Have you asked Wes @Tisbury about it?
Senior Member
Location: gone
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I'm gone.
Have you asked Wes @Tisbury about it?
.
Senior Member
Location: Bristol
Posts: 7,290
I'm Justin.
No.
I haven't checked recently but the last time I did I didn't see any R/C versions. They are super smooth, and very silent in operation and should stay that way. They also aren't cheap. Two discounted monos like these wouldn't be too bad though, in an appropriate rating for your kit. I recommend you try them Jerry, FWIW.
http://www.ebay.com/itm/Penny-Giles-...item20fdf41767
A stereo version with an R/C geared motor driving it would work but that really would require more than Tisbury would accommodate without going to the drawing board. Gotta have R/C, me.
Senior Member
Location: Bristol
Posts: 7,290
I'm Justin.
Fount Master & Administrator
Location: Essex
Posts: 37,820
I'm openingabottleofwine.
Penny and Giles make some superb pots - probably the best there are. They are used in my Mark Levinson preamps.
Barry
Trade: LDR
Location: North Island New Zealand
Posts: 1,715
I'm Chris.
And would be much better to progress audio appreciation if it was recognized pots are not superb passing audio signals, always degrading audio quality. They are though quite useful passing DC current to a much better device.Originally Posted by Barry
LDR internal.jpeg
Cheers / Chris
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,596
I'm AudioAl'sArbiterForPISHANTO.
From experience of using many different types of pots (although not those in question), I'd have to agree. No pot I've used is as accurate/uncoloured sounding as a high-quality stepped attenuator
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,596
I'm AudioAl'sArbiterForPISHANTO.
Well, the Tissy has arrived.... Jeez, this little thing has no Goddamn right to sound so good!!
Anyone want to buy a Croft? Lol... Ok, it's not quite *that* good, but for £85, second-hand? Fooking ridiculously good is what it is..........! More later (after much music listening)
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Super Moderator
Location: W Lothian
Posts: 98,920
I'm Grant.
Yup they do sound good although not tried the new one. mind you they only sound as good as what youve got it attached to
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Oh my god! There's nothing wrong with the bidet is there?
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Drunken Administrator
Location: Staffordshire, England
Posts: 43,395
I'm Martin.
I thought it lacked impact in my system. Try playing something where the snare really hits you between the eyes and see if it softens that effect any.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,596
I'm AudioAl'sArbiterForPISHANTO.
No lack of impact here, dude, trust me - not in the slightest. The Copper amp is very sensitive (as are the Tannoys), and I'm using short, 0.5m (Klotz) interconnects.
It's as slammy as a very slammy thing! And oh so fast and dynamic, wide-open and transparent, not to mention effortlessly musical sounding. If I didn't have the Croft (and also needed its in-built phono stage), I could quite happily live with the Tissy as my main 'line controller' - yup, it's that good [no matter whether the Sony CDP is used or the RPi]!
Mind you, there's something a bit bonkers [IMO, in a good way] about using an £85 passive preamp with a £5k valve amp...
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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