've tried loads of dacs commercial and diy, in all honesty I've yet to hear anything that would beat the 7520 or Caiman in their particular price range

    I personally prefer Caiman based although the standard 7520 is also very good.
    As a matter of interest, have you compared Stan's products to much more expensive DAC's?

    I like the Caiman, but I just wish it had remote control. As it does not, I have to run it through my pre-amp. What I really want is a DAC with a remote volume control that I can plug directly into my power amp.

    I am thinking of getting a Bel Canto Dac3, but at £2,000 it's a "considered purchase" as they say.

    Do you think the Bel Canto will be significantly better than the Caiman? Or maybe just as good? Or worse?

    I'd hate to spend £2k and find it sounds worse!!!?|!

  6. #346
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Chippy,

    I'd advise you to forget all about the Bel Canto (it's a typical example of commercial over-priced so-called 'high-end' kit that flatters to deceive) and PM Duncan to build you one of these copper DACs, shown in his system pictures here, should you wish to change from the Caiman:

    http://theartofsound.net/forum/showthread.php?t=3936

    He'll build you one for about £400 and it'll piss all over the Bel Canto, trust me. Steve Toy (my co-administrator) uses the Bel Canto CDP and we were over today doing an A/B comparison between it when used as a standalone CDP, and when Duncan's DAC was connected, bypassing the BC's internal DAC.

    Quite frankly, just how much better Dunc's DAC was compared to the internal one in the Bel Canto was embarrassing, bearing in mind that this is a £2400 CDP!!! Based on the evidence of what I heard today, I cannot see how the Bel Canto standalone DAC would be significantly better and would even hope to challenge the copper DAC.

    We also heard how Duncan's Sony Playstation 3 (a £250 supposed 'games console'), connected to his DAC, streaming lossless files completely outperformed the Bel Canto playing the same music on CD! The latter sounded quite broken, musically, in comparison.

    Duncan's copper DAC is undoubtedly one of the most outstanding bits of kit I've heard (I'm certain that it would give my £6k Audiocom modded Sony transport & DAC a hard time) and it is a veritable bargain. You should PM him and get more info.

    Anyway, I just thought that I would relate my experience to you. What you do from here now is up to you

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #347
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
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    Quote Originally Posted by Chippy_boy View Post
    As a matter of interest, have you compared Stan's products to much more expensive DAC's?

    I like the Caiman, but I just wish it had remote control. As it does not, I have to run it through my pre-amp. What I really want is a DAC with a remote volume control that I can plug directly into my power amp.

    I am thinking of getting a Bel Canto Dac3, but at £2,000 it's a "considered purchase" as they say.

    Do you think the Bel Canto will be significantly better than the Caiman? Or maybe just as good? Or worse?

    I'd hate to spend £2k and find it sounds worse!!!?|!


    I've not compared them directly no but didn't feel any commercial ready built stock unit I've heard over a grand warrants the price imo especially since going the diy route, some may give a marginal improvement, I've yet to hear any commercial unit that would totally blow it away
    If you want the cosmetics the more expensive route is probably the way to go

    I've only heard the Bel canto in another set up which I didn't like too much , I'd seriously consider borrowing/loaning one first before you get too excited about buying one
    Cheers,
    Leo

  8. #348
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Leo,

    Did you read my post above re: the Bel Canto?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #349
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
    Join Date: Jan 2008

    Location: Notts UK

    Posts: 1,804

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    Hi Marco,

    Yes, from what I've heard its not just the Bel Canto's thats shite with the analogue outs from their digital gear

    BTW Chippy, wanting to change to a 2k unit just because the Caiman lacks a remote seems a bit OTT
    Cheers,
    Leo

  10. #350
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,479
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Well, Leo, based on what I've heard from both the Bel Canto (as a DAC) and the Beresford 7520, I'd confidently say that the Caiman is likely to be better than both!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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