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Thread: Tisbury Audio Mini Passive Pre-amp

  1. #171
    Join Date: Aug 2010

    Location: Torquay, Devon.

    Posts: 5,683
    I'm Shane.

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    Marco,

    Is your Tisbury the ''Mini'' model?

    S.

  2. #172
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,278
    I'm Justin.

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    Quote Originally Posted by Marco View Post
    From experience of using many different types of pots (although not those in question), I'd have to agree. No pot I've used is as accurate/uncoloured sounding as a high-quality stepped attenuator

    Marco.
    The problem is stepped attenuators are a bit shite in other ways. I was using a Kondo M77 with a duff stepped attenuator. The contacts wear out, and equal pressure without oxidisation needs to be attained for BOTH channels. This just doesn't happen with a lot of older units.

    Therefore, I propose that they are in fact a bit shite if longevity is a concern..

    A P&G plastic pot will last way longer, feel fantastic when you twist it - and sound superb. So will an Alps RK series but TBH I prefer the P&G sonically - just sounds a bit smoother and more natural. At least that's what I have convinced myself to be the case. YMMV.

  3. #173
    Join Date: Jan 2013

    Location: Bristol

    Posts: 7,278
    I'm Justin.

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    BTW despite using P&Gs and then an Alps RK for many years I now use an active valve preamp. Not because of a lack of dynamics. Very probably because of added distortion my ears appear to like with this particular unit. It just produces a very spacious soundstage. It has a pretty cheap Alps Blue Velvet in it but the circuit somehow makes amends I believe.

    The "belief over reality" thang always worries me in this hobby. We convince ourselves of things that aren't really true quite a bit I reckon.

    Plus, active gain is necessary for some recordings or use with some TV channels/Blu Ray disks etc in my system.

  4. #174
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,556
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by User211 View Post
    The problem is stepped attenuators are a bit shite in other ways. I was using a Kondo M77 with a duff stepped attenuator. The contacts wear out, and equal pressure without oxidisation needs to be attained for BOTH channels. This just doesn't happen with a lot of older units.

    Therefore, I propose that they are in fact a bit shite if longevity is a concern..

    A P&G plastic pot will last way longer, feel fantastic when you twist it - and sound superb. So will an Alps RK series but TBH I prefer the P&G sonically - just sounds a bit smoother and more natural. At least that's what I have convinced myself to be the case. YMMV.
    Lol - well, that certainly isn't my experience! I've had a DACT stepped attenuator fitted to my Croft for about four years now. The amp is used for many hours every day, and I've had no problems whatsoever with contacts wearing out. It sounds stunningly good and significantly outperforms any pot I've used so far

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #175
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,556
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by southall-1998 View Post
    Marco,

    Is your Tisbury the ''Mini'' model?

    S.
    Hi Shane,

    Not sure if it's called a 'mini', but it's the older model with the plain wood fascia (no writing on it), point-to-point wiring (instead of PCBs), and no gain controls, etc, underneath. Nothing to interfere with the signal path. Just plain and simple!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #176
    Join Date: Aug 2010

    Location: Torquay, Devon.

    Posts: 5,683
    I'm Shane.

    Default

    Quote Originally Posted by Marco View Post
    Hi Shane,

    Not sure if it's called a 'mini', but it's the older model with the plain wood fascia (no writing on it), point-to-point wiring (instead of PCBs), and no gain controls, etc, underneath. Nothing to interfere with the signal path. Just plain and simple!

    Marco.

    Be nice if you post a pic of it with your system.

    S.

  7. #177
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,556
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Here's the original listing, showing the Tissy I've got (you can zoom in on the pics):

    http://www.ebay.co.uk/itm/Tisbury-Au...vip=true&rt=nc



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #178
    Join Date: Nov 2011

    Location: Newcastle UK

    Posts: 3,749
    I'm Rich.

    Default

    Quote Originally Posted by Marco View Post
    Here's the original listing, showing the Tissy I've got (you can zoom in on the pics):

    http://www.ebay.co.uk/itm/Tisbury-Au...vip=true&rt=nc



    Marco.
    I also enjoyed the change when I went passive too. You should fetch it along to the NEBO. Macca will have his NVA, I'll take my Icon Audio passive and if Nick comes again maybe we'll have a super dooper Music First too. MikRik usually brings his Prometheus TVC too. Now that would be interesting to see what differences there are between them all.
    One of these days... I'm going to cut you into little pieces.

  9. #179
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,556
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Rich,

    Yup, that sounds like a plan

    Don't get me wrong here though, the Tissy is NOT replacing the Croft. It was bought for a bit of fun, a) because I'd never heard a passive in my current system, and b) to reduce the 'heat count' in the system during the hot summer months.

    I'm happy to report that in that respect it's been a great success, and also sounds superb (much better than I thought it would - offering amazing value for money), but I'm not going to be abandoning the Croft anytime soon!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #180
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,034
    I'm inthescottishmafia.

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    Quote Originally Posted by RichB View Post
    I also enjoyed the change when I went passive too. You should fetch it along to the NEBO. Macca will have his NVA, I'll take my Icon Audio passive and if Nick comes again maybe we'll have a super dooper Music First too. MikRik usually brings his Prometheus TVC too. Now that would be interesting to see what differences there are between them all.
    I have one with a DACT Stepper I can bring too.
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

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